In this Issue
TDR provides scholarship on performances and their social, economic and political contexts. With an emphasis on the experimental, avant-garde, intercultural and interdisciplinary, it covers dance theatre, performance art, popular entertainment, media, sports, rituals and performance in politics and everyday life.
published by
Cambridge University Pressviewing issue
Volume 65, Number 4, Winter 2021 (T252)Table of Contents
pp. 11-28
pp. 38-50
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View Cruel Optimism, Ironic Pessimism, Poetic Terrorism: How to Combat the Semiocapitalistic Pan(dem)ic in a Choreographed Song-Cycle
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Cruel Optimism, Ironic Pessimism, Poetic Terrorism: How to Combat the Semiocapitalistic Pan(dem)ic in a Choreographed Song-Cycle
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pp. 172-178
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View Theatre's On-Screen Persona: Cornerstone Theater's Highland Park Is Here: Stories from a Changing Barrio
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Theatre's On-Screen Persona: Cornerstone Theater's Highland Park Is Here: Stories from a Changing Barrio
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pp. 181-183
pp. 184-185
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View Responding to Site: The Performance Work of Marilyn Arsem ed. by Jennie Klein and Natalie Loveless (review)
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Responding to Site: The Performance Work of Marilyn Arsem ed. by Jennie Klein and Natalie Loveless (review)
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pp. 186-188
pp. 188-190
pp. 190-192
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View Performance and the Afterlives of Injustice: Dance and Live Art in Contemporary South Africa and Beyond by Catherine M. Cole, and: Prismatic Performances: Queer South Africa and the Fragmentation of the Rainbow Nation by April Sizemore-Barber (review)
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Performance and the Afterlives of Injustice: Dance and Live Art in Contemporary South Africa and Beyond by Catherine M. Cole, and: Prismatic Performances: Queer South Africa and the Fragmentation of the Rainbow Nation by April Sizemore-Barber (review)
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| ISSN | 1531-4715 |
|---|---|
| Print ISSN | 1054-2043 |
| Launched on MUSE | 2021-12-15 |
| Open Access | No |
Copyright
Copyright © New York University and the Massachusetts Institute of Technology.
