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Table of Contents

  1. From the Editor
  2. Brenda Machosky
  3. p. 165
  4. DOI: https://doi.org/10.1353/apo.2020.0031
  5. restricted access
  1. About the Cover Image
  3. p. 166
  4. DOI: https://doi.org/10.1353/apo.2020.0032
  5. restricted access
  1. A Note on Anne Elder's Scenario for Summer
  2. Paul Kane
  3. pp. 167-168
  4. DOI: https://doi.org/10.1353/apo.2020.0033
  5. restricted access
  1. Scenario for Summer: Verses for Broadcasting
  2. Paul Kane
  3. pp. 169-177
  4. DOI: https://doi.org/10.1353/apo.2020.0034
  5. restricted access
  1. A Day of Some Confluence
  2. Dennis Nicholson
  3. pp. 178-179
  4. DOI: https://doi.org/10.1353/apo.2020.0035
  5. restricted access
  1. Modernity in the Antipodes: Politics and Aesthetics in Christina Stead's Seven Poor Men of Sydney
  2. Naish Gawen
  3. pp. 180-199
  4. DOI: https://doi.org/10.1353/apo.2020.0036
  5. restricted access
  1. Contemporary Historical Fiction and Kate Grenville's A Room Made of Leaves
  2. Charlotte Guest
  3. pp. 200-216
  4. DOI: https://doi.org/10.1353/apo.2020.0037
  5. restricted access
  1. Trouble
  2. Edith Speers
  3. p. 217
  4. DOI: https://doi.org/10.1353/apo.2020.0038
  5. restricted access
  1. Art Mistress
  2. Jena Woodhouse
  3. pp. 218-219
  4. DOI: https://doi.org/10.1353/apo.2020.0039
  5. restricted access
  1. Solitude
  2. Damen O'Brien
  3. pp. 220-221
  4. DOI: https://doi.org/10.1353/apo.2020.0040
  5. restricted access
  1. All You Have to Do Is Look: An Interview with Donna Coates
  2. Nicholas Birns
  3. pp. 222-232
  4. DOI: https://doi.org/10.1353/apo.2020.0041
  5. restricted access
  1. Introduction: The Eurocentric Gaze, Postcolonial Gothic, Indigenous Visions
  2. Eva Rueschmann
  3. pp. 233-241
  4. DOI: https://doi.org/10.1353/apo.2020.0042
  5. restricted access
  1. Countering the Eurocentric Gaze? Europe in the Antipodean Filmic Imagination
  2. Janine Hauthal
  3. pp. 242-261
  4. DOI: https://doi.org/10.1353/apo.2020.0043
  5. restricted access
  1. Death in Paradise: Beauty, Danger, Isolation, and Failure in Christine Jeffs's Rain (2001)
  2. Andrea Wright
  3. pp. 262-276
  4. DOI: https://doi.org/10.1353/apo.2020.0044
  5. restricted access
  1. "The house will come to you": Domestic Architecture in Contemporary Australian Literature and Film
  2. Ella Jeffery, Emma Doolan
  3. pp. 277-295
  4. DOI: https://doi.org/10.1353/apo.2020.0045
  5. restricted access
  1. History, Recognition, and the Trauma of Indigenous Enjoyment in The Chant of Jimmie Blacksmith
  2. Laurent Shervington
  3. pp. 296-312
  4. DOI: https://doi.org/10.1353/apo.2020.0046
  5. restricted access
  1. Cathy FREEMAN: Trailblazer, Black Activist, Kuku Yalanji Woman
  2. Felicity Collins
  3. pp. 313-328
  4. DOI: https://doi.org/10.1353/apo.2020.0047
  5. restricted access
  1. Children, Affect, and National Feelings: Shame in Taika Waititi's Boy (2010)
  2. Angela Marie Smith
  3. pp. 329-345
  4. DOI: https://doi.org/10.1353/apo.2020.0048
  5. restricted access
  1. Light Observations
  2. Andrew Lansdown
  3. pp. 346-347
  4. DOI: https://doi.org/10.1353/apo.2020.0049
  5. restricted access
  1. Mud
  2. Sam Morley
  3. p. 348
  4. DOI: https://doi.org/10.1353/apo.2020.0050
  5. restricted access
  1. A tin kettling
  2. Brendan Ryan
  3. p. 349
  4. DOI: https://doi.org/10.1353/apo.2020.0051
  5. restricted access
  1. Eastern seagull poem
  2. Susanne Kennedy
  3. p. 350
  4. DOI: https://doi.org/10.1353/apo.2020.0052
  5. restricted access
  1. Interval North
  2. Dominique Hecq
  3. pp. 351-360
  4. DOI: https://doi.org/10.1353/apo.2020.0053
  5. restricted access
  1. Somebody's Child
  2. Jena Woodhouse
  3. pp. 361-366
  4. DOI: https://doi.org/10.1353/apo.2020.0054
  5. restricted access
  1. Genetic Drift
  2. Rose Michael
  3. pp. 367-373
  4. DOI: https://doi.org/10.1353/apo.2020.0055
  5. restricted access
  1. K.J
  2. Geoff Goodfellow
  3. pp. 374-378
  4. DOI: https://doi.org/10.1353/apo.2020.0056
  5. restricted access
  1. Flighty Things
  2. Robyn Rowland
  3. p. 379
  4. DOI: https://doi.org/10.1353/apo.2020.0057
  5. restricted access
  1. A Kindness
  2. Kevin Hart
  3. p. 380
  4. DOI: https://doi.org/10.1353/apo.2020.0058
  5. restricted access
  1. What to Expect
  2. Cate Kennedy
  3. pp. 381-382
  4. DOI: https://doi.org/10.1353/apo.2020.0059
  5. restricted access
  1. Perth …: About the launch of Alf Taylor's God, the Devil and Me
  2. Per Henningsgaard
  3. pp. 383-384
  4. DOI: https://doi.org/10.1353/apo.2020.0060
  5. restricted access
  1. From Memory: Bruce Sutherland: Modest Pioneer
  2. John Barnes
  3. pp. 384-386
  4. DOI: https://doi.org/10.1353/apo.2020.0061
  5. restricted access
  1. The world of interspecies interaction
  2. Nicole Emanuel
  3. pp. 387-388
  4. DOI: https://doi.org/10.1353/apo.2020.0062
  5. restricted access
  1. Rich and varied portrait of a great man
  2. Nathanael O'Reilly
  3. pp. 389-390
  4. DOI: https://doi.org/10.1353/apo.2020.0063
  5. restricted access
  1. A subversive memoir of the Stolen Generations
  2. Per Henningsgaard
  3. pp. 390-392
  4. DOI: https://doi.org/10.1353/apo.2020.0064
  5. restricted access
  1. Nothing remains...
  2. Richard Carr
  3. pp. 392-394
  4. DOI: https://doi.org/10.1353/apo.2020.0065
  5. restricted access
  1. The pursuit of self and story
  2. Venus Fultz
  3. pp. 394-395
  4. DOI: https://doi.org/10.1353/apo.2020.0066
  5. restricted access
  1. Wonderful words flying around
  2. Jennifer Tilbury
  3. pp. 396-398
  4. DOI: https://doi.org/10.1353/apo.2020.0067
  5. restricted access
  1. A strange magic
  2. Kendalyn Mckisick
  3. pp. 398-400
  4. DOI: https://doi.org/10.1353/apo.2020.0068
  5. restricted access
  1. Pathos laced with anger
  2. James Roderick Burns
  3. pp. 400-401
  4. DOI: https://doi.org/10.1353/apo.2020.0069
  5. restricted access
  1. Contributors
  3. pp. 405-408
  4. DOI: https://doi.org/10.1353/apo.2020.0070
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