Project MUSE - Theatre History Studies-Volume 40, 2021

Introduction

Lisa Jackson-Schebetta, Odai Johnson, Chrystyna Dail, Jonathan Shandell

pp. 1-8

DOI: https://doi.org/10.1353/ths.2021.0000

Un-Reading Voltaire: The Ghost in the Cupboard of the House of Reason

Odai Johnson

pp. 11-30

DOI: https://doi.org/10.1353/ths.2021.0001

Caricatured, Marginalized, and Erased: African American Artists and Philadelphia's Negro Unit of the FTP, 1936–1939

Jonathan Shandell

pp. 31-49

DOI: https://doi.org/10.1353/ths.2021.0002

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Stop Your Sobbing: White Fragility, Slippery Empathy, and Historical Consciousness in Branden Jacobs-Jenkins's Appropriate

Scott Proudfit

pp. 50-72

DOI: https://doi.org/10.1353/ths.2021.0003

Asia and Alwin Nikolais: Interdisciplinarity, Orientalist Tendencies, and Midcentury American Dance

Angela K. Ahlgren

pp. 73-100

DOI: https://doi.org/10.1353/ths.2021.0004

Editor's Introduction to the Special Section: Shifting Shapes: Witch Characters and Witchy Performances

Chrystyna Dail

pp. 103-109

DOI: https://doi.org/10.1353/ths.2021.0005

To Wright the Witch: The Case of Joanna Baillie's Witchcraft

Jane Barnette

pp. 110-125

DOI: https://doi.org/10.1353/ths.2021.0006

Nothing Wicked This Way Comes: Shakespeare's Subversion of Archetypal Witches in The Winter's Tale

Jessica Ann Holt

pp. 126-140

DOI: https://doi.org/10.1353/ths.2021.0007

Of Women and Witches: Performing the Female Body in Caryl Churchill's Vinegar Tom

Mamata Sengupta

pp. 141-156

DOI: https://doi.org/10.1353/ths.2021.0008

(Un)Limited: The Influence of Mentorship and Father-Daughter Relationships on Elphaba's Heroine Journey in Wicked

Rebecca K. Hammonds

pp. 157-171

DOI: https://doi.org/10.1353/ths.2021.0009

Immersive Witches: New York City under the Spell of Sleep No More and Then She Fell

David Bisaha

pp. 172-186

DOI: https://doi.org/10.1353/ths.2021.0010

New Conventions for a New Generation: High School Musicals and Broadway in the 2010s

Lindsey Mantoan

pp. 189-198

DOI: https://doi.org/10.1353/ths.2021.0011

Edwin Forrest: A Biography and Performance History by Arthur W. Bloom (review)

David Carlyon

pp. 201-203

DOI: https://doi.org/10.1353/ths.2021.0012

Political Dramaturgies and Theatre Spectatorship: Provocations for Change by Liz Tomlin (review)

Ryan Claycomb

pp. 203-206

DOI: https://doi.org/10.1353/ths.2021.0013

Unfair Labor? American Indians and the 1893 World's Columbian Exposition in Chicago by David R. M. Beck (review)

Meredith Conti

pp. 206-209

DOI: https://doi.org/10.1353/ths.2021.0014

Theatres of Contagion: Transmitting Early Modern to Contemporary Performance ed. by Fintan Walsh (review)

Jeremy Cornelius

pp. 209-211

DOI: https://doi.org/10.1353/ths.2021.0015

Women Adapting: Bringing Three Serials of the Roaring Twenties to Stage and Screen by Bethany Wood (review)

Jennifer Ewing-Pierce

pp. 211-214

DOI: https://doi.org/10.1353/ths.2021.0016

Irish Drama and Theatre Since 1950 by Patrick Lonergan (review)

Brice Ezell

pp. 214-216

DOI: https://doi.org/10.1353/ths.2021.0017

Mixed Faith and Shared Feeling: Theater in Post-Reformation London by Musa Gurnis (review)

Thomas Fish

pp. 216-218

DOI: https://doi.org/10.1353/ths.2021.0018

Haunted City: Three Centuries of Racial Impersonation in Philadelphia by Christian DuComb (review)

Paul Gagliardi

pp. 218-221

DOI: https://doi.org/10.1353/ths.2021.0019

Memory, Transitional Justice, and Theatre in Postdictatorship Argentina by Noe Montez (review)

Elizabeth Gray

pp. 221-223

DOI: https://doi.org/10.1353/ths.2021.0020

Imagining Cleopatra: Performing Gender and Power in Early Modern England by Yasmin Arshad (review)

William David Green

pp. 223-225

DOI: https://doi.org/10.1353/ths.2021.0021

Occupying the Stage: The Theater of May '68 by Kate Bredeson (review)

Alícia Hernàndez Grande

pp. 225-228

DOI: https://doi.org/10.1353/ths.2021.0022

Playing Sick: Performances of Illness in the Age of Victorian Medicine by Meredith Conti (review)

Alani Hicks-Bartlett

pp. 228-230

DOI: https://doi.org/10.1353/ths.2021.0023

Staging Memory and Materiality in Eighteenth-Century Theatrical Biography by Amanda Weldy Boyd (review)

Rose Hilton

pp. 231-233

DOI: https://doi.org/10.1353/ths.2021.0024

The Drama of Celebrity by Sharon Marcus (review)

Catherine Quirk

pp. 233-236

DOI: https://doi.org/10.1353/ths.2021.0025

Books Received

pp. 237-239

DOI: https://doi.org/10.1353/ths.2021.0026

Contributors

pp. 241-243

DOI: https://doi.org/10.1353/ths.2021.0027

ISSN	2166-9953
Print ISSN	0733-2033
Launched on MUSE	2022-04-26
Open Access	No

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