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Table of Contents

  1. The 2022 O’Shaughnessy Poetry Prize Winner
  2. Gerry Murphy
  3. pp. 5-7
  4. DOI: https://doi.org/10.1353/nhr.2022.0000
  5. restricted access
  1. Talking Birds & Brodsky
  2. Pat Boran
  3. pp. 9-12
  4. DOI: https://doi.org/10.1353/nhr.2022.0001
  5. restricted access
  1. Speranza and the Limits of Literary Nationalism
  2. Karen Steele
  3. pp. 35-54
  4. DOI: https://doi.org/10.1353/nhr.2022.0003
  5. restricted access
  1. New Poetry / Filíocht Nua
  2. Celia De Fréine, Frank Sewell
  3. pp. 55-67
  4. DOI: https://doi.org/10.1353/nhr.2022.0004
  5. restricted access
  1. Irish Catholicism in the 1950s: Stella Days and the Challenge of the Modern World
  2. Timothy J. White, Josette Smith
  3. pp. 68-80
  4. DOI: https://doi.org/10.1353/nhr.2022.0005
  5. restricted access
  1. A New Form of Beauty: Irish Postpunk and the Liberalization of Ireland, 1977–1991
  2. Kenneth L. Shonk
  3. pp. 81-102
  4. DOI: https://doi.org/10.1353/nhr.2022.0006
  5. restricted access
  1. A Woman’s Heart: Women, Feminism, and a Communal Voice
  2. Joanne Cusack
  3. pp. 103-122
  4. DOI: https://doi.org/10.1353/nhr.2022.0007
  5. restricted access
  1. “Whiskey vs. Lager Beer— Bejabers”: The Irish, the Bête Noire of Lincoln’s Republican Party
  2. Greg Koos
  3. pp. 123-142
  4. DOI: https://doi.org/10.1353/nhr.2022.0008
  5. restricted access
  1. Still Life by Ciaran Carson (review)
  2. Jordan Smith
  3. pp. 151-157
  4. DOI: https://doi.org/10.1353/nhr.2022.0011
  5. restricted access
  1. Clúdach / Cover
  2. Angela Griffith
  3. pp. 158-160
  4. DOI: https://doi.org/10.1353/nhr.2022.0010
  5. restricted access