In this Issue

Table of Contents

Editor’s Foreword

Alexander Pettit
pp. v-vi
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A Letter from Eugene O’Neill to Patrick McCartan (June 11, 1934); or, Yeats, the Abbey Theatre, and Days Without End (April 16, 1934)

Christopher Murray
pp. 1-15
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“A Step in the Right Direction”: Eugene O’Neill’s First Pulitzer Prizes, A Century Later

Dan Venning
pp. 16-38
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Infantilized Adults and Intergenerational Stasis in Long Day’s Journey Into Night, The Glass Menagerie, and Death of a Salesman

Kaitlyn Farrell Rodriguez
pp. 39-58
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Rare Air: Long Day’s Journey Into Night at American Stage

Patrick Midgley
pp. 59-68
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Contour in Time: The Plays of Eugene O’Neill by Travis Bogard (review)

Brenda Murphy, David Clare, Jackson R. Bryer
pp. 69-90
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Magnum Opus: The Cycle Plays of Eugene O’Neill by Zander Brietzke (review)

Chris Morash
pp. 91-95
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Circle in the Square Theatre: A Comprehensive History by Sheila Hickey Garvey (review)

Anne Fletcher
pp. 95-99
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The Last Will and Testament of Silverdene Emblem O’Neill by Alex Roe (review)

Valerie Joyce
pp. 100-101
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Enemies by Neith Boyce and Hutchins Hapgood (review)

Noelia Hernando-Real
pp. 102-105
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Trifles by Susan Glaspell, and: Sometimes I Sing (review)

Bess Rowen
pp. 106-109
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Not Smart by Wilbur Daniel Steele, and: The Silent Waiter by Alfred Kreymborg, and: Winter’s Night by Neith Boyce (review)

Jennifer Joan Thompson
pp. 110-114
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Trifles by Susan Glaspell (review)

Katherine Weiss
pp. 115-118
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