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Table of Contents

  1. Samori Touré and the Portable God: Imagining the Phonographic Conquest of West Africa
  2. Renée Altergott
  3. pp. 151-169
  4. DOI: https://doi.org/10.1353/ncf.2022.0008
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  1. “L’art d’évoquer les minutes heureuses”: Mélodie and Memory in the Année terrible
  2. Emily Kilpatrick
  3. pp. 170-185
  4. DOI: https://doi.org/10.1353/ncf.2022.0009
  5. restricted access
  1. Introduction: La race du côté littéraire
  2. Daniel Desormeaux
  3. pp. 186-197
  4. DOI: https://doi.org/10.1353/ncf.2022.0010
  5. restricted access
  1. Unfinished Business: Anti-Semitism, Racial Capitalism, and the Long Age of Empire
  2. Dorian Bell
  3. pp. 198-214
  4. DOI: https://doi.org/10.1353/ncf.2022.0000
  5. restricted access
  1. Race et ressort comique: l’invention théâtrale de “Bamboula”
  2. Sylvie Chalaye
  3. pp. 215-233
  4. DOI: https://doi.org/10.1353/ncf.2022.0001
  5. restricted access
  1. Depicting Racial Conflict in Charles Garand’s Georges le mulâtre (1878)
  2. Barbara T. Cooper
  3. pp. 234-248
  4. DOI: https://doi.org/10.1353/ncf.2022.0002
  5. restricted access
  1. La race des poètes
  2. Laurent Dubreuil
  3. pp. 249-263
  4. DOI: https://doi.org/10.1353/ncf.2022.0003
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  1. L’air du temps . . . Apollinaire et la race
  2. Jérémy Guedj
  3. pp. 264-279
  4. DOI: https://doi.org/10.1353/ncf.2022.0004
  5. restricted access
  1. La racialisation des identités à travers les publications à caractère pédagogique au sein de l’Empire colonial français
  2. Carole Reynaud-Paligot
  3. pp. 280-288
  4. DOI: https://doi.org/10.1353/ncf.2022.0005
  5. restricted access
  1. The Whore, the Text, and the Critics: Flaubert’s Kuchiuk Hanem as Postcolonial Fetish
  2. Jennifer Yee
  3. pp. 289-306
  4. DOI: https://doi.org/10.1353/ncf.2022.0006
  5. restricted access
  1. Nineteenth-Century French Studies: Index to vol. 50, nos. 1–4 Fall 2021–Summer 2022
  3. pp. 307-309
  4. DOI: https://doi.org/10.1353/ncf.2022.0007
  5. restricted access