In this Issue

Table of Contents

“Writing for the Trade or Writing for a Trade?”

Jackson Ayres
pp. 239-260
DOI: https://doi.org/10.1353/ink.2021.0022
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Drawing Histories, Documenting Experiences: Clément Baloup’s Vietnamese Memories

Lan Dong
pp. 261-277
DOI: https://doi.org/10.1353/ink.2021.0023
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Detroit vs. Everybody (Including Superheroes): Representing Race through Setting in DC Comics

Vincent Haddad
pp. 278-301
DOI: https://doi.org/10.1353/ink.2021.0024
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“I Tell You I Know Nothing”: Redefining Accessibility in Sid Jacobson and Ernie Colón’s The Torture Report

Susan Vanderborg
pp. 302-324
DOI: https://doi.org/10.1353/ink.2021.0025
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The 1976 Project: On Comics and Grief, or How Our Lives Intersect with What We Study

Dale Jacobs
pp. 325-335
DOI: https://doi.org/10.1353/ink.2021.0026
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Hot Pants and Spandex Suits: Gender Representation in American Superhero Comic Books by Esther De Dauw (review)

Anna F. Peppard
pp. 336-339
DOI: https://doi.org/10.1353/ink.2021.0027
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Understanding Genres in Comics by Nicolas Labarre (review)

Justin Wigard
pp. 340-342
DOI: https://doi.org/10.1353/ink.2021.0028
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Producing Mass Entertainment: The Serial Life of the Yellow Kid by Christina Meyer (review)

Joshua Abraham Kopin
pp. 343-345
DOI: https://doi.org/10.1353/ink.2021.0029
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Seeing Mad: Essays on Mad Magazine’s Humor and Legacy ed. by Judith Yaross Lee and John Bird (review)

Hayes Hampton
pp. 345-348
DOI: https://doi.org/10.1353/ink.2021.0030
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Charles Hatfield Book Prize: First Prize

pp. 349-351
DOI: https://doi.org/10.1353/ink.2021.0031
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Contributors

pp. 353-354
DOI: https://doi.org/10.1353/ink.2021.0032
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