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In this Issue

Table of Contents

  1. Introduction
  2. Lisa Jackson-Schebetta, Odai Johnson, Chrystyna Dail, Jonathan Shandell
  3. pp. 1-8
  4. DOI: https://doi.org/10.1353/ths.2021.0000
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  1. Un-Reading Voltaire: The Ghost in the Cupboard of the House of Reason
  2. Odai Johnson
  3. pp. 11-30
  4. DOI: https://doi.org/10.1353/ths.2021.0001
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  1. Caricatured, Marginalized, and Erased: African American Artists and Philadelphia's Negro Unit of the FTP, 1936–1939
  2. Jonathan Shandell
  3. pp. 31-49
  4. DOI: https://doi.org/10.1353/ths.2021.0002
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  1. Stop Your Sobbing: White Fragility, Slippery Empathy, and Historical Consciousness in Branden Jacobs-Jenkins's Appropriate
  2. Scott Proudfit
  3. pp. 50-72
  4. DOI: https://doi.org/10.1353/ths.2021.0003
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  1. Asia and Alwin Nikolais: Interdisciplinarity, Orientalist Tendencies, and Midcentury American Dance
  2. Angela K. Ahlgren
  3. pp. 73-100
  4. DOI: https://doi.org/10.1353/ths.2021.0004
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  1. Editor's Introduction to the Special Section: Shifting Shapes: Witch Characters and Witchy Performances
  2. Chrystyna Dail
  3. pp. 103-109
  4. DOI: https://doi.org/10.1353/ths.2021.0005
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  1. To Wright the Witch: The Case of Joanna Baillie's Witchcraft
  2. Jane Barnette
  3. pp. 110-125
  4. DOI: https://doi.org/10.1353/ths.2021.0006
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  1. Nothing Wicked This Way Comes: Shakespeare's Subversion of Archetypal Witches in The Winter's Tale
  2. Jessica Ann Holt
  3. pp. 126-140
  4. DOI: https://doi.org/10.1353/ths.2021.0007
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  1. Of Women and Witches: Performing the Female Body in Caryl Churchill's Vinegar Tom
  2. Mamata Sengupta
  3. pp. 141-156
  4. DOI: https://doi.org/10.1353/ths.2021.0008
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  1. (Un)Limited: The Influence of Mentorship and Father-Daughter Relationships on Elphaba's Heroine Journey in Wicked
  2. Rebecca K. Hammonds
  3. pp. 157-171
  4. DOI: https://doi.org/10.1353/ths.2021.0009
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  1. Immersive Witches: New York City under the Spell of Sleep No More and Then She Fell
  2. David Bisaha
  3. pp. 172-186
  4. DOI: https://doi.org/10.1353/ths.2021.0010
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  1. New Conventions for a New Generation: High School Musicals and Broadway in the 2010s
  2. Lindsey Mantoan
  3. pp. 189-198
  4. DOI: https://doi.org/10.1353/ths.2021.0011
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  1. Edwin Forrest: A Biography and Performance History by Arthur W. Bloom (review)
  2. David Carlyon
  3. pp. 201-203
  4. DOI: https://doi.org/10.1353/ths.2021.0012
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  1. Political Dramaturgies and Theatre Spectatorship: Provocations for Change by Liz Tomlin (review)
  2. Ryan Claycomb
  3. pp. 203-206
  4. DOI: https://doi.org/10.1353/ths.2021.0013
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  1. Unfair Labor? American Indians and the 1893 World's Columbian Exposition in Chicago by David R. M. Beck (review)
  2. Meredith Conti
  3. pp. 206-209
  4. DOI: https://doi.org/10.1353/ths.2021.0014
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  1. Theatres of Contagion: Transmitting Early Modern to Contemporary Performance ed. by Fintan Walsh (review)
  2. Jeremy Cornelius
  3. pp. 209-211
  4. DOI: https://doi.org/10.1353/ths.2021.0015
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  1. Women Adapting: Bringing Three Serials of the Roaring Twenties to Stage and Screen by Bethany Wood (review)
  2. Jennifer Ewing-Pierce
  3. pp. 211-214
  4. DOI: https://doi.org/10.1353/ths.2021.0016
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  1. Irish Drama and Theatre Since 1950 by Patrick Lonergan (review)
  2. Brice Ezell
  3. pp. 214-216
  4. DOI: https://doi.org/10.1353/ths.2021.0017
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  1. Mixed Faith and Shared Feeling: Theater in Post-Reformation London by Musa Gurnis (review)
  2. Thomas Fish
  3. pp. 216-218
  4. DOI: https://doi.org/10.1353/ths.2021.0018
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  1. Haunted City: Three Centuries of Racial Impersonation in Philadelphia by Christian DuComb (review)
  2. Paul Gagliardi
  3. pp. 218-221
  4. DOI: https://doi.org/10.1353/ths.2021.0019
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  1. Memory, Transitional Justice, and Theatre in Postdictatorship Argentina by Noe Montez (review)
  2. Elizabeth Gray
  3. pp. 221-223
  4. DOI: https://doi.org/10.1353/ths.2021.0020
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  1. Imagining Cleopatra: Performing Gender and Power in Early Modern England by Yasmin Arshad (review)
  2. William David Green
  3. pp. 223-225
  4. DOI: https://doi.org/10.1353/ths.2021.0021
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  1. Occupying the Stage: The Theater of May '68 by Kate Bredeson (review)
  2. Alícia Hernàndez Grande
  3. pp. 225-228
  4. DOI: https://doi.org/10.1353/ths.2021.0022
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  1. Playing Sick: Performances of Illness in the Age of Victorian Medicine by Meredith Conti (review)
  2. Alani Hicks-Bartlett
  3. pp. 228-230
  4. DOI: https://doi.org/10.1353/ths.2021.0023
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  1. Staging Memory and Materiality in Eighteenth-Century Theatrical Biography by Amanda Weldy Boyd (review)
  2. Rose Hilton
  3. pp. 231-233
  4. DOI: https://doi.org/10.1353/ths.2021.0024
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  1. The Drama of Celebrity by Sharon Marcus (review)
  2. Catherine Quirk
  3. pp. 233-236
  4. DOI: https://doi.org/10.1353/ths.2021.0025
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  1. Books Received
  2. pp. 237-239
  3. DOI: https://doi.org/10.1353/ths.2021.0026
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  1. Contributors
  2. pp. 241-243
  3. DOI: https://doi.org/10.1353/ths.2021.0027
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