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Table of Contents

  1. On Decoloniality and Cultural [Cinema] Policy in Africa and the Black Diaspora: Considerations
  2. Gaston J.M. Kaboré, Michael T. Martin
  3. pp. 1-7
  4. restricted access
  1. Errata Sheet for Black Camera 12.2
  3. p. 7
  4. restricted access
  1. Conference of Independent African States: Declaration and Resolution IX: Accra, Ghana, April, 1958
  3. pp. 9-12
  4. restricted access
  1. Manifesto of New Cinema in Egypt: New Cinema Group, Egypt, 1968
  3. pp. 13-18
  4. restricted access
  1. Pan-African Cultural Manifesto: Algiers, Algeria, July/August 1969
  3. pp. 19-31
  4. restricted access
  1. Resolution on Inter-African Cultural Festival: Addis Ababa, Ethiopia, August 27–September 6, 1969
  3. p. 32
  4. restricted access
  1. Proposed Establishment of an All-African Cinema Union: Addis Ababa, Ethiopia, August 24–31, 1970
  3. p. 33
  4. restricted access
  1. Regulations of the Carthage Film Festival: Carthage, Tunisia, 1970s
  3. pp. 34-41
  4. restricted access
  1. Resolution on the Pan-African Film Festival of Ouagadougou (FESPACO): Rabat, Morocco, June 5–12, 1972
  3. pp. 42-44
  4. restricted access
  1. Workshop Resolutions: Seminar on "The Role of the African Filmmaker in Rousing an Awareness of Black Civilization": Ouagadougou, Burkina Faso, April 8–13, 1974
  3. pp. 45-52
  4. restricted access
  1. The Algiers Charter on African Cinema: Algiers, Algeria, January, 1975
  3. pp. 53-54
  4. restricted access
  1. The Accra Declaration of the Intergovernmental Conference on Cultural Policies in Africa: Accra, Ghana, 1975
  3. pp. 55-58
  4. restricted access
  1. Cultural Charter for Africa: Port Louis, Mauritius, 1976
  3. pp. 59-69
  4. restricted access
  1. Cinematographic Art (FESTAC '77): Paulin Soumanou Vieyra, Lagos, Kaduna, Nigeria, 1977
  3. pp. 70-74
  4. restricted access
  1. Resolution of Commendation and Appreciation to the Federal Republic of Nigeria for Hosting the Second World Black and African Festival of Arts and Culture: Lomé, Togo, February 21–28, 1977
  3. p. 75
  4. restricted access
  1. Regulations of the Pan-African Film Festival of Ouagadougou (FESPACO): Ouagadougou, Burkina Faso, August 27, 1980
  3. pp. 76-80
  4. DOI: https://doi.org/10.2979/blackcamera.12.1.34
  5. restricted access
  1. Niamey Manifesto of African Filmmakers: First International Conference on Cinema Production in Africa: Niamey, Niger, March 1–4, 1982
  3. pp. 81-86
  4. restricted access
  1. Final Communique, African Regional Film Workshop: Harare, Zimbabwe, August 27–31, 1984
  3. pp. 87-91
  4. restricted access
  1. The Language Plan of Action for Africa: Addis Ababa, Ethiopia, July 28–30, 1986
  3. pp. 92-97
  4. restricted access
  1. Resolution on the Development of Film and Endogenous and Non-Endogenous Cultural Industries: Addis Ababa, Ethiopia, July 20–25, 1987
  3. pp. 98-99
  4. restricted access
  1. First International Day of Partnership: Documents: Ouagadougou, Burkina Faso, 1989
  3. pp. 100-110
  4. restricted access
  1. An Outlook on FEPACI: Report submitted to Mr. Gaston Kaboré, Secretary General, Pan-African Federation of Filmmakers (FEPACI)
  2. Bernard Boucher
  3. pp. 111-141
  4. restricted access
  1. Final Communiqué of the First Frontline Film Festival and Workshop: Harare, Zimbabwe, July 15–21, 1990
  3. pp. 142-146
  4. restricted access
  1. Statement by the African Women Professionals of Cinema, Television, and Video: Ouagadougou, Burkina Faso, February 25–27, 1991
  3. pp. 147-149
  4. restricted access
  1. Status of the Audiovisual Sector in Africa: Pan-African Federation of Filmmakers (FEPACI) Ouagadogou, Burkina Faso, April 1991
  3. pp. 150-172
  4. restricted access
  1. Declaration of Windhoek: Windhoek, Namibia, April 29–May 3, 1991
  3. pp. 173-176
  4. restricted access
  1. African Audio-Visual Industries: Prospects and Strategies: Nairobi, Kenya, 1992
  3. pp. 177-181
  4. restricted access
  1. Final Report of the Meeting of Experts on Cultural Industries for Development in Africa: Dakar Plan of Action: Nairobi, Kenya, 1992
  3. pp. 182-215
  4. restricted access
  1. Resolution on the Celebration of the Centenary of Film Invention: Addis Ababa, Ethiopia, January 23–27, 1995
  3. pp. 216-217
  4. restricted access
  1. African Charter on Broadcasting: Windhoek, Namibia, May 3–5, 2001
  3. pp. 218-221
  4. restricted access
  1. Accra Declaration on Public Service Broadcasting in West Africa: Accra, Ghana, September 16–18, 2002
  3. pp. 222-224
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0222
  5. restricted access
  1. Declaration of Principles on Freedom of Expression in Africa: Banjul, Gambia, October 17–23, 2002 32nd Session of the African Commission on Human and Peoples' Rights
  3. pp. 225-231
  4. restricted access
  1. African Film Summit: Tshwane, South Africa, April 3–6, 2006
  3. pp. 232-245
  4. restricted access
  1. Pan-African Federation of Filmmakers (FEPACI) Master Report: Selections: Ouagadougou, Burkina Faso, 2009
  3. pp. 246-262
  4. restricted access
  1. Queer African Manifesto/Declaration: Nairobi, Kenya, April 8, 2010
  3. pp. 263-264
  4. restricted access
  1. Manifesto: Conference of African Women Filmmakers: Johannesburg, South Africa, September 2010
  3. pp. 265-266
  4. restricted access
  1. Sollywood: A Movement: South Africa, 2010
  3. pp. 267-270
  4. restricted access
  1. Communiqué from the "Sustaining the New Wave of Pan-Africanism" Workshop: Windhoek, Namibia, December 6–9, 2010
  3. pp. 271-274
  4. restricted access
  1. World Electronic Media Forum V (WEMF V) Accra Declaration: Accra, Ghana, November 16–18, 2011
  3. pp. 275-277
  4. restricted access
  1. The African Declaration on Internet Rights and Freedoms: African Declaration Group, 2013
  3. pp. 278-294
  4. restricted access
  1. Declaration at the Second African Women in Film Forum: Accra, Ghana, September 2013
  3. pp. 295-296
  4. restricted access
  1. The African Editors Forum Declaration on World Media Freedom Day: Pretoria, South Africa, May 3, 2016
  3. pp. 297-298
  4. restricted access
  1. African Media Initiative: Nairobi, Kenya, 2016
  3. pp. 299-301
  4. restricted access
  1. Sisters Working in Film and Television (SWIFT): Durban, South Africa, June, 2016
  3. p. 302
  4. restricted access
  1. Manifesto of Ouagadougou: FESPACO, March 1, 2017
  3. pp. 303-306
  4. restricted access
  1. Surreal16 Collective Manifesto White Paper: Nigeria, November 13, 2017
  3. pp. 307-309
  4. restricted access
  1. African Cinema Day: One Africa, One Cinema Project: June 9, 2018
  3. pp. 310-313
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0310
  5. restricted access
  1. Decision on the Establishment of an African Audiovisual and Cinema Commission: Maputo, Mozambique, July 4–8, 2003
  3. p. 314
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0314
  5. restricted access
  1. Draft Statute of the African Audiovisual and Cinema Commission (AACC): Addis Ababa, Ethiopia, February 2019
  3. pp. 315-332
  4. restricted access
  1. Declaration of the Rights of the Negro Peoples of the World
  2. Marcus Garvey
  3. pp. 335-342
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0335
  5. restricted access
  1. Selections from Declarations and Resolutions of the Fifth Pan-African Congress: Manchester, England, October 13–21, 1945
  3. pp. 343-351
  4. restricted access
  1. First Congress of Negro Writers and Artists: Paris, France, September 19–22, 1956
  3. pp. 352-353
  4. restricted access
  1. Appeal: The Unity and Responsibilities of African Negro Culture: Paris, France, 1958
  3. pp. 354-357
  4. restricted access
  1. Second Congress of Negro Writers and Artists: Rome, Italy, March 25–April 11, 1959
  3. pp. 358-367
  4. restricted access
  1. An Esthetic of Hunger: Glauber Rocha, Brazil, January, 1965
  3. pp. 368-370
  4. restricted access
  1. Black Manifesto: National Black Economic Development Conference, Detroit, Michigan, 1969
  3. pp. 371-377
  4. restricted access
  1. Towards a Third Cinema: Notes and Experiences for the Development of a Cinema of Liberation in the Third World: Fernando Solanas and Octavio Getino, Argentina, 1970
  3. pp. 378-401
  4. restricted access
  1. Manifesto of the Palestinian Cinema Group: Beirut, Lebanon, 1972
  3. pp. 402-403
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0402
  5. restricted access
  1. Super Fly: A Summary of Objections by the Kuumba Workshop: Chicago, Illinois, USA, 1972
  3. p. 404
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0404
  5. restricted access
  1. Resolutions of the Third World Filmmakers Meeting: Algiers, Algeria, December, 1973
  3. pp. 405-415
  4. restricted access
  1. Resolution on Culture, The Sixth Pan-African Congress: Dar es Salaam, Tanzania, 1974
  3. pp. 416-417
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0416
  5. restricted access
  1. Final Resolutions: International Conference for a New Cinema: Montreal, Canada, June, 1974
  3. pp. 418-434
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0418
  5. restricted access
  1. Black Independent Filmmaking: A Statement by the Black Audio Film Collective: John Akomfrah, 1983
  3. pp. 435-437
  4. restricted access
  1. Symposium Declaration: Third Eye – Struggle for Black and Third World Cinema: London, United Kingdom, October/November 1983
  3. pp. 438-440
  4. restricted access
  1. Declaration of the Media Conference of the Non-Aligned (NAMEDIA): New Delhi, India, December, 1983
  3. pp. 441-443
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0441
  5. restricted access
  1. Speech Delivered by Gaston Kaboré, Secretary General of the Pan-African Federation of Filmmakers, at the Inauguration of the San Antonio de Los Baños International School of Cinema and Television: San Antonio de Los Baños, Cuba, December, 1986
  3. pp. 444-445
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0444
  5. restricted access
  1. FeCAViP Manifesto: Second Images Caraïbes Festival, Fort-de-France, Martinique, June, 1990
  3. p. 446
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0446
  5. restricted access
  1. Audiovisual Market Caught Between the Chances in the North and South-South Cooperation: Recommendations to African and Arab Filmmakers: 13th Carthage Film Festival, Tunis, Tunisia, 1990
  3. pp. 447-451
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0447
  5. restricted access
  1. Caribbean Film and Video Federation: A Report by June I. Givanni: Curacao, March, 1992
  3. pp. 452-458
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0452
  5. restricted access
  1. Working Group: Women in Cinema, Television, and Video Workshop: Ouagadougou, Burkina Faso, February 1993
  3. pp. 459-460
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0459
  5. restricted access
  1. Resolution of the Plenary of the Seventh Pan-African Congress: Resolution No. 8: On Women in Pan-Africanism (Arising from the Women's Pre-Congress Meeting Kampala, Uganda, April 2–3, 1994
  3. pp. 461-462
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0461
  5. restricted access
  1. Pan-African Union of Women of the Moving Image (UPAFI): Constitution and Statutes: Ouagadougou, Burkina Faso, February–March, 1995
  3. pp. 463-476
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0463
  5. restricted access
  1. The Genesis of Black Brazilian Cinema, or "Dogma Feijoada"
  2. Jeferson De
  3. p. 477
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0477
  5. restricted access
  1. Tunis Declaration for the Defense of National Cinemas: Resolutions and Recommendations of the Carthage Film Festival International Symposium, "Cinemas of the South and the Challenges of Globalization" Tunis, Tunisia, 1999
  3. pp. 478-481
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0478
  5. restricted access
  1. Dakar Declaration on the Promotion of ACP Cultures and Cultural Industries: Dakar, Senegal, June, 2003
  3. pp. 482-490
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0482
  5. restricted access
  1. Poor Cinema Manifesto
  2. Humberto Solás
  3. pp. 491-492
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0491
  5. restricted access
  1. Santo Domingo Resolution from the Second Meeting of African, Caribbean, and Pacific Group of States (ACP) Ministers of Culture: Dominican Republic, October, 2006
  3. pp. 493-500
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0493
  5. restricted access
  1. Jollywood Manifesto: Ciné Institute Jacmel, Haiti, 2008
  3. p. 501
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0501
  5. restricted access
  1. Brussels Declaration by Artists and Cultural Professionals and Entrepreneurs: Brussels, Belgium, April 1–3, 2009
  3. pp. 502-507
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0502
  5. restricted access
  1. Annex to the Brussels Declaration: Specific Sector Recommendations: Brussels, Belgium, April 2009
  3. pp. 508-514
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0508
  5. restricted access
  1. Afrosurreal Manifesto: Black Is the New Black—A 21st Century Manifesto
  2. D. Scot Miller
  3. pp. 515-519
  4. restricted access
  1. Final Declaration of the First Meeting of Filmmakers from Africa, Brazil, the Caribbean, and Their Diasporas (ABCD): Havana, Cuba, September 12–16, 2011
  3. pp. 520-523
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0520
  5. restricted access
  1. Final Declaration of the Second Meeting of Filmmakers of Africa, Brazil, the Caribbean, and their Diasporas (ABCD CINEMA): Santo Domingo, Dominican Republic, July 15–18, 2012
  3. pp. 524-526
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0524
  5. restricted access
  1. Final Declaration of the Third Meeting of Filmmakers from Africa, Brazil, the Caribbean, and their Diasporas (ABCD CINEMA): Ouagadougou, Burkina Faso, February 22, 2013
  3. pp. 527-528
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0527
  5. restricted access
  1. Cameras of Diversity: Implementing the Convention on the Protection and Promotion of the Diversity of Cultural Expressions: Havana, Cuba, 2012–2014
  3. pp. 529-538
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0529
  5. restricted access
  1. The Association for the Advancement of Cinematic Creative Maladjustment: A Manifesto
  2. Cauleen Smith
  3. pp. 539-547
  4. restricted access
  1. Forty Years of Cinema by Women of Africa (1972–2012): Keynote by Beti Ellerson at the Colloquy on Francophone African Women Filmmakers: Paris, France, November, 2012
  3. pp. 548-557
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0548
  5. restricted access
  1. Tela Preta: Black Cinema Movement Manifesto: Brazil, 2013
  3. pp. 558-559
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0558
  5. restricted access
  1. Trinidad and Tobago Declaration on Developing the Caribbean Film Industry for a Culture of Peace: Port of Spain, Trinidad and Tobago, September, 2013
  3. pp. 560-564
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0560
  5. restricted access
  1. The New Negress Film Society
  3. pp. 565-566
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0565
  5. restricted access
  1. Resolutions of the Eighth Pan-African Congress: Commissions No. 2, 5, and 6: Accra, Ghana, March 2015
  3. pp. 567-572
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0567
  5. restricted access
  1. "Black Is …" and That's the Beauty of It: Ten Propositions Concerning the Visible and the Visual, in Consideration of Black Cinema and Black Visual Culture
  2. Keith M. Harris
  3. pp. 573-576
  4. restricted access
  1. Report on the Launch of African Women Filmmakers Hub: Harare, Zimbabwe, September, 2016
  3. pp. 577-578
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0577
  5. restricted access
  1. The Pan-African Alliance of Screenwriters and Filmmakers (APASER): Algiers, Algeria, 2017
  3. pp. 579-581
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0579
  5. restricted access
  1. Reclaiming Black Film and Media Studies
  2. Racquel J. Gates, Michael Boyce Gillespie
  3. pp. 582-585
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0582
  5. restricted access
  1. The New Normal: A Manifesto to Create a Safe Space, Free of Racism, for the Black Artist
  2. Nick Makoha
  3. pp. 586-591
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0586
  5. restricted access
  1. Manifesto of the Workers of the Cinemateca Brasileira
  2. São Paulo
  3. pp. 592-594
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0592
  5. restricted access