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In this Issue

Table of Contents

  1. 'Titanic Cyclops' or 'Cyclopean Titan'?: Adamastor and Gonzalo Pérez's Ulyxea and Gregorio Hernández de Velasco's Eneida
  2. Thomas Clark
  3. pp. 5-24
  4. DOI: https://doi.org/10.1353/port.2022.0000
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  1. Josefa de Ayala and the Penitent Magdalen: 'Huma suavidade que me cercava toda'
  2. Jean Andrews
  3. pp. 25-44
  4. DOI: https://doi.org/10.1353/port.2022.0001
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  1. 'Um grito de alarme contra a degenerescência da espécie': Homosexuality and Decadence in the Anarchosyndicalist A Batalha in the Early 1920s
  2. Richard Cleminson, Diogo Duarte
  3. pp. 45-61
  4. DOI: https://doi.org/10.1353/port.2022.0002
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  1. Performing Revolution: Women's Artistic Agency and Democratization in Portugal (1974–79)
  2. Leonor de Oliveira
  3. pp. 62-77
  4. DOI: https://doi.org/10.1353/port.2022.0003
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  1. 'It was Pessoa that was consuming us': On Lisbon and The Year of the Death of Ricardo Reis
  2. Jerónimo Pizarro
  3. pp. 78-94
  4. DOI: https://doi.org/10.1353/port.2022.0004
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  1. Between Self and History: Trauma and Illusion of the Other in O Tibete de África by Margarida Paredes
  2. Lingchen Huang
  3. pp. 95-111
  4. DOI: https://doi.org/10.1353/port.2022.0005
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Reviews

  1. José Saramago: a escrita infinita ed. by Carlos Nogueira (review)
  2. Paulo de Medeiros
  3. pp. 112-114
  4. DOI: https://doi.org/10.1353/port.2022.0006
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  1. Livros que respiram: pensamento ecológico e solidariedade nas literaturas em português by André Corrêa de Sá (review)
  2. Pedro Lopes de Almeida
  3. pp. 115-118
  4. DOI: https://doi.org/10.1353/port.2022.0007
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  1. Brazilian Cinema and the Aesthetics of Ruins by Guilherme Carréra (review)
  2. Maria Inês Castro e Silva
  3. pp. 118-121
  4. DOI: https://doi.org/10.1353/port.2022.0008
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