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In this Issue

Table of Contents

  1. Singing Cato: Poetic Grammar and Moral Citation in Medieval Latin Song
  2. Mary Channen Caldwell
  3. pp. 191-225
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  1. Creating a Tudor Musical Miscellany: The McGhie/Tenbury 389 Partbooks
  2. Katherine Butler
  3. pp. 234-256
  4. restricted access
  1. Made in Italy, Tailored for Danes: Giuseppe Sarti and Italian Opera in Copenhagen
  2. Christine Jeanneret
  3. pp. 271-293
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  1. Structural Dissonance Re-Imagined: The Finale of Elgar’s Violin Sonata, Op. 82
  2. Oliver Chandler
  3. pp. 294-316
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  1. Mad Men’ as a Sonic Symptomatology of Consumer Capitalism
  2. Marc Brooks
  3. pp. 317-346
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  1. Musicology Without Heroes
  2. Fabio Morabito
  3. pp. 347-361
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  1. Both from the Ears and Mind: Thinking about Music in Early Modern England by Linda Phyllis Austern (review)
  2. Katherine Butler
  3. pp. 362-364
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  1. Claudio Monteverdi: The Combat of Tancred and Clorinda. Between Mannerism and the Baroque by Pavel Sýkora (review)
  2. Massimo Ossi
  3. pp. 364-366
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  1. Musical Exchange between Britain and Europe, 1500– 1800:Essays in Honour of Peter Holman ed. by John Cunningham and Bryan White (review)
  2. Alon Schab
  3. pp. 366-369
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  1. Child Composers in the Old Conservatories: How Orphans Became Elite Musicians by Robert O. Gjerdingen (review)
  2. Barry Cooper
  3. pp. 369-371
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  1. Christoph Willibald Gluck: Bilder, Mythen, Diskurse ed. by Thomas Betzwieser, Michele Calella and Klaus Pietschmann (review)
  2. Julian Rushton
  3. pp. 371-373
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  1. Felice Giardini and Professional Music Culture in Mid-Eighteenth-Century London by Cheryll Duncan (review)
  2. David Hunter
  3. pp. 373-374
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  1. The Cambridge Companion to the Eroica Symphony ed. by Nancy November (review)
  2. Michael C. Tusa
  3. pp. 374-377
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  1. Rethinking Mendelssohn ed. by Benedict Taylor (review)
  2. R. Larry Todd
  3. pp. 377-381
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  1. Rossini after Rossini: Musical and Social Legacy ed. by Arnold Jacobshagen (review)
  2. Roger Parker
  3. pp. 381-382
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  1. Granville Bantock (1868–1946): A Guide to Research by John C. Dressler (review)
  2. Michael Allis
  3. pp. 383-385
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  1. Compositional Process in Elliott Carter’s String Quartets: A Study in Sketches by Laura Emmery (review)
  2. John Aylward
  3. pp. 385-387
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  1. Music and Politics: An Introduction by James Garratt (review)
  2. James Davis
  3. pp. 387-390
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  1. Postmodernity’s Musical Pasts ed. by Tina Frühauf (review)
  2. Björn Heile
  3. pp. 391-394
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  1. The Joy of Playing, the Joy of Thinking: Conversations about Art and Performance by Charles Rosen and Catherine Temerson (review)
  2. Anthony Gritten
  3. pp. 394-398
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  1. The Hum of the World: A Philosophy of Listening by Lawrence Kramer (review)
  2. Naomi Waltham-Smith
  3. pp. 398-401
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  1. The Cambridge Companion to Rhythm ed. by Russell Hartenberger and Ryan McClelland (review)
  2. Justin London
  3. pp. 401-402
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  1. ‘Music & Letters’ Awards
  2. p. 405
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  1. Authors of Articles in this Issue
  2. pp. 405-406
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  1. Recent Titles
  2. pp. 407-409
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