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Table of Contents

  1. Interpolation as Critical Category
  2. Hannah Weaver
  3. pp. 1-32
  4. DOI: https://doi.org/10.1353/nlh.2022.0000
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  1. What Does Biodiversity Loss Feel Like? Realism in the Age of Extinction
  2. Adrienne Ghaly
  3. pp. 33-57
  4. DOI: https://doi.org/10.1353/nlh.2022.0001
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  1. Recovering Franz Kafka's Asbestos Factory
  2. Arthur Rose
  3. pp. 59-84
  4. DOI: https://doi.org/10.1353/nlh.2022.0002
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  1. Intricate Intimacies: Reading the Transatlantic Queer in Dinaw Mengestu's All Our Names
  2. Cajetan Iheka
  3. pp. 85-107
  4. DOI: https://doi.org/10.1353/nlh.2022.0003
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  1. Lil Wayne, Imitatio, and the Poetics of Cannibalism
  2. Andrew M. McClellan
  3. pp. 109-137
  4. DOI: https://doi.org/10.1353/nlh.2022.0004
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  1. Verbal Fframe-Advance: Toward a Cinematographic Sentence
  2. Garrett Stewart
  3. pp. 139-160
  4. DOI: https://doi.org/10.1353/nlh.2022.0005
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  1. Postcritique and the Problem of the Lay Reader
  2. Tobias Skiveren
  3. pp. 161-180
  4. DOI: https://doi.org/10.1353/nlh.2022.0006
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  1. Contributors
  2. p. 181
  3. DOI: https://doi.org/10.1353/nlh.2022.0007
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