In this Issue
The Journal of Dramatic Theory and Criticism was founded in 1986 at the University of Kansas, Department of Theatre, and publishes full-length articles that contribute to the varied conversations in dramatic theory and criticism, explore the relationship between theory and theatre practice, and/or examine the body of work by an individual author or a recent theoretical or critical trend. The Journal is published semiannually at the University of Kansas: the fall issue is published in December; the spring issue, in June.
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Volume 36, Number 1, Fall 2021Table of Contents
In the “Table of Contents” and subsequent “Global Performance Studies Titles” page in issue 36.1 (Fall 2021), Mary King was omitted from the authors of “Sympathetic Vibrations: Sense-ability, Medical Performance, and Hearing Histories of Hurt.” The correct citation is as follows:
King, Mary, Joan McCarthy, Órla O’Donovan, Róisín O’Gorman, and Margaret Werry. “Sympathetic Vibrations: Sense-ability, Medical Performance, and Hearing Histories of Hurt.” Global Performance Studies vol. 4, no. 2 (2021). DOI: 10.33303/gpsv4n2a3
Introductions
*Antemortem: Collaborative Research in Theatre and
Performance Studies
Kevin Brown, Felipe Cervera, Kyoko Iwaki, Eero Laine, and Kristof van Baarle
GPS 4, no. 2 (2021)
DOI: 10.33303/gpsv4n2a1
Articles
*Ensemblography: Making Collaboration through
Performing Writing
Tru Paraha, Jo Pollitt, Amaara Raheem, and Theron Schmidt
GPS 4, no. 2 (2021)
DOI: 10.33303/gpsv4n2a2
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View Politics and Poetics of Syncretism: Case Studies of the Bonbibi Cult, the Mappila Teyyam Performances, and Three Poems of the Bhakti Tradition from the Indian Subcontinent
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*Sympathetic Vibrations: Sense-ability, Medical
Performance, and Hearing Histories of Hurt
Mary King, Joan McCarthy, Órla O’Donovan, Róisín O’Gorman and Margaret Werry
GPS 4, no. 2 (2021)
DOI: 10.33303/gpsv4n2a3
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View Collaboratively Emergent Composition: Long-Form Improvisation and the Quest to Recover Upton Abbey
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*Changing Perspectives on Performance Collaboration:
Problematizing More-Than-Human Subjectivities
Alecks Ambayec, Renata Gaspar, Sozita Goudouna, Jan-Tage Kühling, and Simon Probst
GPS 4, no. 2 (2021)
DOI: 10.33303/gpsv4n2a4
*Tentacular Thinking in Storied Places: A Deep-Mapping
of an Art-Science-Activist Worlding in Necropolis (2017-Onward)
Christel Stalpaert, Arkadi Zaides, Michel Lussault, Philippe Rekacewicz, Aterlier Cartographique, and Igor
Dobricic
GPS 4, no. 2 (2021)
DOI: 10.33303/gpsv4n2a5
*When Zoom Roomed the World: Performing Network
Culture’s Enclosures
Sony Devabhaktuni, Joanna Mansbridge, and Susan Sentler
GPS 4, no. 2 (2021)
DOI:10.33303/gpsv4n2a6
Process
*Echolocation and Reverberation: Praxical Dispositifs
in Laboratory Theatre
Marije Nie, Adriana La Selva, Andrea Maciel, and Patrick Campbell
GPS 4, no. 2 (2021)
DOI: 10.33303/gpsv4n2a7
*From Embodiment to Emplacement: Artistic Research in
Insular Territories of the Guanabara Bay
Walmeri Ribeiro, Nathalie S. Fari, Cesar Baio, and Ruy Cezar Campo
GPS 4, no. 2 (2021)
DOI:10.33303/gpsv4n2a8
*Open Clasp, Open Archive: Intimacy and Distance in an Archival Collaboration
Kate Chedgzoy, Rosalind Haslett, Kate Sweeney, and Caterina McHugh
GPS 4, no. 2 (2021)
DOI:10.33303/gpsv4n2a9
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View Large-Scale Collaborative Research Projects in Theatre and Performance Studies: Resources, Politics, and Ethics in the Margins of Europe during the COVID-19 Pandemic
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Large-Scale Collaborative Research Projects in Theatre and Performance Studies: Resources, Politics, and Ethics in the Margins of Europe during the COVID-19 Pandemic
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Dialogues
*Video: Collaborating on Togetherness and Futurity in
Disability Arts
Kelsie Acton, Christiane Czymoch, and Tony McCaffrey
GPS 4, no. 2 (2021)
DOI:10.33303/gpsv4n2a10
*From Immersion to Interference: Sites of
Collaboration in Playing with Virtual Realities
Sabiha Ghellal, Einav Katan-Schmid, Ramona Mosse, Christian Stein, Nitsan Margaliot, and Lisanne Goodhue
GPS 4, no. 2 (2021)
DOI:10.33303/gpsv4n2a11
Book Reviews
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View Acting Chekhov in Translation: 4 Plays, 100 Ways by Robin Beth Levenson, and: Modern Theatre in Russia: Tradition Building and Transmission Process by Stefan Aquilina (review)
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Acting Chekhov in Translation: 4 Plays, 100 Ways by Robin Beth Levenson, and: Modern Theatre in Russia: Tradition Building and Transmission Process by Stefan Aquilina (review)
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View Irish on the Move: Performing Mobility in American Variety Theatre by Michelle Granshaw (review)
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Irish on the Move: Performing Mobility in American Variety Theatre by Michelle Granshaw (review)
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View War as Performance: Conflicts in Iraq and Political Theatricality by Lindsey Mantoan (review)
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War as Performance: Conflicts in Iraq and Political Theatricality by Lindsey Mantoan (review)
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Books Received
*Titles beginning with an asterisk can be found in the GPS: Global Performance Studies.
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| ISSN | 2165-2686 |
|---|---|
| Print ISSN | 0888-3203 |
| Launched on MUSE | 2021-12-27 |
| Open Access | No |
Copyright
Copyright © Department of Theatre, University of Kansas
