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Table of Contents

  1. Josefa de Ayala and the Penitent Magdalen: 'Huma suavidade que me cercava toda'
  2. Jean Andrews
  3. pp. 25-44
  4. DOI: https://doi.org/10.1353/port.2022.0001
  5. restricted access
  1. Performing Revolution: Women's Artistic Agency and Democratization in Portugal (1974–79)
  2. Leonor de Oliveira
  3. pp. 62-77
  4. DOI: https://doi.org/10.1353/port.2022.0003
  5. restricted access
  1. 'It was Pessoa that was consuming us': On Lisbon and The Year of the Death of Ricardo Reis
  2. Jerónimo Pizarro
  3. pp. 78-94
  4. DOI: https://doi.org/10.1353/port.2022.0004
  5. restricted access
  1. Between Self and History: Trauma and Illusion of the Other in O Tibete de África by Margarida Paredes
  2. Lingchen Huang
  3. pp. 95-111
  4. DOI: https://doi.org/10.1353/port.2022.0005
  5. restricted access
  1. José Saramago: a escrita infinita ed. by Carlos Nogueira (review)
  2. Paulo de Medeiros
  3. pp. 112-114
  4. DOI: https://doi.org/10.1353/port.2022.0006
  5. restricted access
  1. Brazilian Cinema and the Aesthetics of Ruins by Guilherme Carréra (review)
  2. Maria Inês Castro e Silva
  3. pp. 118-121
  4. DOI: https://doi.org/10.1353/port.2022.0008
  5. restricted access