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Table of Contents

  1. Preservation for the Heartbroken
  2. Adam Vines
  3. p. 7
  4. DOI: https://doi.org/10.1353/plc.2022.0070
  5. restricted access
  1. What I Want to Say to Every Brown Body
  2. Sneha Subramanian Kanta
  3. p. 8
  4. DOI: https://doi.org/10.1353/plc.2022.0034
  5. restricted access
  1. Myths Are the Reference Points of a Culture
  2. Angelo Mao
  3. pp. 9-10
  4. DOI: https://doi.org/10.1353/plc.2022.0045
  5. restricted access
  1. It Could Also Whisper
  2. Amy Beeder
  3. p. 11
  4. DOI: https://doi.org/10.1353/plc.2022.0009
  5. restricted access
  1. Bird List
  2. Avigayl Sharp
  3. pp. 12-14
  4. DOI: https://doi.org/10.1353/plc.2022.0063
  5. restricted access
  1. Canadian Geese, and: Two Truths and a Lie
  2. Stacey Balkun
  3. pp. 15-18
  4. DOI: https://doi.org/10.1353/plc.2022.0007
  5. restricted access
  1. Livestream
  2. Matthew Tuckner
  3. pp. 19-21
  4. DOI: https://doi.org/10.1353/plc.2022.0068
  5. restricted access
  1. Solstice
  2. Denise Duhamel, Maureen Seaton
  3. p. 22
  4. DOI: https://doi.org/10.1353/plc.2022.0019
  5. restricted access
  1. How Many Times Did It Bloom
  2. Fei Sun
  3. pp. 23-26
  4. DOI: https://doi.org/10.1353/plc.2022.0067
  5. restricted access
  1. Águila
  2. Kirsten Vail Aguilar
  3. pp. 27-32
  4. DOI: https://doi.org/10.1353/plc.2022.0002
  5. restricted access
  1. Otherland
  2. Mee Ok Icaro
  3. pp. 33-35
  4. DOI: https://doi.org/10.1353/plc.2022.0031
  5. restricted access
  1. Mother of Nations
  2. Sarah Ghazal Ali
  3. p. 36
  4. DOI: https://doi.org/10.1353/plc.2022.0003
  5. restricted access
  1. Maternalique on the Monster's Bride
  2. Stacy Gnall
  3. pp. 37-38
  4. DOI: https://doi.org/10.1353/plc.2022.0027
  5. restricted access
  1. Silver
  2. Evan Williams
  3. p. 39
  4. DOI: https://doi.org/10.1353/plc.2022.0072
  5. restricted access
  1. Sound Pedagogies
  2. C. Kubasta
  3. pp. 40-41
  4. DOI: https://doi.org/10.1353/plc.2022.0035
  5. restricted access
  1. The autumn my sister ate a pint of liver pâté, she claimed warmth like brushfire coals simmered winterlong in her veins
  2. Corrie Williamson
  3. p. 42
  4. DOI: https://doi.org/10.1353/plc.2022.0074
  5. restricted access
  1. Untitled Landscape
  2. Jessica Yuan
  3. p. 43
  4. DOI: https://doi.org/10.1353/plc.2022.0075
  5. restricted access
  1. What We Understand
  2. Gloria L. Huang
  3. pp. 44-50
  4. DOI: https://doi.org/10.1353/plc.2022.0030
  5. restricted access
  1. Fantastically Real
  2. Marisa L. Manuel
  3. pp. 51-57
  4. DOI: https://doi.org/10.1353/plc.2022.0044
  5. restricted access
  1. The Library is Open
  2. Ruben Quesada
  3. p. 61
  4. DOI: https://doi.org/10.1353/plc.2022.0053
  5. restricted access
  1. Mark, and: With a Line by Paul Monette, and: Erased Lynching
  2. Ruben Quesada
  3. pp. 62-64
  4. DOI: https://doi.org/10.1353/plc.2022.0054
  5. restricted access
  1. High Noon Reclamation, and: Untitled 2 Ate Untitled 1
  2. Tania Chen
  3. pp. 65-66
  4. DOI: https://doi.org/10.1353/plc.2022.0013
  5. restricted access
  1. transgender tanka
  2. Rodolfo Avelar
  3. p. 67
  4. DOI: https://doi.org/10.1353/plc.2022.0006
  5. restricted access
  1. America, Inc.
  2. Steven Cordova
  3. p. 68
  4. DOI: https://doi.org/10.1353/plc.2022.0017
  5. restricted access
  1. Morningbirds
  2. Natalie Marino
  3. p. 69
  4. DOI: https://doi.org/10.1353/plc.2022.0046
  5. restricted access
  1. Four Snakes Makes Our Flag
  2. C.T. Salazar
  3. pp. 70-73
  4. DOI: https://doi.org/10.1353/plc.2022.0062
  5. restricted access
  1. La Cuenta, and: We Had to Become Doves: An American Sonnet
  2. Vickie Vértiz
  3. pp. 74-75
  4. DOI: https://doi.org/10.1353/plc.2022.0069
  5. restricted access
  1. The End of the World, and: (number per day) X (number of school days per year) X (number of years) = Xn or A Fraction of the Number of Times I Was Called the Name Between 3rd Grade and 8th Grade
  2. José Antonio Rodríguez
  3. pp. 76-78
  4. DOI: https://doi.org/10.1353/plc.2022.0060
  5. restricted access
  1. Xanadu, and: Essay on girlhood
  2. Daniel Garcia
  3. pp. 79-80
  4. DOI: https://doi.org/10.1353/plc.2022.0026
  5. restricted access
  1. Raptor
  2. Stella Lee
  3. p. 81
  4. DOI: https://doi.org/10.1353/plc.2022.0039
  5. restricted access
  1. Mí Boca Seca, and: Re|Zil|Ience
  2. Luis Lopez-Maldonado
  3. pp. 82-83
  4. DOI: https://doi.org/10.1353/plc.2022.0043
  5. restricted access
  1. Birdsong with a Buried Promise, and: Logbook of Dreams
  2. Aldo Amparán
  3. pp. 84-86
  4. DOI: https://doi.org/10.1353/plc.2022.0005
  5. restricted access
  1. Naturalization
  2. Darrel Alejandro Holnes
  3. pp. 87-88
  4. DOI: https://doi.org/10.1353/plc.2022.0029
  5. restricted access
  1. The Temptation of St. Anthony, and: Proof Cali, 1966
  2. Catalina Ocampo Londoño
  3. pp. 89-91
  4. DOI: https://doi.org/10.1353/plc.2022.0042
  5. restricted access
  1. Holes
  2. Gabriela Ramos
  3. p. 92
  4. DOI: https://doi.org/10.1353/plc.2022.0055
  5. restricted access
  1. Your Soul's Somewhere in LA
  2. Rachal Marquez Jones
  3. p. 93
  4. DOI: https://doi.org/10.1353/plc.2022.0033
  5. restricted access
  1. Brandon is a Wig-Maker
  2. Nico Amador
  3. p. 94
  4. DOI: https://doi.org/10.1353/plc.2022.0004
  5. restricted access
  1. After Jean Valentine's Death
  2. Isabella Piedad Escamilla
  3. pp. 95-97
  4. DOI: https://doi.org/10.1353/plc.2022.0022
  5. restricted access
  1. Terkos
  2. Miguel Soto
  3. pp. 98-99
  4. DOI: https://doi.org/10.1353/plc.2022.0066
  5. restricted access
  1. Diorama of a Missing Girl
  2. Veronica Silva
  3. pp. 100-101
  4. DOI: https://doi.org/10.1353/plc.2022.0064
  5. restricted access
  1. Ten Years Before I Met You
  2. Blas Falconer
  3. pp. 102-103
  4. DOI: https://doi.org/10.1353/plc.2022.0024
  5. restricted access
  1. The S on My Chest
  2. Raymond Camacho
  3. pp. 104-105
  4. DOI: https://doi.org/10.1353/plc.2022.0011
  5. restricted access
  1. The Body Is Not a Stone
  2. Helena Mesa
  3. p. 106
  4. DOI: https://doi.org/10.1353/plc.2022.0048
  5. restricted access
  1. Tranzgender Statement of Purpose
  2. Spencer Williams
  3. p. 107
  4. DOI: https://doi.org/10.1353/plc.2022.0073
  5. restricted access
  1. Apa Talks to Me About His Dreams, and: Postcard to L. Adame on the Day the World Ends
  2. Alondra Adame
  3. pp. 108-109
  4. DOI: https://doi.org/10.1353/plc.2022.0001
  5. restricted access
  1. El Pájaro Backtalks
  2. Antonia Silva
  3. p. 110
  4. DOI: https://doi.org/10.1353/plc.2022.0065
  5. restricted access
  1. Rectification Attempt #1
  2. Julio Cesar Diaz
  3. pp. 111-112
  4. DOI: https://doi.org/10.1353/plc.2022.0018
  5. restricted access
  1. Lividity
  2. Mateo Perez Lara
  3. p. 113
  4. DOI: https://doi.org/10.1353/plc.2022.0037
  5. restricted access
  1. This Essay is a Manipulation of Matter
  2. Jax Connelly
  3. pp. 115-123
  4. DOI: https://doi.org/10.1353/plc.2022.0015
  5. restricted access
  1. The Writer's Wife
  2. Kenneth A. Fleming
  3. pp. 124-131
  4. DOI: https://doi.org/10.1353/plc.2022.0025
  5. restricted access
  1. Living on the Other Side of the Moon
  2. Judith Cooper
  3. pp. 132-141
  4. DOI: https://doi.org/10.1353/plc.2022.0016
  5. restricted access
  1. Schoolyard Games
  2. Elvira Basevich
  3. pp. 142-143
  4. DOI: https://doi.org/10.1353/plc.2022.0008
  5. restricted access
  1. Mom at My Age
  2. Anonymous
  3. pp. 144-145
  4. DOI: https://doi.org/10.1353/plc.2022.0020
  5. restricted access
  1. My Mother as St. Agatha Bracing for Torture
  2. Bryce Emley
  3. p. 146
  4. DOI: https://doi.org/10.1353/plc.2022.0021
  5. restricted access
  1. Confession from Medusa's Head
  2. CD Eskilson
  3. pp. 147-148
  4. DOI: https://doi.org/10.1353/plc.2022.0023
  5. restricted access
  1. Acid Rain
  2. Amanda Hodes
  3. pp. 149-150
  4. DOI: https://doi.org/10.1353/plc.2022.0028
  5. restricted access
  1. Working Out
  2. Caleb Nolen
  3. p. 151
  4. DOI: https://doi.org/10.1353/plc.2022.0051
  5. restricted access
  1. Father beats his sons beneath an unmoored moon
  2. Doug Ramspeck
  3. p. 152
  4. DOI: https://doi.org/10.1353/plc.2022.0056
  5. restricted access
  1. Warning Label
  2. Collin Callahan
  3. p. 153
  4. DOI: https://doi.org/10.1353/plc.2022.0010
  5. restricted access
  1. "Hold onto your snowboots in Ithaca today, baby!"
  2. Alex Chertok
  3. p. 154
  4. DOI: https://doi.org/10.1353/plc.2022.0014
  5. restricted access
  1. Mural of Gold
  2. Jieyan Wang
  3. pp. 155-156
  4. DOI: https://doi.org/10.1353/plc.2022.0071
  5. restricted access
  1. The Other Day
  2. Jared McCormack
  3. pp. 157-160
  4. DOI: https://doi.org/10.1353/plc.2022.0047
  5. restricted access
  1. A Hearth is a Kind of Home
  2. Isaac Yuen
  3. pp. 161-165
  4. DOI: https://doi.org/10.1353/plc.2022.0076
  5. restricted access
  1. The Glasswing Butterfly
  2. Melissa Kwasny
  3. p. 166
  4. DOI: https://doi.org/10.1353/plc.2022.0036
  5. restricted access
  1. Where God Is
  2. Kharys Ateh Laue
  3. pp. 167-168
  4. DOI: https://doi.org/10.1353/plc.2022.0038
  5. restricted access
  1. The Last Time
  2. T. De Los Reyes
  3. pp. 169-170
  4. DOI: https://doi.org/10.1353/plc.2022.0058
  5. restricted access
  1. If the Body is a Metaphor
  2. Arien Reed
  3. pp. 171-173
  4. DOI: https://doi.org/10.1353/plc.2022.0057
  5. restricted access
  1. What to Expect: Your Guide to the Magic World of Pregnancy
  2. Caroline Plasket
  3. pp. 174-177
  4. DOI: https://doi.org/10.1353/plc.2022.0052
  5. restricted access
  1. Little Wrong Thing
  2. Austin Rodenbiker
  3. p. 178
  4. DOI: https://doi.org/10.1353/plc.2022.0059
  5. restricted access
  1. Miscarriage/Failed Blastula #1
  2. Elizabeth Lindsey Rogers
  3. pp. 179-181
  4. DOI: https://doi.org/10.1353/plc.2022.0061
  5. restricted access
  1. Plaster of Paris
  2. Mark Irwin
  3. p. 182
  4. DOI: https://doi.org/10.1353/plc.2022.0032
  5. restricted access
  1. Mule
  2. Rebecca Lehmann
  3. pp. 183-184
  4. DOI: https://doi.org/10.1353/plc.2022.0040
  5. restricted access
  1. Psalm acrostic after the very last day
  2. Josh Myers
  3. p. 185
  4. DOI: https://doi.org/10.1353/plc.2022.0050
  5. restricted access
  1. Le Spectre de la Rose
  2. David Moolten
  3. p. 186
  4. DOI: https://doi.org/10.1353/plc.2022.0049
  5. restricted access
  1. On Our Best Days
  2. Matthew Lippman
  3. pp. 187-188
  4. DOI: https://doi.org/10.1353/plc.2022.0041
  5. restricted access
  1. About Suffering
  2. Stephanie Douglass Carpenter
  3. pp. 189-193
  4. DOI: https://doi.org/10.1353/plc.2022.0012
  5. restricted access
  1. Contributors' Notes
  3. pp. 194-204
  4. DOI: https://doi.org/10.1353/plc.2022.0000
  5. restricted access