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Table of Contents

  1. 1619: The Dramatic Performance Traditions of North America's First Enslaved Africans
  2. Jeroen Dewulf
  3. pp. 417-442
  4. DOI: https://doi.org/10.1353/cdr.2021.0032
  5. restricted access
  1. Brechtian AlienAsian: Socialist ex Machina from Brecht's The Good Woman of Setzuan and David Hare's Fanshen
  2. Sheng-mei Ma
  3. pp. 443-463
  4. DOI: https://doi.org/10.1353/cdr.2021.0033
  5. restricted access
  1. Cold War Femininities in China and America: National Ideals and Uncontainable Performances in Tennessee Williams's A Streetcar Named Desire and Yang Lüfang's Cuckoo Sings Again
  2. Zhang Ranran (张冉冉)
  3. pp. 464-489
  4. DOI: https://doi.org/10.1353/cdr.2021.0034
  5. restricted access
  1. "I am underneath and oxygen is running out": Suicide as Genetically Inherited or as the Melancholy Identification with the Suicidal Mother in Alice Birch's Anatomy of a Suicide
  2. Alireza Fakhrkonandeh, Yiğit Sümbül
  3. pp. 490-527
  4. DOI: https://doi.org/10.1353/cdr.2021.0035
  5. restricted access
  1. Coronada y el toro by Francisco Nieva (review)
  2. Carey Kasten
  3. pp. 528-530
  4. DOI: https://doi.org/10.1353/cdr.2021.0036
  5. restricted access
  1. Performing Commedia dell'Arte, 1570-1630 by Natalie Crohn Schmitt (review)
  2. Robert Henke
  3. pp. 531-534
  4. DOI: https://doi.org/10.1353/cdr.2021.0037
  5. restricted access
  1. Diversifying Greek Tragedy on the Contemporary US Stage by Melinda Powers (review)
  2. Karelisa Hartigan
  3. pp. 535-537
  4. DOI: https://doi.org/10.1353/cdr.2021.0023
  5. restricted access
  1. Theatre and Knowledge by David Kornhaber (review)
  2. Paul A. Kottman
  3. pp. 538-539
  4. DOI: https://doi.org/10.1353/cdr.2021.0024
  5. restricted access
  1. Practical Cues and Social Spectacle in the Chester Plays by Matthew Sergi (review)
  2. Pamela M. King
  3. pp. 540-543
  4. DOI: https://doi.org/10.1353/cdr.2021.0025
  5. restricted access
  1. Laughter and Civility: the Theater of Emma Gad by Lynn R. Wilkinson (review)
  2. Ulla Kallenbach
  3. pp. 544-547
  4. DOI: https://doi.org/10.1353/cdr.2021.0026
  5. restricted access
  1. Tennessee Williams, T-shirt Modernism and the Refashionings of Theater by S. E. Gontarski (review)
  2. John S. Bak
  3. pp. 548-554
  4. DOI: https://doi.org/10.1353/cdr.2021.0027
  5. restricted access
  1. Dancing the Dharma: Religious and Political Allegory in Japanese Noh Theatre by Susan Blakely Klein (review)
  2. Elizabeth Oyler
  3. pp. 555-558
  4. DOI: https://doi.org/10.1353/cdr.2021.0028
  5. restricted access
  1. Gaming the Stage: Playable Media and the Rise of the English Commercial Theater by Gina Bloom (review)
  2. Rebecca Bushnell
  3. pp. 559-561
  4. DOI: https://doi.org/10.1353/cdr.2021.0029
  5. restricted access
  1. King Lear 'After' Auschwitz: Shakespeare, Appropriation and Theatres of Catastrophe in Post-War British Drama by Richard Ashby (review)
  2. Peter Holland
  3. pp. 562-565
  4. DOI: https://doi.org/10.1353/cdr.2021.0030
  5. restricted access
  1. Contributors
  3. pp. 566-569
  4. DOI: https://doi.org/10.1353/cdr.2021.0031
  5. restricted access