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Table of Contents

  1. „Turtles all the way down": Zu methodischen Fragen der Theaterhistoriographie
  2. Peter W. Marx
  3. pp. 141-158
  4. DOI: https://doi.org/10.1353/fmt.2021.0014
  5. restricted access
  1. All rise!: Jurisdiction as Performance/Performative Language
  2. Steff Nellis
  3. pp. 159-177
  4. DOI: https://doi.org/10.1353/fmt.2021.0015
  5. restricted access
  1. Covid, Crisis and Prognosis: Prospecting the Future of Theatre
  2. Christopher Balme
  3. pp. 178-191
  4. DOI: https://doi.org/10.1353/fmt.2021.0016
  5. restricted access
  1. Editorial
  2. Jan Lazardzig
  3. pp. 195-197
  4. DOI: https://doi.org/10.1353/fmt.2021.0017
  5. restricted access
  1. Text, Performance, and the Production of Religious Knowledge: The Protestant Passion Play and the Catholic Saint Play
  2. Claudia Daiber, Elke Huwiler
  3. pp. 198-214
  4. DOI: https://doi.org/10.1353/fmt.2021.0018
  5. restricted access
  1. Rewriting the Unwritten: On the History of Theatrophobia
  2. François Lecercle
  3. pp. 215-227
  4. DOI: https://doi.org/10.1353/fmt.2021.0019
  5. restricted access
  1. In Light of the Controversies: Spectatorship Reconsidered
  2. Clotilde Thouret
  3. pp. 228-237
  4. DOI: https://doi.org/10.1353/fmt.2021.0020
  5. restricted access
  1. Techno-Logics and Techno-Magics: Phantasmagoria in the Age of Electricity
  2. Kati Röttger
  3. pp. 238-253
  4. DOI: https://doi.org/10.1353/fmt.2021.0021
  5. restricted access
  1. Scratches, Holes, and Spots: Decay and Disappearance of Early Dance Photography
  2. Isa Wortelkamp
  3. pp. 254-263
  4. DOI: https://doi.org/10.1353/fmt.2021.0022
  5. restricted access
  1. Exhibited, Recorded, Collected: Performance Art and Documentation in documenta 5 and 6
  2. Tancredi Gusman
  3. pp. 264-277
  4. DOI: https://doi.org/10.1353/fmt.2021.0023
  5. restricted access
  1. The Finnegans Wake Reading Group as a Model for "Stealth Activities" between Art and the University
  2. Christa-Maria Lerm Hayes
  3. pp. 278-287
  4. DOI: https://doi.org/10.1353/fmt.2021.0024
  5. restricted access
  1. The Effect of the Real: How Do Performing Artists Affect Historiography?
  2. Gabriele Brandstetter
  3. pp. 288-302
  4. DOI: https://doi.org/10.1353/fmt.2021.0025
  5. restricted access
  1. Volksschule des Theaters. Nationalsozialistische Massenspiele by Evelyn Annuß (review)
  2. Maren Möhring
  3. pp. 303-304
  4. DOI: https://doi.org/10.1353/fmt.2021.0026
  5. restricted access
  1. Artistic Research als Wissensgefüge. Eine Praxeologie des Probens im zeitgenössischen Tanz by Katarina Kleinschmidt (review)
  2. Katja Schneider
  3. pp. 304-306
  4. DOI: https://doi.org/10.1353/fmt.2021.0027
  5. restricted access
  1. Freies Theater. Die Modernisierung der deutschen Theaterlandschaft (1960–2010) by Henning Fülle (review)
  2. Anna Volkland
  3. pp. 306-308
  4. DOI: https://doi.org/10.1353/fmt.2021.0028
  5. restricted access
  1. Formen des Kunstreligiösen. Peter Handke—Christoph Schlingensief by Lore Knapp (review)
  2. Sarah Pogoda
  3. pp. 308-310
  4. DOI: https://doi.org/10.1353/fmt.2021.0029
  5. restricted access
  1. Autorinnen und Autoren
  3. pp. 311-313
  4. DOI: https://doi.org/10.1353/fmt.2021.0030
  5. restricted access