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In this Issue

Table of Contents

  1. New Suns
  2. Maia Gil'Adí, Justin L. Mann
  3. pp. 241-255
  4. DOI: https://doi.org/10.1353/asa.2021.0014
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  1. Blackness Unbound: An Interview with Mikael Owunna
  2. Maia Gil'Adí, Justin L. Mann
  3. pp. 257-271
  4. DOI: https://doi.org/10.1353/asa.2021.0015
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  1. "An Intergalactic Network of Solidarity": Editors' Forum on Worlds of Speculation and the Arts of the Present
  2. Maia Gil'Adí, Justin L. Mann
  3. pp. 273-274
  4. DOI: https://doi.org/10.1353/asa.2021.0016
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  1. Speculative Aesthetics: Resisting White Norms
  2. Ayendy Bonifacio
  3. pp. 274-279
  4. DOI: https://doi.org/10.1353/asa.2021.0017
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  1. The Outer Limits: Latinx Art History's Resident Alien(ation)
  2. Robb Hernández
  3. pp. 279-285
  4. DOI: https://doi.org/10.1353/asa.2021.0018
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  1. Fluid Objects: Speculations on Monumentality
  2. Moira O'Shea, Masha Vlasova
  3. pp. 285-290
  4. DOI: https://doi.org/10.1353/asa.2021.0019
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  1. Queer Talk: Black Leopard Red Wolf and the Black Diaspora
  2. Amber Jamilla Musser
  3. pp. 290-294
  4. DOI: https://doi.org/10.1353/asa.2021.0020
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  1. Other Possible Worlds: Hispaniola and the Speculative
  2. John D. Ribó
  3. pp. 294-298
  4. DOI: https://doi.org/10.1353/asa.2021.0021
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  1. Naming What Is: Black Feminist Speculative Pedagogies
  2. Carmel Ohman
  3. pp. 298-303
  4. DOI: https://doi.org/10.1353/asa.2021.0022
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  1. Do Better Now
  2. Michelle N. Huang
  3. pp. 303-307
  4. DOI: https://doi.org/10.1353/asa.2021.0023
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  1. Futuro Conjunto Liner Notes
  2. Maia Gil'Adí, Justin L. Mann
  3. pp. 309-310
  4. DOI: https://doi.org/10.1353/asa.2021.0024
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  1. Futuro Conjunto: A Transmedia Ballad
  2. Jonathan Leal
  3. pp. 311-326
  4. DOI: https://doi.org/10.1353/asa.2021.0025
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  1. Labor Out of Time: Forensic Performance in Kirsten Greenidge's Greater Good and Fullbright's Tacoma
  2. Takeo Rivera
  3. pp. 327-352
  4. DOI: https://doi.org/10.1353/asa.2021.0026
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  1. "This is how you hustle the arcane": The Unspeakable Thing Unspoken in Victor LaValle's The Ballad of Black Tom
  2. Yumi Pak
  3. pp. 353-378
  4. DOI: https://doi.org/10.1353/asa.2021.0027
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  1. The Rio Grande as It Could Be: Beatriz Cortez's The Underworld
  2. Carolyn Fornoff
  3. pp. 379-402
  4. DOI: https://doi.org/10.1353/asa.2021.0028
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  1. The Generative Refusal of Mixtape Narratives and Hybrid Monsters in Stephen Graham Jones's Mongrels
  2. Kathryn Walkiewicz
  3. pp. 403-430
  4. DOI: https://doi.org/10.1353/asa.2021.0029
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  1. Agua, Inc.: Water Wars, Aqua-Terrorism, and Speculative Economy in Latinx and Transborder Cinema
  2. Kristy L. Ulibarri
  3. pp. 431-458
  4. DOI: https://doi.org/10.1353/asa.2021.0030
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  1. Multiplicative Speculations: What We Can Learn from The Rise and Fall of Hopepunk
  2. Cecilia Mancuso
  3. pp. 459-483
  4. DOI: https://doi.org/10.1353/asa.2021.0031
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