1. In This Issue
  2. Malcolm Compitello
  3. p. i
  4. DOI: 10.1353/hcs.2021.0014
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  1. About the Artist: Jeremy Singer
  2. Eva Karene Romero
  3. pp. 1-3
  4. DOI: 10.1353/hcs.2021.0007
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  1. De Sab (1841) a "Sab" (2014): cubanía y conflictos raciales en el Periodo Revolucionario
  2. Allen Guillermo Rivas Prado
  3. pp. 9-27
  4. DOI: 10.1353/hcs.2021.0002
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  1. "Venceréis, pero no convenceréis": Miguel de Unamuno, los Papeles de Salamanca y los límites de la interpretación
  2. Luis Álvarez-Castro
  3. pp. 46-65
  4. DOI: 10.1353/hcs.2021.0010
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  1. Hasta los dientes: una imagen intolerable de la impunidad en México
  2. Olga Salazar Pozos
  3. pp. 66-85
  4. DOI: 10.1353/hcs.2021.0001
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  1. "El dolor hay que saber acompañarlo": Entrevista a José Manuel Fajardo
  2. Daniela Flesler, Melissa Gartner, Noel Tarantino
  3. pp. 107-122
  4. DOI: 10.1353/hcs.2021.0015
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  1. Cine rural: representación cinematográfica del campo hasta la España vacía de hoy
  2. Jorge González del Pozo
  3. pp. 124-134
  4. DOI: 10.1353/hcs.2021.0000
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  1. Buscando a Perséfone: Cenizas del cielo de José Antonio Quirós y Amama de Asier Altuna
  2. Carmen Moreno-Nuño
  3. pp. 135-154
  4. DOI: 10.1353/hcs.2021.0026
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  1. Rural Space and Gendered Subjectivity in Carlos Saura's Elisa, vida mía (1977) and El séptimo día (2004)
  2. Sarah Thomas
  3. pp. 155-178
  4. DOI: 10.1353/hcs.2021.0005
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  1. El olivo (2016): metáfora del (des)enraizamiento identitario, rural y cultural
  2. María José Hellín García
  3. pp. 179-197
  4. DOI: 10.1353/hcs.2021.0017
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  1. Sobre un cierto registro infrapolítico del cine rural: Vida vaquera de Ramón Lluís Bande (2016)
  2. Pedro A. Aguilera-Mellado
  3. pp. 198-219
  4. DOI: 10.1353/hcs.2021.0008
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  1. Paisaje e imagen éxtima: el registro existencial en Trinta Lumes (Diana Toucedo) y O que arde (Oliver Laxe)
  2. Cristina Moreiras-Menor
  3. pp. 220-240
  4. DOI: 10.1353/hcs.2021.0025
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  1. Ecologismo y edenismo en el espacio rural de Cenizas del cielo
  2. Alfredo Martínez-Expósito
  3. pp. 241-256
  4. DOI: 10.1353/hcs.2021.0024
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  1. Municipios en Transición, economías alternativas y prácticas ecocinemáticas en Carrícola, Pueblo en Transición
  2. Jorge Marí, Kata Beilin
  3. pp. 257-274
  4. DOI: 10.1353/hcs.2021.0022
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  1. Rocking the Boat: Migration and Race in Contemporary Spanish Music by Silvia Bermúdez (review)
  2. Jeffrey K. Coleman
  3. pp. 293-294
  4. DOI: 10.1353/hcs.2021.0012
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  1. Doña Bárbara Unleashed: From Venezuelan Plains to International Screen by Jenni M. Lehtinen (review)
  2. Cristina E. Pardo Porto
  3. pp. 294-297
  4. DOI: 10.1353/hcs.2021.0021
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  1. Sex, Drugs, and Fashion in 1970s Madrid by Francisco Fernández de Alba (review)
  2. Benjamin Fraser
  3. pp. 297-298
  4. DOI: 10.1353/hcs.2021.0009
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  1. Galdós, 100 años después, y en el presente (Ensayos actualizadores) by Víctor Fuentes (review)
  2. Juan Jesús Payán
  3. pp. 298-300
  4. DOI: 10.1353/hcs.2021.0006
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  1. Poets, Philosophers, Lovers. On the Writings of Giannina Braschi ed. by Frederick Luis Aldama and Tess O'Dwyer (review)
  2. Thomas Rothe
  3. pp. 300-303
  4. DOI: 10.1353/hcs.2021.0013
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  1. Viewing Disability in Medieval Spanish Texts: Disgraced or Graced by Connie L. Scarborough (review)
  2. David Navarro
  3. pp. 303-306
  4. DOI: 10.1353/hcs.2021.0004
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  1. Aesthetics of Excess: The Art and Politics of Black and Latina Embodiment by Jillian Hernandez (review)
  2. Nidia M. Reyes
  3. pp. 306-308
  4. DOI: 10.1353/hcs.2021.0018
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  1. Poetry and Crisis: Cultural Politics And Citizenship in The Wake of The Madrid Bombings by Jill Robbins (review)
  2. César Méndez
  3. pp. 308-310
  4. DOI: 10.1353/hcs.2021.0003
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  1. Spanish Culture from Romanticism to the Present. Structures of Feeling by Jo Labanyi (review)
  2. Patricia López-Gay
  3. pp. 310-312
  4. DOI: 10.1353/hcs.2021.0020
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  1. Wall to Wall. Law as Culture in Latin America and Spain ed. by Cristina Pérez-Arranz et al. (review)
  2. Cristina Morales Segura
  3. pp. 312-314
  4. DOI: 10.1353/hcs.2021.0011
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