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Table of Contents

  1. Erratum
  3. p. i
  4. DOI: https://doi.org/10.1353/mss.2022.0000
  5. restricted access
  1. Wearing Down the Fence: Disrupting the Black–White Binary in Ernest J. Gaines’s Of Love and Dust
  2. Maria Hebert-Leiter
  3. pp. 143-160
  4. DOI: https://doi.org/10.1353/mss.2022.0001
  5. restricted access
  1. Elma Stuckey: The “Historian’s Poet Laureate”
  2. Matthew C. Hawk
  3. pp. 161-178
  4. DOI: https://doi.org/10.1353/mss.2022.0002
  5. restricted access
  1. (Re)writing Histories in the Crossing: Natasha Trethewey’s Poetics of Loss
  2. Faune Albert
  3. pp. 179-201
  4. DOI: https://doi.org/10.1353/mss.2022.0003
  5. restricted access
  1. Entropy and Equilibrium in Jean Toomer’s Cane
  2. Matt Phillips
  3. pp. 203-225
  4. DOI: https://doi.org/10.1353/mss.2022.0004
  5. restricted access
  1. Cold Mountain, Book to Film: Epic War Novel to Love Story
  2. Margaret D. Bauer
  3. pp. 227-246
  4. DOI: https://doi.org/10.1353/mss.2022.0005
  5. restricted access
  1. Policing Intimacy: Law, Sexuality, and the Color Line in Twentieth-Century Hemispheric American Literature by Jenna Grace Sciuto (review)
  2. Thomas B. Whalen
  3. pp. 247-250
  4. DOI: https://doi.org/10.1353/mss.2022.0006
  5. restricted access