In this Issue

Table of Contents

The Performance of Friendship: Paschal de L'Estocart and his Circle at the University of Basel, 1581–1583

Melinda Latour
pp. 411-441
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Anthems and Politics in the Restoration Chapel Royal

Bryan White
pp. 442-481
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Choreographing Sensibility: Innocence and Politeness in Haydn's Hob. XVI: 40 and 42

Keri Hui
pp. 482-506
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Fragmenting Monumentality: Discontinuity and Incompleteness in Mahler's 'Der Abschied'

Dan Deutsch
pp. 507-558
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The Musical Conductors' Association: Collective Podium Power in Wartime Britain?

Fiona M. Palmer
pp. 559-598
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Songs of Sacrifice: Chant, Identity, and Christian Formation in Early Medieval Iberia by Rebecca Maloy (review)

Elsa De Luca
pp. 599-600
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Music, Dance and Drama in Early Modern English Schools by Amanda Eubanks Winkler (review)

Linda Phyllis Austern
pp. 601-603
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Oh that my Grief was Throughly Weigh'd by Henry Purcell (review)

Alan Howard
pp. 603-605
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Beethoven's Conversation Books, Volume 3: Nos 17–31 transed. by Theodore Albrecht (review)

Barry Cooper
pp. 605-607
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Beethoven Studies 4 ed. by Keith Chapin and David Wyn Jones (review)

Mark Ferraguto
pp. 607-610
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Mozart's Requiem in Pamplona (1844): Study and Music Edition / El Réquiem de Mozart en Pamplona (1844): Studio y edición musical by Miguel Ángel Marín (review)

Simon P. Keefe
pp. 610-612
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Liszt and Virtuosity ed. by Robert Doran (review)

Shaena B. Weitz
pp. 612-614
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Brahms's A German Requiem: Reconsidering its Biblical, Historical, and Musical Contexts by R. Allen Lott (review)

Martin Ennis
pp. 614-616
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The Cambridge Companion to Wagner's Der Ring des Nibelungen ed. by Berry Mark and Vazsonyi Nicholas (review)

Jeremy Coleman
pp. 616-619
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The Fauré Song Cycles: Poetry and Music, 1861–1921 by Stephen Rumph (review)

Adams Byron
pp. 619-621
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Debussy's Critics: Sound, Affect, and the Experience of Modernism by Alexandra Kieffer (review)

Christopher Moore
pp. 621-623
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Julius Korngold: Atonale Götzendämmerung: Kritische Beiträge zur Geschichte der Neumusik-Ismen (Wien 1937). Erstveröffentlichung. Faksimile, mit Vorwort, Kommentar und Anmerkungen ed. by Arne Stollberg, Oswald Panagl and Lukas Michaelis (review)

Tom Schneller
pp. 623-626
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Dmitry Shostakovich by Pauline Fairclough (review)

Patrick Zuk
pp. 626-629
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Schoenberg's Atonal Music: Musical Idea, Basic Image, and Specters of Tonal Function by Jack Boss (review)

Alexander Carpenter
pp. 629-632
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We Have always Been Minimalist: The Construction and Triumph of a Musical Style by Christophe Levaux (review)

Patrick Nickleson
pp. 633-635
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Rancière and Music ed. by João Pedro Cachopo, Patrick Nickleson and Chris Stover (review)

Edward Campbell
pp. 636-638
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The Art of Mbira: Musical Inheritance and Legacy by Paul F. Berliner, and: Mbira's Restless Dance: An Archive of Improvisation by Paul F. Berliner and Magaya Cosmas (review)

Michael Tenzer
pp. 638-641
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The Orient in Music—Music of the Orient ed. by Małgorzata Grajter (review)

Ralph P. Locke
pp. 641-643
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The Oxford Handbook of Sound and Imagination ed. by Mark Grimshaw-Aagaard, Mads Walther-Hansen and Martin Knakkergaard (review)

Carter Weleminsky
pp. 643-645
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The Westrup Prize

p. 646
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Recipients of 'Music & Letters' Awards

p. 647
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'Music & Letters' Awards

p. 650
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Authors of Articles in This Issue

p. 651
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Recent Titles

pp. 652-654
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