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Table of Contents

  1. Scenes of Writing: An Introduction
  2. Bryan Klausmeyer, Andrea Krauß, Johannes Wankhammer
  3. pp. 965-970
  4. DOI: https://doi.org/10.1353/mln.2021.0074
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  1. Writing; The Scene of Writing
  2. Rüdiger Campe, Bryan Klausmeyer, Johannes Wankhammer
  3. pp. 971-983
  4. DOI: https://doi.org/10.1353/mln.2021.0075
  5. restricted access
  1. The Art of Taking Note in G. Ch. Lichtenberg's Waste-Books
  2. Johannes Wankhammer
  3. pp. 984-1009
  4. DOI: https://doi.org/10.1353/mln.2021.0076
  5. restricted access
  1. Journals, Letters, Files: Work Poetics and Scenes of Writing around 1800
  2. Bryan Klausmeyer
  3. pp. 1010-1031
  4. DOI: https://doi.org/10.1353/mln.2021.0077
  5. restricted access
  1. Distinguishing Understanding: Writing-scenes in Hannah Arendt
  2. Andrea Krauß, Nils F. Schott
  3. pp. 1050-1069
  4. DOI: https://doi.org/10.1353/mln.2021.0079
  5. restricted access
  1. Scenography of Darkness: Thomas Bernhard's Amras
  2. Elisabeth Strowick, Amy J. Klement
  3. pp. 1070-1092
  4. DOI: https://doi.org/10.1353/mln.2021.0080
  5. restricted access
  1. The Bitmap is the Territory: How Digital Formats Render Global Positions
  2. Bernard Dionysius Geoghegan
  3. pp. 1093-1113
  4. DOI: https://doi.org/10.1353/mln.2021.0081
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  1. Writing Scenes and the Scene of Writing: A Postscript
  2. Rüdiger Campe
  3. pp. 1114-1133
  4. DOI: https://doi.org/10.1353/mln.2021.0082
  5. restricted access
  1. Leone Ebreo's Dialoghi d'amore: Elliptical Revelation?
  2. Joachim Küpper
  3. pp. 1134-1153
  4. DOI: https://doi.org/10.1353/mln.2021.0083
  5. restricted access
  1. Hölderlin's Dionysiac Foundations: Translation and the Communal Politics of (Un)natural Mothers
  2. Vanessa Gubbins
  3. pp. 1154-1187
  4. DOI: https://doi.org/10.1353/mln.2021.0084
  5. restricted access
  1. The Novelesco Realism of the European Peasant Question
  2. Erag Ramizi
  3. pp. 1188-1214
  4. DOI: https://doi.org/10.1353/mln.2021.0085
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  1. The Exception as the Rule in Art, Law, and Science
  2. Peter Steiner
  3. pp. 1215-1236
  4. DOI: https://doi.org/10.1353/mln.2021.0086
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  1. "Into without image": Paul Celan reading the moving image
  2. Jacob McGuinn
  3. pp. 1237-1260
  4. DOI: https://doi.org/10.1353/mln.2021.0087
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  1. Contributors
  2. pp. 1261-1263
  3. DOI: https://doi.org/10.1353/mln.2021.0088
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