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In this Issue

Table of Contents

  1. (Un)Just Acts: Shakespeare and Social Justice in Contemporary Performance
  2. David Sterling Brown, Sandra Young
  3. pp. 529-535
  4. DOI: https://doi.org/10.1353/shb.2021.0055
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  1. “Unicorns and Fairy Dust”: Talking Shakespeare, Performance, and Social (In)Justice
  2. Ayanna Thompson, Farah Karim-Cooper, David Sterling Brown
  3. pp. 537-558
  4. DOI: https://doi.org/10.1353/shb.2021.0056
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  1. 2020 Vision: Race, Performance, and Diversity in a Post-2020 America
  2. De’aris Rhymes
  3. pp. 559-575
  4. DOI: https://doi.org/10.1353/shb.2021.0057
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  1. I Feel Most White When I Am . . .: Foregrounding the “Sharp White Background” of Anchuli Felicia King’s Keene
  2. David Sterling Brown
  3. pp. 577-593
  4. DOI: https://doi.org/10.1353/shb.2021.0058
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  1. “Painted Blind”: Dressing and Addressing “Colorblind” Ideology in a South African and an American Dream
  2. Colette Gordon
  3. pp. 595-615
  4. DOI: https://doi.org/10.1353/shb.2021.0059
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  1. “I am content”: Race, Seduction, and Performances of Consent in The Hollow Crown
  2. Kirsten N. Mendoza
  3. pp. 617-635
  4. DOI: https://doi.org/10.1353/shb.2021.0060
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  1. Performing Shakespeare, Rewriting Disability
  2. Katherine Schaap Williams
  3. pp. 637-650
  4. DOI: https://doi.org/10.1353/shb.2021.0061
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  1. Two Othellos, Transitioning Anti-Blackness: A Dialogue with Skyler Cooper
  2. Sawyer K. Kemp
  3. pp. 651-665
  4. DOI: https://doi.org/10.1353/shb.2021.0062
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  1. Bending the Plot Arc Towards Justice: Adaptation as Rebellion Against the Shakespearean Status Quo
  2. Katherine Hennessey
  3. pp. 667-682
  4. DOI: https://doi.org/10.1353/shb.2021.0063
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  1. A “nation of such barbarous temper”: Beyond the White Savior of Sir Thomas More
  2. Ruben Espinosa
  3. pp. 683-694
  4. DOI: https://doi.org/10.1353/shb.2021.0064
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  1. Where We Belong (review)
  2. Alesha Claveria
  3. pp. 695-700
  4. DOI: https://doi.org/10.1353/shb.2021.0065
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  1. Othello (review)
  2. Chris Klippenstein
  3. pp. 700-704
  4. DOI: https://doi.org/10.1353/shb.2021.0067
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  1. The Winter’s Tale (review)
  2. Ella Hawkins
  3. pp. 704-708
  4. DOI: https://doi.org/10.1353/shb.2021.0068
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  1. A Midsummer Night’s Dream (review)
  2. Joseph F. Stephenson
  3. pp. 708-712
  4. DOI: https://doi.org/10.1353/shb.2021.0069
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  1. Romeo and Juliet (review)
  2. Nora J. Williams
  3. pp. 713-717
  4. DOI: https://doi.org/10.1353/shb.2021.0070
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  1. King Lear (review)
  2. José A. Pérez Díez
  3. pp. 717-722
  4. DOI: https://doi.org/10.1353/shb.2021.0071
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  1. King Lear (review)
  2. Noel Sloboda
  3. pp. 722-726
  4. DOI: https://doi.org/10.1353/shb.2021.0072
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  1. Hamlet . . . the rest is silence (review)
  2. Justin B. Hopkins
  3. pp. 726-729
  4. DOI: https://doi.org/10.1353/shb.2021.0073
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  1. The Revenger’s Tragedy (review)
  2. Keir Elam
  3. pp. 729-731
  4. DOI: https://doi.org/10.1353/shb.2021.0074
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  1. Marlowe Lives Cabaret (review)
  2. Robin Alfriend Kello
  3. pp. 732-735
  4. DOI: https://doi.org/10.1353/shb.2021.0066
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  1. Ghostly Fragments: Essays on Shakespeare and Performance by Barbara C. Hodgdon (review)
  2. Rob Conkie
  3. pp. 737-740
  4. DOI: https://doi.org/10.1353/shb.2021.0075
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