1. Introduction
  2. Eleonora Tola
  3. pp. 1-3
  4. DOI: 10.1353/clw.2021.0027
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  1. The Haunting Voice of Rabidity and Captivity: Sources and Inventions in Ovid's Hecuba Narrative
  2. Cynthia Liu
  3. pp. 5-24
  4. DOI: 10.1353/clw.2021.0028
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  1. Madness or Agency? Murdering Mothers in Ovid's Metamorphoses Procne, Agave and Ino
  2. Patricia Salzman-Mitchell
  3. pp. 25-50
  4. DOI: 10.1353/clw.2021.0029
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  1. "Happy the Brother, Blessed the Sister" (Met. 4.323–324): Ovid's Gendered Allusiveness in Metamorphoses 4
  2. Eleonora Tola
  3. pp. 51-64
  4. DOI: 10.1353/clw.2021.0030
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  1. The Enticement of Allusion: Epic Landscape and Language in Ovid's Salmacis/Hermaphroditus Episode
  2. Alden Smith
  3. pp. 65-80
  4. DOI: 10.1353/clw.2021.0031
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  1. De Senectute: Cicero's Advice on Saving Classics Departments
  2. Jennifer Sheridan Moss
  3. pp. 81-91
  4. DOI: 10.1353/clw.2021.0024
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  1. The Philosophical Stage. Drama and Dialectic in Classical Athens by Joshua Billings (review)
  2. Anna Novokhatko
  3. pp. 93-94
  4. DOI: 10.1353/clw.2021.0025
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  1. Books Received
  2. pp. 97-101
  3. DOI: 10.1353/clw.2021.0032
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