In this Issue

Table of Contents

'Titanic Cyclops' or 'Cyclopean Titan'?: Adamastor and Gonzalo Pérez's Ulyxea and Gregorio Hernández de Velasco's Eneida

Thomas Clark
pp. 5-24
DOI: https://doi.org/10.1353/port.2022.0000
restricted access

Josefa de Ayala and the Penitent Magdalen: 'Huma suavidade que me cercava toda'

Jean Andrews
pp. 25-44
DOI: https://doi.org/10.1353/port.2022.0001
restricted access

'Um grito de alarme contra a degenerescência da espécie': Homosexuality and Decadence in the Anarchosyndicalist A Batalha in the Early 1920s

Richard Cleminson, Diogo Duarte
pp. 45-61
DOI: https://doi.org/10.1353/port.2022.0002
restricted access

Performing Revolution: Women's Artistic Agency and Democratization in Portugal (1974–79)

Leonor de Oliveira
pp. 62-77
DOI: https://doi.org/10.1353/port.2022.0003
restricted access

'It was Pessoa that was consuming us': On Lisbon and The Year of the Death of Ricardo Reis

Jerónimo Pizarro
pp. 78-94
DOI: https://doi.org/10.1353/port.2022.0004
restricted access

Between Self and History: Trauma and Illusion of the Other in O Tibete de África by Margarida Paredes

Lingchen Huang
pp. 95-111
DOI: https://doi.org/10.1353/port.2022.0005
restricted access

José Saramago: a escrita infinita ed. by Carlos Nogueira (review)

Paulo de Medeiros
pp. 112-114
DOI: https://doi.org/10.1353/port.2022.0006
restricted access

Livros que respiram: pensamento ecológico e solidariedade nas literaturas em português by André Corrêa de Sá (review)

Pedro Lopes de Almeida
pp. 115-118
DOI: https://doi.org/10.1353/port.2022.0007
restricted access

Brazilian Cinema and the Aesthetics of Ruins by Guilherme Carréra (review)

Maria Inês Castro e Silva
pp. 118-121
DOI: https://doi.org/10.1353/port.2022.0008
restricted access