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Table of Contents

  1. Introduction
  2. Eleonora Tola
  3. pp. 1-3
  4. DOI: https://doi.org/10.1353/clw.2021.0027
  5. restricted access
  1. The Haunting Voice of Rabidity and Captivity: Sources and Inventions in Ovid's Hecuba Narrative
  2. Cynthia Liu
  3. pp. 5-24
  4. DOI: https://doi.org/10.1353/clw.2021.0028
  5. restricted access
  1. Madness or Agency? Murdering Mothers in Ovid's Metamorphoses Procne, Agave and Ino
  2. Patricia Salzman-Mitchell
  3. pp. 25-50
  4. DOI: https://doi.org/10.1353/clw.2021.0029
  5. restricted access
  1. "Happy the Brother, Blessed the Sister" (Met. 4.323–324): Ovid's Gendered Allusiveness in Metamorphoses 4
  2. Eleonora Tola
  3. pp. 51-64
  4. DOI: https://doi.org/10.1353/clw.2021.0030
  5. restricted access
  1. The Enticement of Allusion: Epic Landscape and Language in Ovid's Salmacis/Hermaphroditus Episode
  2. Alden Smith
  3. pp. 65-80
  4. DOI: https://doi.org/10.1353/clw.2021.0031
  5. restricted access
  1. De Senectute: Cicero's Advice on Saving Classics Departments
  2. Jennifer Sheridan Moss
  3. pp. 81-91
  4. DOI: https://doi.org/10.1353/clw.2021.0024
  5. restricted access
  1. The Philosophical Stage. Drama and Dialectic in Classical Athens by Joshua Billings (review)
  2. Anna Novokhatko
  3. pp. 93-94
  4. DOI: https://doi.org/10.1353/clw.2021.0025
  5. restricted access
  1. Emperors and Emperorship in Late Antiquity. Images and Narratives ed. by María Pilar García Ruiz, Alberto J. Quiroga Puertas (review)
  2. Andrea Murace
  3. pp. 95-96
  4. DOI: https://doi.org/10.1353/clw.2021.0026
  5. restricted access
  1. Books Received
  3. pp. 97-101
  4. DOI: https://doi.org/10.1353/clw.2021.0032
  5. restricted access