In this Issue

Table of Contents

The Artist Is Not Present

Mayfield Brooks
p. 2
restricted access

Investigating Early Dramaturgy and Theatre Directing in the Shabih'khani of the Qajar Era

Reza Kouchek-zadeh, Milad Azarm
pp. 7-36
restricted access

Visceral Data for Dance Histories: Katherine Dunham's People, Places, and Pieces

Harmony Bench, Kate Elswit
pp. 37-61
open access

Antiblack Joy: Transmedial Sīyāh Bāzī and Global Public Spheres

Parisa Vaziri
pp. 62-79
restricted access

Performance, Colonialism, and Survivals: Aby Warburg and the Matachines Dance in the US Southwestern Territories

Stephanie Vella
pp. 80-101
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A Radical Practice of Inclusion: Choreographing Race and Gender with Ananya Dance Theatre

Alessandra Lebea Williams
pp. 102-118
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Ayn and the Actor : The Immanent Truth in the Works of Ideogram Théâtre

Şebnem Sözer Özdemir
pp. 119-136
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Kaddish: Remembering Ludwik Flaszen (1930–2020)

Leszek Kolankiewicz, Mirosław Rusek
pp. 137-144
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Interrupting Immersive Immediacy: Pursuing Reflexive Hypermediacy in the Play of Participatory Performance

Jamie Harper
pp. 145-164
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The Paradox of Transitional-Justice Theatre in Taiwan: The Theatrical Ethics of Dark Eyes Performance Lab's Too Many Dreams in One Night

Fan-Ting Cheng
pp. 165-173
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Precarious Forms: Performing Utopia in the Neoliberal Americas by Candice Amich (review)

Olivia Michiko Gagnon
pp. 174-175
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Dancing Odissi: Paratopic Performances of Gender and State by Anurima Banerji (review)

Shanti Pillai
pp. 175-177
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Siren Song: Understanding Pakistan Through Its Women Singers by Fawzia Afzal-Khan (review)

Feriyal Amal Aslam
pp. 177-179
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In Between Subjects: A Critical Genealogy of Queer Performance by Amelia Jones (review)

Zhang Ranran (张冉冉)
pp. 179-181
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Playing Real: Mimesis, Media, and Mischief by Lindsay Brandon Hunter (review)

Daniel Larlham
pp. 182-183
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Performing Specimens: Contemporary Performance and Biomedical Display by Gianna Bouchard (review)

Margaret Werry
pp. 184-185
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More Books

Amy Yourd
pp. 185-187
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