In this Issue

Table of Contents

A Note from the Editor

Noe Montez
pp. ix-x
DOI: https://doi.org/10.1353/tt.2021.0043
restricted access

Developing Frontera Aesthetic through New Work Creation

Kim McKean, Georgina Escobar, Adriana Domínguez
pp. 205-219
DOI: https://doi.org/10.1353/tt.2021.0045
restricted access

Queer(er) Approaches to The Laramie Project: An Autoethnographic Account

Nicolas Shannon Savard
pp. 221-232
DOI: https://doi.org/10.1353/tt.2021.0046
restricted access

Tricks to Inherit: Re-centering a Transnational Translation Onstage

Olga Sanchez Saltveit
pp. 233-247
DOI: https://doi.org/10.1353/tt.2021.0047
restricted access

Toward a Somatic Ergonomics: Bodymind Self-Care in Community-Engaged Theatre

Peilin Liang
pp. 249-264
DOI: https://doi.org/10.1353/tt.2021.0048
restricted access

Virtual Intimacy Directing: Building Best Practices for Safety and Consent

Ayshia Mackie-Stephenson
pp. 265-268
DOI: https://doi.org/10.1353/tt.2021.0049
restricted access

A Beginner’s Guide to Devising Theatre by Jess Thorpe and Tashi Gore (review)

David Ian Lee
pp. 269-270
DOI: https://doi.org/10.1353/tt.2021.0050
restricted access

The Song Is You: Musical Theatre and the Politics of Bursting into Song and Dance by Bradley Rogers (review)

Jordan Ealey
pp. 270-271
DOI: https://doi.org/10.1353/tt.2021.0051
restricted access

Nuyorican Feminist Performance: From the Café to Hip Hop Theater by Patricia Herrera (review)

Judith Rodríguez
pp. 271-272
DOI: https://doi.org/10.1353/tt.2021.0052
restricted access

Safety and Health for the Stage: Collaboration with the Production Process by Willaim J. Reynolds (review)

Ted Kraus
pp. 272-273
DOI: https://doi.org/10.1353/tt.2021.0053
restricted access

Casting a Movement: The Welcome Table Initiative ed. by Claire Syler and Daniel Banks (review)

Detra Payne
pp. 273-274
DOI: https://doi.org/10.1353/tt.2021.0054
restricted access

Black Acting Methods: Critical Approaches by Sharrell D. Luckett (review)

Ann C. James
pp. 274-275
DOI: https://doi.org/10.1353/tt.2021.0055
restricted access

If I Am Your Diversity Hire, It Will Not Go Well

Donna Kaz
pp. e-45-e-49
DOI: https://doi.org/10.1353/tt.2021.0042
restricted access

Conjuring Kuwait Onstage: An Interview with Mohammed Al-Hemely

Yasmine Marie Jahanmir, Reno Hassan Hajiyah
pp. e-51-e-58
DOI: https://doi.org/10.1353/tt.2021.0044
restricted access