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In this Issue

Table of Contents

  1. All About My Mother: Archives, Art, and Memory
  2. Laura Engel
  3. pp. 209-213
  4. DOI: https://doi.org/10.1353/tsw.2021.0020
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  1. Recollecting Charlotte Perkins Gilman: Archival Labor and Women's Literary Recovery
  2. Jennifer S. Tuttle
  3. pp. 215-239
  4. DOI: https://doi.org/10.1353/tsw.2021.0021
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  1. Anna Julia Cooper, Archival Absences, and Black Women's "muffled" Knowledge
  2. Vivian M. May
  3. pp. 241-272
  4. DOI: https://doi.org/10.1353/tsw.2021.0022
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  1. Tina De Rosa's Ethnic Archive: Displacement, Disability, and the Writer's Life
  2. Mary Jo Bona
  3. pp. 273-306
  4. DOI: https://doi.org/10.1353/tsw.2021.0023
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  1. Archival Theater: Susan Howe's Tactile Elegies
  2. Julie Phillips Brown
  3. pp. 307-332
  4. DOI: https://doi.org/10.1353/tsw.2021.0024
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  1. Glancing Encounters: The Ephemeral City Archive in Eliza Haywood's Fantomina, or Love in a Maze and Frances Burney's Cecilia, or Memoirs of an Heiress
  2. Kirsten T. Saxton
  3. pp. 333-357
  4. DOI: https://doi.org/10.1353/tsw.2021.0025
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  1. Must Anonymous Be A Woman? Gender and Discoverability in the Archives
  2. Emily C. Friedman
  3. pp. 359-371
  4. DOI: https://doi.org/10.1353/tsw.2021.0026
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  1. The Archive of Lady Anne Barnard, 1750-1825
  2. Greg Clingham
  3. pp. 373-385
  4. DOI: https://doi.org/10.1353/tsw.2021.0027
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  1. A Note on Centering Black Women's Voices and Scholarship on Singer Elizabeth Taylor Greenfield
  2. Alexandra Reznik
  3. pp. 387-394
  4. DOI: https://doi.org/10.1353/tsw.2021.0028
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  1. The Female Baroque in Early Modern English Literary Culture: From Mary Sidney to Aphra Behn by Gary Waller (review)
  2. Elaine Hobby
  3. pp. 395-398
  4. DOI: https://doi.org/10.1353/tsw.2021.0029
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  1. The Novel Stage: Narrative Form from the Restoration to Jane Austen by Marcie Frank (review)
  2. Alexandra G. Bennett
  3. pp. 398-401
  4. DOI: https://doi.org/10.1353/tsw.2021.0030
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  1. Words of Her Own: Women Authors in Nineteenth-Century Bengal by Maroona Murmu (review)
  2. Tara Puri
  3. pp. 401-403
  4. DOI: https://doi.org/10.1353/tsw.2021.0031
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  1. How Women Must Write: Inventing the Russian Woman Poet by Olga Peters Hasty (review)
  2. Hilde Hoogenboom
  3. pp. 403-406
  4. DOI: https://doi.org/10.1353/tsw.2021.0032
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  1. Behind The Times: Virginia Woolf in Late-Victorian Contexts by Mary Jean Corbett (review)
  2. Jane de Gay
  3. pp. 406-409
  4. DOI: https://doi.org/10.1353/tsw.2021.0033
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  1. Templates for Authorship: American Women's Literary Autobiography of the 1930s by Windy Counsell Petrie (review)
  2. Margaret D. Stetz
  3. pp. 409-411
  4. DOI: https://doi.org/10.1353/tsw.2021.0034
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  1. Nancy Cunard: Perfect Stranger by Jane Marcus (review)
  2. Jane Dowson
  3. pp. 412-414
  4. DOI: https://doi.org/10.1353/tsw.2021.0035
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  1. Eukuan Nin Matshi-Manitu Innushkueu / I Am A Damn Savage And Tanite Nene Etutamin Nitassi? / What Have You Done To My Country? by Antane Kapesh (review)
  2. Valerie Henitiuk
  3. pp. 414-417
  4. DOI: https://doi.org/10.1353/tsw.2021.0036
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  1. Misreading Anita Brookner: Aestheticism, Intertextuality, and the Queer Nineteenth Century by Peta Mayer (review)
  2. Nicola Darwood
  3. pp. 418-419
  4. DOI: https://doi.org/10.1353/tsw.2021.0037
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  1. Contemporary Women's Post-Apocalyptic Fiction by Susan Watkins (review)
  2. Claire P. Curtis
  3. pp. 419-422
  4. DOI: https://doi.org/10.1353/tsw.2021.0038
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  1. Osnabrück Station to Jerusalem: A Memoir by Hélène Cixous (review)
  2. Phyllis Lassner
  3. pp. 422-424
  4. DOI: https://doi.org/10.1353/tsw.2021.0039
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  1. One Left: A Novel by Kim Soom (review)
  2. Ji-Eun Lee
  3. pp. 425-427
  4. DOI: https://doi.org/10.1353/tsw.2021.0040
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  1. Books Received
  2. pp. 429-430
  3. DOI: https://doi.org/10.1353/tsw.2021.0041
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