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In this Issue

Table of Contents

Essays

  1. Incomplete Dramaturgies
  2. Nora J. Williams
  3. pp. 1-22
  4. DOI: https://doi.org/10.1353/shb.2022.0000
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  1. Iago as the Racist-Function in Othello
  2. Eric Brinkman
  3. pp. 23-44
  4. DOI: https://doi.org/10.1353/shb.2022.0001
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  1. Audiences, American Sign Language, and Deafness in Shakespeare Performance
  2. Jill Marie Bradbury
  3. pp. 45-67
  4. DOI: https://doi.org/10.1353/shb.2022.0002
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  1. The Affective Appeal of Violence and the Violent Appeal of Affect: Titus Andronicus, Lucy Bailey, and Shakespeare’s Globe
  2. Thomas A. Oldham
  3. pp. 69-88
  4. DOI: https://doi.org/10.1353/shb.2022.0003
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  1. “Amantes del Barrio Franklin”: Reading Chilean Shakespeare Through Cultural Anthropophagy
  2. Morgan Graham
  3. pp. 89-114
  4. DOI: https://doi.org/10.1353/shb.2022.0004
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  1. Tracing Julie Taymor’s “Rough Magic” in Her Three Screen Shakespeares
  2. Kade Ivy
  3. pp. 115-138
  4. DOI: https://doi.org/10.1353/shb.2022.0005
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Performance Reviews

  1. Hamlet (review)
  2. Hassana Moosa
  3. pp. 139-143
  4. DOI: https://doi.org/10.1353/shb.2022.0006
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  1. Gallathea (review)
  2. Anita Raychawdhuri
  3. pp. 144-148
  4. DOI: https://doi.org/10.1353/shb.2022.0007
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  1. Romeo and Juliet (review)
  2. Elizabeth E. Tavares
  3. pp. 148-152
  4. DOI: https://doi.org/10.1353/shb.2022.0008
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  1. Merry Wives (review)
  2. Ali Madani
  3. pp. 152-156
  4. DOI: https://doi.org/10.1353/shb.2022.0009
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  1. Seize the King (review)
  2. Jennifer A. Low
  3. pp. 156-160
  4. DOI: https://doi.org/10.1353/shb.2022.0010
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  1. All’s Well That Ends Well and Macbeth (review)
  2. Noel Sloboda
  3. pp. 160-167
  4. DOI: https://doi.org/10.1353/shb.2022.0011
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  1. Henry V (review)
  2. Matthew M. Davis
  3. pp. 167-171
  4. DOI: https://doi.org/10.1353/shb.2022.0012
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  1. Twelfth Night (review)
  2. Janis Lull
  3. pp. 172-175
  4. DOI: https://doi.org/10.1353/shb.2022.0013
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  1. The Comedy of Errors (review)
  2. Barbara Ann Lukacs
  3. pp. 175-179
  4. DOI: https://doi.org/10.1353/shb.2022.0014
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  1. The Tempest (review)
  2. Lily Freeman-Jones
  3. pp. 180-183
  4. DOI: https://doi.org/10.1353/shb.2022.0015
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Book Review

  1. Unfixable Forms: Disability, Performance, and the Early Modern English Theater by Katherine Schaap Williams (review)
  2. Louise Geddes
  3. pp. 185-189
  4. DOI: https://doi.org/10.1353/shb.2022.0016
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