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Table of Contents

  1. From the Editor
  2. Siyuan Liu
  3. pp. iii-v
  4. DOI: https://doi.org/10.1353/atj.2022.0000
  5. restricted access
  1. Yi Kwang-su’s Gyuhan (Sorrows of the Inner Room): Korea’s First Modern Play?
  2. Owen Stampton
  3. pp. 58-82
  4. DOI: https://doi.org/10.1353/atj.2022.0002
  5. restricted access
  1. Theatre as Business: A Study of Shanxi Merchants’ Sponsorship of Theatrical Performances in Qing China
  2. Yunjie Hu
  3. pp. 89-109
  4. DOI: https://doi.org/10.1353/atj.2022.0003
  5. restricted access
  1. The “Homosexual Code” in Contemporary Korean Theatre: The Case of Shakespeares R & J in Seoul
  2. Yeeyon Im
  3. pp. 116-132
  4. DOI: https://doi.org/10.1353/atj.2022.0004
  5. restricted access
  1. Transnational Queer Solidarities and Ambivalent Affects in the Yeoseong Gukgeuk Project
  2. Roweena Yip
  3. pp. 139-158
  4. DOI: https://doi.org/10.1353/atj.2022.0005
  5. restricted access
  1. Reinventing Physical Culture through Yojō-han: A Midsummer Night’s Dream by Yasuda Masahiro
  2. Boram Choi
  3. pp. 162-180
  4. DOI: https://doi.org/10.1353/atj.2022.0006
  5. restricted access
  1. Isan Contemporary Performance: Embodied Isan Tone in Thai Contemporary Performance Making
  2. Tanatchaporn Kittikong
  3. pp. 185-203
  4. DOI: https://doi.org/10.1353/atj.2022.0007
  5. restricted access
  1. Mahābhārata Senki (review)
  2. Sang Mi Park
  3. pp. 209-213
  4. DOI: https://doi.org/10.1353/atj.2022.0008
  5. restricted access
  1. Shih-I Hsiung: A Glorious Showmanby Da Zheng (review)
  2. Weihong Du
  3. pp. 215-216
  4. DOI: https://doi.org/10.1353/atj.2022.0009
  5. restricted access
  1. Staging Personhood: Costuming in Early Qing Drama by Guojun Wang (review)
  2. Hanyang Jiang
  3. pp. 217-220
  4. DOI: https://doi.org/10.1353/atj.2022.0010
  5. restricted access
  1. A Couple Of Soles: A Comic Play From Seventeenth-Century Chinaby Li Yu (review)
  2. Whitney Emerson
  3. pp. 221-222
  4. DOI: https://doi.org/10.1353/atj.2022.0011
  5. restricted access
  1. Japanese Contemporary Objects, Manipulators, and Actors in Performanceby Mari Boyd (review)
  2. Peter Eckersall
  3. pp. 224-226
  4. DOI: https://doi.org/10.1353/atj.2022.0012
  5. restricted access
  1. Contemporary Group Theatre in Kolkata, Indiaby Arnab Banerji (review)
  2. Kristen Rudisill
  3. pp. 227-229
  4. DOI: https://doi.org/10.1353/atj.2022.0013
  5. restricted access
  1. Music of the Baduy People of Western Java: Singing Is a Medicineby Wim van Zanten (review)
  2. Kathy Foley
  3. pp. 230-232
  4. DOI: https://doi.org/10.1353/atj.2022.0014
  5. restricted access
  1. Shakespeare in Singapore: Performance, Education, and Culture by Philip Smith (review)
  2. Chelsea Curto
  3. pp. 236-238
  4. DOI: https://doi.org/10.1353/atj.2022.0016
  5. restricted access