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Table of Contents

  1. Erratum
  2. p. i
  3. DOI: https://doi.org/10.1353/ari.2022.0024
  4. restricted access
  1. A Walk to Forget: The Postcolonial Flâneur’s Negating Journey in Teju Cole’s Open City
  2. Sara Faradji
  3. pp. 1-26
  4. DOI: https://doi.org/10.1353/ari.2022.0021
  5. restricted access
  1. “You Got a Thing about Prince?”: Worlding Hanif Kureishi’s The Black Album
  2. Surbhi Malik
  3. pp. 27-47
  4. DOI: https://doi.org/10.1353/ari.2022.0020
  5. restricted access
  1. Gothic Realism and Other Genre F(r)ictions in Contemporary Black Canadian Writing
  2. Maureen Moynagh
  3. pp. 81-111
  4. DOI: https://doi.org/10.1353/ari.2022.0029
  5. restricted access
  1. Unformed Agency and Narrative Resistance in J. M. Coetzee’s Waiting for the Barbarians
  2. Mike Lehman
  3. pp. 149-173
  4. DOI: https://doi.org/10.1353/ari.2022.0027
  5. restricted access
  1. Imagining Afghanistan: Global Fiction and Film of the 9/11 Wars by Alla Ivanchikova (review)
  2. Hong Zeng
  3. pp. 175-177
  4. DOI: https://doi.org/10.1353/ari.2022.0022
  5. restricted access
  1. Imperial Intimacies: A Tale of Two Islands by Hazel V. Carby (review)
  2. Jarula M. I. Wegner
  3. pp. 178-181
  4. DOI: https://doi.org/10.1353/ari.2022.0023
  5. restricted access
  1. Energy Culture: Art and Theory on Oil and Beyond ed. by Imre Szeman and Jeff Diamanti (review)
  2. Pamela Banting
  3. pp. 181-185
  4. DOI: https://doi.org/10.1353/ari.2022.0026
  5. restricted access
  1. Political Adaptation in Canadian Theatre by Kailin Wright (review)
  2. Sarah Banting
  3. pp. 185-188
  4. DOI: https://doi.org/10.1353/ari.2022.0025
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  1. Contributors
  2. pp. 189-190
  3. DOI: https://doi.org/10.1353/ari.2022.0030
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