In this Issue

Table of Contents

Singing Cato: Poetic Grammar and Moral Citation in Medieval Latin Song

Mary Channen Caldwell
pp. 191-225
restricted access

Creating a Tudor Musical Miscellany: The McGhie/Tenbury 389 Partbooks

Katherine Butler
pp. 234-256
restricted access

Made in Italy, Tailored for Danes: Giuseppe Sarti and Italian Opera in Copenhagen

Christine Jeanneret
pp. 271-293
restricted access

Structural Dissonance Re-Imagined: The Finale of Elgar’s Violin Sonata, Op. 82

Oliver Chandler
pp. 294-316
restricted access

‘Mad Men’ as a Sonic Symptomatology of Consumer Capitalism

Marc Brooks
pp. 317-346
restricted access

Musicology Without Heroes

Fabio Morabito
pp. 347-361
restricted access

Both from the Ears and Mind: Thinking about Music in Early Modern England by Linda Phyllis Austern (review)

Katherine Butler
pp. 362-364
restricted access

Claudio Monteverdi: The Combat of Tancred and Clorinda. Between Mannerism and the Baroque by Pavel Sýkora (review)

Massimo Ossi
pp. 364-366
restricted access

Musical Exchange between Britain and Europe, 1500– 1800:Essays in Honour of Peter Holman ed. by John Cunningham and Bryan White (review)

Alon Schab
pp. 366-369
restricted access

Child Composers in the Old Conservatories: How Orphans Became Elite Musicians by Robert O. Gjerdingen (review)

Barry Cooper
pp. 369-371
restricted access

Christoph Willibald Gluck: Bilder, Mythen, Diskurse ed. by Thomas Betzwieser, Michele Calella and Klaus Pietschmann (review)

Julian Rushton
pp. 371-373
restricted access

Felice Giardini and Professional Music Culture in Mid-Eighteenth-Century London by Cheryll Duncan (review)

David Hunter
pp. 373-374
restricted access

The Cambridge Companion to the Eroica Symphony ed. by Nancy November (review)

Michael C. Tusa
pp. 374-377
restricted access

Rethinking Mendelssohn ed. by Benedict Taylor (review)

R. Larry Todd
pp. 377-381
restricted access

Rossini after Rossini: Musical and Social Legacy ed. by Arnold Jacobshagen (review)

Roger Parker
pp. 381-382
restricted access

Granville Bantock (1868–1946): A Guide to Research by John C. Dressler (review)

Michael Allis
pp. 383-385
restricted access

Compositional Process in Elliott Carter’s String Quartets: A Study in Sketches by Laura Emmery (review)

John Aylward
pp. 385-387
restricted access

Music and Politics: An Introduction by James Garratt (review)

James Davis
pp. 387-390
restricted access

Postmodernity’s Musical Pasts ed. by Tina Frühauf (review)

Björn Heile
pp. 391-394
restricted access

The Joy of Playing, the Joy of Thinking: Conversations about Art and Performance by Charles Rosen and Catherine Temerson (review)

Anthony Gritten
pp. 394-398
restricted access

The Hum of the World: A Philosophy of Listening by Lawrence Kramer (review)

Naomi Waltham-Smith
pp. 398-401
restricted access

The Cambridge Companion to Rhythm ed. by Russell Hartenberger and Ryan McClelland (review)

Justin London
pp. 401-402
restricted access

‘Music & Letters’ Awards

p. 405
restricted access

Authors of Articles in this Issue

pp. 405-406
restricted access

Recent Titles

pp. 407-409
restricted access