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In this Issue

Table of Contents

  1. Editorial Statement
  2. p. v
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  1. The Global-Popular: A Frame for Contemporary Cinemas
  2. Bishnupriya Ghosh, Bhaskar Sarkar
  3. pp. 1-22
  4. DOI: https://doi.org/10.1353/cul.2022.a838296
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  1. Fathers in Flux
  2. Rey Chow, Markos Hadjioannou
  3. pp. 23-39
  4. DOI: https://doi.org/10.1353/cul.2022.a838297
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  1. Pontianak Trouble: Gender and Postcolonial Identities in the Malay Vampire Film
  2. Rosalind Galt
  3. pp. 40-59
  4. DOI: https://doi.org/10.1353/cul.2022.a838298
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  1. Of Marabouts, Acrobats, and Auteurs: Framing the Global-Popular in Moumen Smihi's World Cinema
  2. Peter Limbrick
  3. pp. 60-81
  4. DOI: https://doi.org/10.1353/cul.2022.a838299
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  1. Disco Dancer and the Idioms of the Global-Popular
  2. Neepa Majumdar
  3. pp. 82-100
  4. DOI: https://doi.org/10.1353/cul.2022.a838300
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  1. Bourgeois Extreme: Cultural Flows and the Microimport
  2. Sangita Gopal
  3. pp. 101-126
  4. DOI: https://doi.org/10.1353/cul.2022.a838301
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  1. Southern Effects: Kaiju, Cultural Intimacy, and the Production of Distribution
  2. Joshua Neves
  3. pp. 127-152
  4. DOI: https://doi.org/10.1353/cul.2022.a838302
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  1. The History of Animals: A Philosophy by Oxana Timofeeva (review)
  2. Diane Morgan
  3. pp. 155-177
  4. DOI: https://doi.org/10.1353/cul.2022.a838303
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  1. In The Swarm: Digital Prospects by Byung-Chul Han (review)
  2. Leif Weatherby
  3. pp. 181-185
  4. DOI: https://doi.org/10.1353/cul.2022.a838304
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  1. I'm Not Like Everybody Else by Jeffrey Nealon (review)
  2. Barry Shank
  3. pp. 186-199
  4. DOI: https://doi.org/10.1353/cul.2022.a838305
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  1. Ambedkar and Other Immortals: An Untouchable Research Programme by Soumyabrata Choudhury (review)
  2. Drishadwati Bargi
  3. pp. 200-227
  4. DOI: https://doi.org/10.1353/cul.2022.a838306
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  1. Books Received
  2. pp. 229-233
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