1. This That Life Beyond Your Own Life
  2. Joshua Bennett
  3. pp. 1-3
  4. DOI: 10.1353/cal.2018.0033
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  1. Fugitive Hope: The Constitutive Life in Black Elegies
  2. Marquis Bey
  3. pp. 4-12
  4. DOI: 10.1353/cal.2018.0034
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  1. Mourning under Siege: The Uses of Apocalypse in French Caribbean Letters
  2. Regine Joseph
  3. pp. 13-27
  4. DOI: 10.1353/cal.2018.0035
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  1. While Fishing Alone
  2. Elijah Bean
  3. p. 28
  4. DOI: 10.1353/cal.2018.0036
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  1. Lords of Sounds and Lesser Things
  2. Joshua Bennett
  3. pp. 29-43
  4. DOI: 10.1353/cal.2018.0037
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  1. Archive as Underworld in the Modern Long Poem
  2. Olivia Milroy Evans
  3. pp. 44-58
  4. DOI: 10.1353/cal.2018.0038
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  1. What Death Really Means
  2. D.M. Aderibigbe
  3. p. 59
  4. DOI: 10.1353/cal.2018.0039
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  1. 'This is what our dying looks like': Elegeía for Emmett Till
  2. Jared Sexton
  3. pp. 60-74
  4. DOI: 10.1353/cal.2018.0040
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  1. Like Priceless Treasures Sinking in The Sand
  2. Bernice Mbadugha
  3. p. 92
  4. DOI: 10.1353/cal.2018.0042
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  1. "look. look. look.": The Work of Black Aesthetics in Toni Morrison's Jazz
  2. Jovonna Jones
  3. pp. 93-104
  4. DOI: 10.1353/cal.2018.0043
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  1. Decrescendo, and: Levitation
  2. Tyrone S. Palmer
  3. pp. 105-106
  4. DOI: 10.1353/cal.2018.0044
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  1. Elegant Despair: Mourning Clothes and the Sartorial Conscience of James Baldwin's No Name in the Street
  2. Julia Michiko Hori
  3. pp. 107-123
  4. DOI: 10.1353/cal.2018.0045
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  1. 'The Sweet Meat of My Feelings': The Ghost of Leroi Jones, The Black Maternal, and the (Re)Birth of a Nation's Kweer
  2. L. Lamar Wilson
  3. pp. 124-145
  4. DOI: 10.1353/cal.2018.0046
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  1. Contributors
  2. pp. 146-147
  3. DOI: 10.1353/cal.2018.0047
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