In this Issue

Table of Contents

Introduction

Lisa Jackson-Schebetta, Odai Johnson, Chrystyna Dail, Jonathan Shandell
pp. 1-8
DOI: https://doi.org/10.1353/ths.2021.0000
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PART I: Studies In Theatre History

Un-Reading Voltaire: The Ghost in the Cupboard of the House of Reason

Odai Johnson
pp. 11-30
DOI: https://doi.org/10.1353/ths.2021.0001
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Caricatured, Marginalized, and Erased: African American Artists and Philadelphia's Negro Unit of the FTP, 1936–1939

Jonathan Shandell
pp. 31-49
DOI: https://doi.org/10.1353/ths.2021.0002
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Stop Your Sobbing: White Fragility, Slippery Empathy, and Historical Consciousness in Branden Jacobs-Jenkins's Appropriate

Scott Proudfit
pp. 50-72
DOI: https://doi.org/10.1353/ths.2021.0003
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Asia and Alwin Nikolais: Interdisciplinarity, Orientalist Tendencies, and Midcentury American Dance

Angela K. Ahlgren
pp. 73-100
DOI: https://doi.org/10.1353/ths.2021.0004
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PART II: Witch Characters and Witchy Performance

Editor's Introduction to the Special Section: Shifting Shapes: Witch Characters and Witchy Performances

Chrystyna Dail
pp. 103-109
DOI: https://doi.org/10.1353/ths.2021.0005
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To Wright the Witch: The Case of Joanna Baillie's Witchcraft

Jane Barnette
pp. 110-125
DOI: https://doi.org/10.1353/ths.2021.0006
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Nothing Wicked This Way Comes: Shakespeare's Subversion of Archetypal Witches in The Winter's Tale

Jessica Ann Holt
pp. 126-140
DOI: https://doi.org/10.1353/ths.2021.0007
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Of Women and Witches: Performing the Female Body in Caryl Churchill's Vinegar Tom

Mamata Sengupta
pp. 141-156
DOI: https://doi.org/10.1353/ths.2021.0008
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(Un)Limited: The Influence of Mentorship and Father-Daughter Relationships on Elphaba's Heroine Journey in Wicked

Rebecca K. Hammonds
pp. 157-171
DOI: https://doi.org/10.1353/ths.2021.0009
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Immersive Witches: New York City under the Spell of Sleep No More and Then She Fell

David Bisaha
pp. 172-186
DOI: https://doi.org/10.1353/ths.2021.0010
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PART III: Essay From the Conference

New Conventions for a New Generation: High School Musicals and Broadway in the 2010s

Lindsey Mantoan
pp. 189-198
DOI: https://doi.org/10.1353/ths.2021.0011
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PART IV: Book Reviews

Edwin Forrest: A Biography and Performance History by Arthur W. Bloom (review)

David Carlyon
pp. 201-203
DOI: https://doi.org/10.1353/ths.2021.0012
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Political Dramaturgies and Theatre Spectatorship: Provocations for Change by Liz Tomlin (review)

Ryan Claycomb
pp. 203-206
DOI: https://doi.org/10.1353/ths.2021.0013
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Unfair Labor? American Indians and the 1893 World's Columbian Exposition in Chicago by David R. M. Beck (review)

Meredith Conti
pp. 206-209
DOI: https://doi.org/10.1353/ths.2021.0014
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Theatres of Contagion: Transmitting Early Modern to Contemporary Performance ed. by Fintan Walsh (review)

Jeremy Cornelius
pp. 209-211
DOI: https://doi.org/10.1353/ths.2021.0015
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Women Adapting: Bringing Three Serials of the Roaring Twenties to Stage and Screen by Bethany Wood (review)

Jennifer Ewing-Pierce
pp. 211-214
DOI: https://doi.org/10.1353/ths.2021.0016
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Irish Drama and Theatre Since 1950 by Patrick Lonergan (review)

Brice Ezell
pp. 214-216
DOI: https://doi.org/10.1353/ths.2021.0017
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Mixed Faith and Shared Feeling: Theater in Post-Reformation London by Musa Gurnis (review)

Thomas Fish
pp. 216-218
DOI: https://doi.org/10.1353/ths.2021.0018
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Haunted City: Three Centuries of Racial Impersonation in Philadelphia by Christian DuComb (review)

Paul Gagliardi
pp. 218-221
DOI: https://doi.org/10.1353/ths.2021.0019
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Memory, Transitional Justice, and Theatre in Postdictatorship Argentina by Noe Montez (review)

Elizabeth Gray
pp. 221-223
DOI: https://doi.org/10.1353/ths.2021.0020
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Imagining Cleopatra: Performing Gender and Power in Early Modern England by Yasmin Arshad (review)

William David Green
pp. 223-225
DOI: https://doi.org/10.1353/ths.2021.0021
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Occupying the Stage: The Theater of May '68 by Kate Bredeson (review)

Alícia Hernàndez Grande
pp. 225-228
DOI: https://doi.org/10.1353/ths.2021.0022
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Playing Sick: Performances of Illness in the Age of Victorian Medicine by Meredith Conti (review)

Alani Hicks-Bartlett
pp. 228-230
DOI: https://doi.org/10.1353/ths.2021.0023
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Staging Memory and Materiality in Eighteenth-Century Theatrical Biography by Amanda Weldy Boyd (review)

Rose Hilton
pp. 231-233
DOI: https://doi.org/10.1353/ths.2021.0024
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The Drama of Celebrity by Sharon Marcus (review)

Catherine Quirk
pp. 233-236
DOI: https://doi.org/10.1353/ths.2021.0025
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Books Received

pp. 237-239
DOI: https://doi.org/10.1353/ths.2021.0026
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Contributors

Contributors

pp. 241-243
DOI: https://doi.org/10.1353/ths.2021.0027
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