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Table of Contents

  1. Introduction
  2. Jim Hicks
  3. pp. 8-9
  4. DOI: https://doi.org/10.1353/mar.2022.0000
  5. restricted access
  1. NOTICE OF ERRATUM:
  3. p. 10
  4. DOI: https://doi.org/10.1353/mar.2022.0028
  5. restricted access
  1. The Lion Tamer's Daughter vs. The Ledge
  2. Kemi Alabi
  3. p. 11
  4. DOI: https://doi.org/10.1353/mar.2022.0001
  5. restricted access
  1. A Thin Net over an Abyss
  2. Liyanage Amarakeerthi, Chamini Kulathunga
  3. pp. 12-20
  4. DOI: https://doi.org/10.1353/mar.2022.0002
  5. restricted access
  1. Of Bats and People
  2. Amaia Gabantxo
  3. pp. 21-32
  4. DOI: https://doi.org/10.1353/mar.2022.0003
  5. restricted access
  1. Please Don't Ask Us
  2. Lindsay Sproul
  3. pp. 33-35
  4. DOI: https://doi.org/10.1353/mar.2022.0004
  5. restricted access
  1. What Did Helen Do?
  2. Lee Upton
  3. pp. 36-37
  4. DOI: https://doi.org/10.1353/mar.2022.0005
  5. restricted access
  1. Butter Schooner
  2. Meg Pinto
  3. pp. 38-49
  4. DOI: https://doi.org/10.1353/mar.2022.0006
  5. restricted access
  1. Oil Tank Farm, and: Family Man in The Valley
  2. John Hennessy
  3. pp. 50-52
  4. DOI: https://doi.org/10.1353/mar.2022.0007
  5. restricted access
  1. Simple Past Present Perfect
  2. Aaron Hamburger
  3. pp. 53-70
  4. DOI: https://doi.org/10.1353/mar.2022.0008
  5. restricted access
  1. Inner Children, and: Psychotherapy
  2. Charif Shanahan
  3. pp. 71-76
  4. DOI: https://doi.org/10.1353/mar.2022.0009
  5. restricted access
  1. Gay Divorce (10th Avenue)
  2. Jason Schneiderman
  3. pp. 77-78
  4. DOI: https://doi.org/10.1353/mar.2022.0010
  5. restricted access
  1. Mizugiwa
  2. Ning Sullivan
  3. pp. 79-83
  4. DOI: https://doi.org/10.1353/mar.2022.0011
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  1. From The Odd Month
  2. Valeria Meiller, Whitney DeVos
  3. pp. 84-87
  4. DOI: https://doi.org/10.1353/mar.2022.0012
  5. restricted access
  1. Ars Poetica
  2. Lisa Low
  3. p. 88
  4. DOI: https://doi.org/10.1353/mar.2022.0013
  5. restricted access
  1. A City Will Share Her Secrets If You Know How To Ask
  2. Chitra Ganesh
  3. pp. 89-100
  4. DOI: https://doi.org/10.1353/mar.2022.0014
  5. restricted access
  1. Poet, Formerly Known as Activist, Formerly Known as Child Of God
  2. Cynthia Dewi Oka
  3. pp. 101-102
  4. DOI: https://doi.org/10.1353/mar.2022.0015
  5. restricted access
  1. Clarity: A One-Act Play
  2. Patricia Prewitt
  3. pp. 103-110
  4. DOI: https://doi.org/10.1353/mar.2022.0016
  5. restricted access
  1. Carpet Deals
  2. J. Malcolm Garcia
  3. pp. 111-127
  4. DOI: https://doi.org/10.1353/mar.2022.0017
  5. restricted access
  1. Eastern Washington Diptych
  2. Gabrielle Bates
  3. pp. 128-130
  4. DOI: https://doi.org/10.1353/mar.2022.0018
  5. restricted access
  1. The Poetry of Punishment
  2. Stacia Tolman
  3. pp. 131-139
  4. DOI: https://doi.org/10.1353/mar.2022.0019
  5. restricted access
  1. From This Is a Pipe
  2. Andrea Durlacher, Travis Price
  3. pp. 140-151
  4. DOI: https://doi.org/10.1353/mar.2022.0020
  5. restricted access
  1. Cockroach
  2. Juhea Kim
  3. pp. 152-160
  4. DOI: https://doi.org/10.1353/mar.2022.0021
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  1. Still Life
  2. Leah Umansky
  3. pp. 161-162
  4. DOI: https://doi.org/10.1353/mar.2022.0022
  5. restricted access
  1. Poison
  2. Katherine Kolupke
  3. pp. 163-175
  4. DOI: https://doi.org/10.1353/mar.2022.0023
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  1. Blue Moon
  2. C. Dale Young
  3. pp. 176-177
  4. DOI: https://doi.org/10.1353/mar.2022.0024
  5. restricted access
  1. Kabir
  2. Sakena Abedin
  3. pp. 178-185
  4. DOI: https://doi.org/10.1353/mar.2022.0025
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  1. Cautionary Statement Regarding Forward-Looking Statements
  2. Liza Watkins
  3. pp. 186-187
  4. DOI: https://doi.org/10.1353/mar.2022.0026
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  1. Notes on Contributors
  3. pp. 189-192
  4. DOI: https://doi.org/10.1353/mar.2022.0027
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