1. Editors' Page
  2. pp. 1-2
  3. DOI: 10.1353/col.2021.0069
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  1. Blood Flower
  2. Aimee Nezhukumatathil
  3. p. 3
  4. DOI: 10.1353/col.2021.0070
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  1. Eclipse, and: Tug
  2. Diana Khoi Nguyen
  3. pp. 4-7
  4. DOI: 10.1353/col.2021.0071
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  1. Antimatter
  2. Stella Wong
  3. p. 8
  4. DOI: 10.1353/col.2021.0072
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  1. One Bad Night in San José, Costa Rica: Winner of the 2021 Nelligan Prize for Short Fiction
  2. Danny Thiemann, T. Geronimo Johnson
  3. pp. 9-20
  4. DOI: 10.1353/col.2021.0073
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  1. The Industrial Revolution, and: J Building, Rooftop Pavilion
  2. April Freely
  3. pp. 21-25
  4. DOI: 10.1353/col.2021.0074
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  1. Waterbird
  2. Phillip West
  3. p. 26
  4. DOI: 10.1353/col.2021.0075
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  1. The Spirit Cabinet
  2. Zack Finch
  3. pp. 27-39
  4. DOI: 10.1353/col.2021.0076
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  1. Trash, and: Dad Poem, and: The Hurricane Doesn't Roar in Pentameter
  2. Joshua Bennett
  3. pp. 40-44
  4. DOI: 10.1353/col.2021.0077
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  1. Prayer to the One Who Made Me
  2. Bryce Emley
  3. p. 45
  4. DOI: 10.1353/col.2021.0078
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  1. El Volcán:, and: Oort Cloud, and: The Thawing of the World
  2. Chee Brossy
  3. pp. 46-50
  4. DOI: 10.1353/col.2021.0079
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  1. The Win-Loss Columns
  2. Siân Griffiths
  3. pp. 51-71
  4. DOI: 10.1353/col.2021.0080
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  1. Yesterday, I Apologized
  2. Ellen Samuels
  3. pp. 72-73
  4. DOI: 10.1353/col.2021.0081
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  1. Eyeshine
  2. Stacy Gnall
  3. pp. 74-75
  4. DOI: 10.1353/col.2021.0082
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  1. You Might Change Your Mind about Kids, and: Triple Sonnet for Batman Villains and Whatever This Is
  2. Dorothy Chan
  3. pp. 76-79
  4. DOI: 10.1353/col.2021.0083
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  1. Ars Poetica
  2. Lisa Low
  3. p. 80
  4. DOI: 10.1353/col.2021.0084
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  1. "Field #1" from Team Photograph
  2. Lauren Haldeman
  3. pp. 81-97
  4. DOI: 10.1353/col.2021.0085
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  1. Aubade, and: Prostatitis
  2. Patrick Kindig
  3. pp. 98-99
  4. DOI: 10.1353/col.2021.0086
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  1. After the Mushroom at the End of the World
  2. Serena Alagappan
  3. p. 100
  4. DOI: 10.1353/col.2021.0087
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  1. A Poem with Birds in It, and: Manifest Destiny, and: How to Greet a Warbler
  2. Yesenia Montilla
  3. pp. 101-103
  4. DOI: 10.1353/col.2021.0088
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  1. The Belfort
  2. Anu Kandikuppa
  3. pp. 104-122
  4. DOI: 10.1353/col.2021.0089
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  1. Elegy with Barbed Wire Swaddling a Fortunate Child, as Barbed Triptychassemblage, and: Wtr
  2. Anthony Cody
  3. pp. 123-125
  4. DOI: 10.1353/col.2021.0090
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  1. Autotomy: 2021 AWP Intro Journals Project Winner
  2. J. P. Grasser, Karen Craigo
  3. pp. 126-127
  4. DOI: 10.1353/col.2021.0091
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  1. I See in Myself, and I Dreamed I Forgot
  2. Leila Chatti
  3. pp. 128-129
  4. DOI: 10.1353/col.2021.0092
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  1. Provisions, and: Ceremony
  2. Cindy Juyoung Ok
  3. pp. 130-132
  4. DOI: 10.1353/col.2021.0093
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  1. Green Thumb
  2. Megan Baxter
  3. pp. 133-142
  4. DOI: 10.1353/col.2021.0094
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  1. My Brother Stole Every Spoon in the House, and: Light Shines through the Gristle
  2. Steven Espada Dawson
  3. pp. 146-147
  4. DOI: 10.1353/col.2021.0096
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  1. On Seeing a Phasma Gigas, and: Sway
  2. Janice N. Harrington
  3. pp. 148-152
  4. DOI: 10.1353/col.2021.0064
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  1. Lycia
  2. Brendan Williams-Childs
  3. pp. 153-167
  4. DOI: 10.1353/col.2021.0065
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  1. The Shade Artist
  2. Emma Aylor
  3. pp. 168-169
  4. DOI: 10.1353/col.2021.0066
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  1. Hallelujah to the Weather Vane in the Key of Ukraine
  2. J. David
  3. p. 170
  4. DOI: 10.1353/col.2021.0067
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  1. Contributor Notes
  2. pp. 171-175
  3. DOI: 10.1353/col.2021.0068
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