In this Issue

Table of Contents

Erratum

p. i
DOI: https://doi.org/10.1353/ari.2022.0024
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A Walk to Forget: The Postcolonial Flâneur’s Negating Journey in Teju Cole’s Open City

Sara Faradji
pp. 1-26
DOI: https://doi.org/10.1353/ari.2022.0021
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“You Got a Thing about Prince?”: Worlding Hanif Kureishi’s The Black Album

Surbhi Malik
pp. 27-47
DOI: https://doi.org/10.1353/ari.2022.0020
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Secret Histories: Detective Fiction, Hermeneutic Skepticism, and Bad Readers in the Contemporary African Novel

Magalí Armillas-Tiseyra
pp. 49-79
DOI: https://doi.org/10.1353/ari.2022.0019
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Gothic Realism and Other Genre F(r)ictions in Contemporary Black Canadian Writing

Maureen Moynagh
pp. 81-111
DOI: https://doi.org/10.1353/ari.2022.0029
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H. M. Naqvi’s Home Boy as a Response to Post-9/11 Islamophobia and as Implicit Critique of Mohsin Hamid’s The Reluctant Fundamentalist

Ambreen Hai
pp. 113-147
DOI: https://doi.org/10.1353/ari.2022.0028
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Unformed Agency and Narrative Resistance in J. M. Coetzee’s Waiting for the Barbarians

Mike Lehman
pp. 149-173
DOI: https://doi.org/10.1353/ari.2022.0027
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Imagining Afghanistan: Global Fiction and Film of the 9/11 Wars by Alla Ivanchikova (review)

Hong Zeng
pp. 175-177
DOI: https://doi.org/10.1353/ari.2022.0022
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Imperial Intimacies: A Tale of Two Islands by Hazel V. Carby (review)

Jarula M. I. Wegner
pp. 178-181
DOI: https://doi.org/10.1353/ari.2022.0023
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Energy Culture: Art and Theory on Oil and Beyond ed. by Imre Szeman and Jeff Diamanti (review)

Pamela Banting
pp. 181-185
DOI: https://doi.org/10.1353/ari.2022.0026
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Political Adaptation in Canadian Theatre by Kailin Wright (review)

Sarah Banting
pp. 185-188
DOI: https://doi.org/10.1353/ari.2022.0025
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Contributors

pp. 189-190
DOI: https://doi.org/10.1353/ari.2022.0030
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