1. Editorial Comment: Shooting
  2. E.J. Westlake
  3. pp. xi-xiii
  4. DOI: 10.1353/tj.2021.0140
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  1. Hands Up, Don’t Shoot: “Suicide,” Black Gun Ownership, and Restoring Black Masculinity on Black Arts Movement Stages
  2. La Donna L. Forsgren
  3. pp. 467-488
  4. DOI: 10.1353/tj.2021.0105
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  1. Remote CTRL: Rehearsing Performative Ethics in Theatres of Contemporary War
  2. Elise Morrison
  3. pp. 489-510
  4. DOI: 10.1353/tj.2021.0106
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  1. Hired Guns: Whiteness, Womanhood, and Progressive-era Shooting Promoters
  2. Meredith Conti
  3. pp. 511-532
  4. DOI: 10.1353/tj.2021.0107
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  1. Dramaturgies of Policing: Performance Theory, Police Violence, and the Limits of Accountability
  2. Patrick Anderson
  3. pp. 533-549
  4. DOI: 10.1353/tj.2021.0141
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  1. Blindness (review)
  2. Theresa Smalec
  3. pp. 551-553
  4. DOI: 10.1353/tj.2021.0108
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  1. La Dama Boba by Lope de Vega (review)
  2. Barbara Fuchs
  3. pp. 553-555
  4. DOI: 10.1353/tj.2021.0109
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  1. How To Catch Creation by Christina Anderson (review)
  2. Isaiah Matthew Wooden
  3. pp. 555-556
  4. DOI: 10.1353/tj.2021.0110
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  1. Tosca by Giacomo Puccini (review)
  2. Hannah Lewis
  3. pp. 557-559
  4. DOI: 10.1353/tj.2021.0111
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  1. Happy Days by Samuel Beckett (review)
  2. Mert Dilek
  3. pp. 559-561
  4. DOI: 10.1353/tj.2021.0112
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  1. MSH Zanbek (Not Your Fault) (review)
  2. Laila Ghoneim
  3. pp. 561-564
  4. DOI: 10.1353/tj.2021.0113
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  1. Safe House by Brendan Ragan (review)
  2. Valerie Barnes Lipscomb
  3. pp. 564-565
  4. DOI: 10.1353/tj.2021.0114
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  1. AIDA by Giuseppe Verdi and Antonio Ghislanzoni (review)
  2. Brandon LaReau
  3. pp. 566-568
  4. DOI: 10.1353/tj.2021.0115
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  1. Disclaimer by Tara Ahmadinejad (review)
  2. Elizabeth Schiffler
  3. pp. 568-570
  4. DOI: 10.1353/tj.2021.0116
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  1. Chang And Eng And Me (And Me) by Tobi Poster-Su (review)
  2. Catherine (Katya) Vrtis
  3. pp. 570-571
  4. DOI: 10.1353/tj.2021.0117
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  1. A Phone Call (review)
  2. Hui Peng
  3. pp. 571-573
  4. DOI: 10.1353/tj.2021.0118
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  1. LOST (1.5 m) by Cordula Däuper and Johannes Müller (review)
  2. Olivia Maria Schaaf
  3. pp. 573-575
  4. DOI: 10.1353/tj.2021.0119
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  1. In & Of Itself by Derek DelGaudio (review)
  2. Daniel Ciba
  3. pp. 575-576
  4. DOI: 10.1353/tj.2021.0120
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  1. Addiction and Devotion in Early Modern England by Rebecca Lemon (review)
  2. Emily C. Bartels
  3. pp. 577-578
  4. DOI: 10.1353/tj.2021.0121
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  1. Staging Personhood: Costuming In Early Qing Drama by Guojun Wang (review)
  2. Tan Jing
  3. pp. 578-580
  4. DOI: 10.1353/tj.2021.0122
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  1. Resurrecting The First Great American Play: Imperial Politics And Colonial Ambitions In Frontier Detroit by Sämi Ludwig (review)
  2. Jason Shaffer
  3. pp. 580-581
  4. DOI: 10.1353/tj.2021.0123
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  1. Dramatic Justice: Trial By Theatre In The Age Of The French Revolution by Yann Robert (review)
  2. Annelle Curulla
  3. pp. 581-582
  4. DOI: 10.1353/tj.2021.0124
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  1. Uncrossing The Borders: Performing Chinese in Gendered (Trans) Nationalism by Daphne P. Lei (review)
  2. Anne Rebull
  3. pp. 583-584
  4. DOI: 10.1353/tj.2021.0125
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  1. Copyright and the Value of Performance, 1770–1911 by Derek Miller (review)
  2. Sarah Meer
  3. pp. 584-585
  4. DOI: 10.1353/tj.2021.0126
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  1. Here In This Island We Arrived: Shakespeare and Belonging in Immigrant New York by Elisabeth H. Kinsley (review)
  2. Joel Berkowitz
  3. pp. 585-587
  4. DOI: 10.1353/tj.2021.0127
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  1. British Radio Drama, 1945–63 by Hugh Chignell (review)
  2. Aaron Botwick
  3. pp. 587-588
  4. DOI: 10.1353/tj.2021.0128
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  1. Performing Flight: From Barnstormers To Space Tourism by Scott Magelssen (review)
  2. James R. Ball III
  3. pp. 588-590
  4. DOI: 10.1353/tj.2021.0129
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  1. Flexible Bodies: British South Asian Dancers In An Age Of Neoliberalism by Anusha Kedhar (review)
  2. Ketu H. Katrak
  3. pp. 590-592
  4. DOI: 10.1353/tj.2021.0130
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  1. Performance and the Afterlives of Injustice: Dance and Live Art in Contemporary South Africa and Beyond by Catherine M. Cole (review)
  2. Meryl Lauer
  3. pp. 592-593
  4. DOI: 10.1353/tj.2021.0131
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  1. The Interdisciplinary Theatre of Ping Chong: Exploring Curiosity and Otherness on Stage by Yuko Kurahashi (review)
  2. James Frieze
  3. pp. 593-595
  4. DOI: 10.1353/tj.2021.0132
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  1. Staging Process: The Aesthetic Politics of Collective Performance by Rachel Anderson-Rabern (review)
  2. George McConnell
  3. pp. 595-596
  4. DOI: 10.1353/tj.2021.0133
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  1. The Bodies of Others: Drag Dances and Their Afterlives by Selby Wynn Schwartz (review)
  2. Alison Bory
  3. pp. 596-597
  4. DOI: 10.1353/tj.2021.0134
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  1. Performing Specimens: Contemporary Performance and Biomedical Display by Gianna Bouchard (review)
  2. Kélina Gotman
  3. pp. 598-599
  4. DOI: 10.1353/tj.2021.0135
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  1. Restaging Feminisms by Elaine Aston (review)
  2. Sarah Thomasson
  3. pp. 599-600
  4. DOI: 10.1353/tj.2021.0136
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  1. Shakespeare, Technicity, Theatre by W. B. Worthen (review)
  2. Amy Borsuk
  3. pp. 600-602
  4. DOI: 10.1353/tj.2021.0137
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  1. Privileged Spectatorship: Theatrical Interventions in White Supremacy by Dani Snyder-Young (review)
  2. Dorinne Kondo
  3. pp. 602-603
  4. DOI: 10.1353/tj.2021.0138
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  1. Futures of Dance Studies ed. by Susan Manning, Janice Ross, and Rebecca Schneider (review)
  2. Ariel Nereson
  3. pp. 603-605
  4. DOI: 10.1353/tj.2021.0139
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  1. INDEX TO VOLUME 73
  3. pp. 611-617
  4. DOI: 10.1353/tj.2021.0142
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  1. “Darkness is the degree to which the state can have their way with you”: A Conversation between Artist, Curator, and Writer Christopher Cozier and Sean Metzger
  2. Christopher Cozier, Sean Metzger
  3. pp. E-31-E-38
  4. DOI: 10.1353/tj.2021.0104
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