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Table of Contents

  1. Notes on Contributors
  3. p. iii
  4. DOI: https://doi.org/10.1353/itx.2002.0000
  5. restricted access
  1. The Train as Word-Image Intertext in the Films “Ballad of a Soldier” and “Thief”
  2. Peter I. Barta, Stephen Hutchings
  3. pp. 127-144
  4. DOI: https://doi.org/10.1353/itx.2002.0001
  5. restricted access
  1. Narration vs. Description in Georg Lukács’s History and Class Consciousness
  2. John Pizer
  3. pp. 145-164
  4. DOI: https://doi.org/10.1353/itx.2002.0002
  5. restricted access
  1. Towards a Theory of Citation: Florid S(C)ites in Rousseau’s “Deuxième Promenade”
  2. Jeanne-Hélène Roy
  3. pp. 165-184
  4. DOI: https://doi.org/10.1353/itx.2002.0003
  5. restricted access
  1. Olympe de Gouges: Feminine Sensibility and Political Posturing
  2. Lisa Beckstrand
  3. pp. 185-202
  4. DOI: https://doi.org/10.1353/itx.2002.0004
  5. restricted access
  1. Canadian Biraciality and Its “Zebra” Poetics: For Adrienne Shadd
  2. George Elliott Clarke
  3. pp. 203-231
  4. DOI: https://doi.org/10.1353/itx.2002.0005
  5. restricted access
  1. Masocriticism by Paul Mann (review)
  2. José Santos
  3. pp. 232-235
  4. DOI: https://doi.org/10.1353/itx.2002.0006
  5. restricted access