In this Issue

Table of Contents

Editorial Comment: Specters, States, and Solidarities

Laura Edmondson
pp. xi-xiv
DOI: https://doi.org/10.1353/tj.2022.0039
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Neoliberal Transactions: Staging Prostitution in the Mexican Nation

Analola Santana
pp. 129-150
DOI: https://doi.org/10.1353/tj.2022.0041
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To Be Free of Air: Narrative and Negation in the Alexander Plays

Esther Beth Sullivan
pp. 151-172
DOI: https://doi.org/10.1353/tj.2022.0043
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Abolition Dramaturgies: Reformance, Waywardness, and the End of the World

Nicholas Fesette
pp. 173-192
DOI: https://doi.org/10.1353/tj.2022.0044
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Haunting "Presences": A Discourse on Dreams and Dedications in Francis Imbuga's Drama

Charles Kipng'eno Rono
pp. 193-206
DOI: https://doi.org/10.1353/tj.2022.0045
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On the Benefits of Plague: Polish Fringe Theatre in 2020

Edyta Lorek-Jezińska, Marek Jeziński, Piotr Domeracki
pp. 207-226
DOI: https://doi.org/10.1353/tj.2022.0046
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Acht Ungleich Eins by Rainer Werner Fassbinder (review)

Jessica Rizzo
pp. 227-229
DOI: https://doi.org/10.1353/tj.2022.0053
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100% Hong Kong by Rimini Protokoll (review)

Joanna Mansbridge, Soo Ryon Yoon
pp. 229-231
DOI: https://doi.org/10.1353/tj.2022.0060
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Bozal by Richard Viqueira (review)

Analola Santana
pp. 231-234
DOI: https://doi.org/10.1353/tj.2022.0035
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Frida … A Self Portrait by Vanessa Severo (review)

Jenna Tamimi
pp. 234-236
DOI: https://doi.org/10.1353/tj.2022.0033
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A Great Leap by Lauren Yee (review)

Melissa Lin Sturges
pp. 236-239
DOI: https://doi.org/10.1353/tj.2022.0037
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Beckett Sa Chreig: Laethanta Sona (Happy Days) by Samuel Beckett (review)

Céline Thobois
pp. 239-241
DOI: https://doi.org/10.1353/tj.2022.0048
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Wild: A Musical Becoming by Eve Ensler (review)

David Román
pp. 241-244
DOI: https://doi.org/10.1353/tj.2022.0052
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The Snowy Day: An Opera for all by Joel Thompson (review)

Danielle Ward-Griffin
pp. 244-246
DOI: https://doi.org/10.1353/tj.2022.0034
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Concerts For Kids: Story Pirates dir. by Brendan O'Grady (review)

Virginia Anderson
pp. 246-248
DOI: https://doi.org/10.1353/tj.2022.0056
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Party in The Bardo by Laurie Anderson and Jason Moran (review)

Dan Venning
pp. 248-253
DOI: https://doi.org/10.1353/tj.2022.0047
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Against the Current and into The Light: Performing History and Land In Coast Salish Territories and Vancouver's Stanley Park by Selena Couture (review)

Julie Burelle
pp. 255-256
DOI: https://doi.org/10.1353/tj.2022.0050
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Performing Ice ed. by Carolyn Philpott et al. (review)

Diana Looser
pp. 256-258
DOI: https://doi.org/10.1353/tj.2022.0058
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Corporeal Politics: Dancing East Asia ed. by Katherine Mezur and Emily Wilcox (review)

Fangfei Miao
pp. 258-259
DOI: https://doi.org/10.1353/tj.2022.0055
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The Natural Body in Somatics Dance Training by Doran George (review)

Donna A. Dragon
pp. 259-261
DOI: https://doi.org/10.1353/tj.2022.0054
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Theatremachine: Tadeusz Kantor in Context ed. by Magda Romanska and Kathleen Cioffi (review)

Mischa Twitchin
pp. 262-263
DOI: https://doi.org/10.1353/tj.2022.0071
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Women Adapting: Bringing Three Serials of The Roaring Twenties to Stage and Screen by Bethany Wood (review)

Sunny Stalter-Pace
pp. 263-264
DOI: https://doi.org/10.1353/tj.2022.0036
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Scenes From Bourgeois Life by Nicholas Ridout (review)

Ryan Anthony Hatch
pp. 264-266
DOI: https://doi.org/10.1353/tj.2022.0070
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Bernard Shaw and The Censors: Fights and Failures, Stage and Screen by Bernard F. Dukore (review)

Audrey McNamara
pp. 267-268
DOI: https://doi.org/10.1353/tj.2022.0051
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Necroperformance: Cultural Reconstructions of The War Body by Dorota Sajewska (review)

Patrick Scorese
pp. 268-269
DOI: https://doi.org/10.1353/tj.2022.0032
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Choreographing in Color: Filipinos, Hip-Hop, and The Cultural Politics of Euphemism by J. Lorenzo Perillo (review)

Al Evangelista
pp. 269-270
DOI: https://doi.org/10.1353/tj.2022.0057
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Rethinking Chinese Socialist Theaters of Reform: Performance Practice and Debate in the Mao Era ed. by Xiaomei Chen et al. (review)

Jen-Hao Walter Hsu
pp. 271-272
DOI: https://doi.org/10.1353/tj.2022.0049
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Luis Enrique Gutiérrez Ortiz Monasterio: A Playwright with a Contemporary Vision Rooted in Antiquity

Elka Fediuk, Luis Enrique Gutiérrez Ortiz Monasterio, Guillermo Avilés-Rodríguez
pp. E-17-E-26
DOI: https://doi.org/10.1353/tj.2022.0038
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Luis Enrique Gutiérrez Ortiz Monasterio: dramaturgo de mirada contemporánea con subsuelo de la antigüedad

Luis Enrique Gutiérrez Ortiz Monasterio, Elka Fediuk
pp. E-27-E-36
DOI: https://doi.org/10.1353/tj.2022.0040
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Director Deena Selenow and Playwright Antoinette Nwandu in Conversation

Deena Selenow, Antoinette Chinonye Nwandu
pp. E-37-E-46
DOI: https://doi.org/10.1353/tj.2022.0042
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