In this Issue

Table of Contents

Editors' Page

pp. 1-2
DOI: https://doi.org/10.1353/col.2021.0069
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Blood Flower

Aimee Nezhukumatathil
p. 3
DOI: https://doi.org/10.1353/col.2021.0070
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Eclipse, and: Tug

Diana Khoi Nguyen
pp. 4-7
DOI: https://doi.org/10.1353/col.2021.0071
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Antimatter

Stella Wong
p. 8
DOI: https://doi.org/10.1353/col.2021.0072
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One Bad Night in San José, Costa Rica: Winner of the 2021 Nelligan Prize for Short Fiction

Danny Thiemann, T. Geronimo Johnson
pp. 9-20
DOI: https://doi.org/10.1353/col.2021.0073
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The Industrial Revolution, and: J Building, Rooftop Pavilion

April Freely
pp. 21-25
DOI: https://doi.org/10.1353/col.2021.0074
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Waterbird

Phillip West
p. 26
DOI: https://doi.org/10.1353/col.2021.0075
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The Spirit Cabinet

Zack Finch
pp. 27-39
DOI: https://doi.org/10.1353/col.2021.0076
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Trash, and: Dad Poem, and: The Hurricane Doesn't Roar in Pentameter

Joshua Bennett
pp. 40-44
DOI: https://doi.org/10.1353/col.2021.0077
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Prayer to the One Who Made Me

Bryce Emley
p. 45
DOI: https://doi.org/10.1353/col.2021.0078
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El Volcán:, and: Oort Cloud, and: The Thawing of the World

Chee Brossy
pp. 46-50
DOI: https://doi.org/10.1353/col.2021.0079
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The Win-Loss Columns

Siân Griffiths
pp. 51-71
DOI: https://doi.org/10.1353/col.2021.0080
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Yesterday, I Apologized

Ellen Samuels
pp. 72-73
DOI: https://doi.org/10.1353/col.2021.0081
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Eyeshine

Stacy Gnall
pp. 74-75
DOI: https://doi.org/10.1353/col.2021.0082
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You Might Change Your Mind about Kids, and: Triple Sonnet for Batman Villains and Whatever This Is

Dorothy Chan
pp. 76-79
DOI: https://doi.org/10.1353/col.2021.0083
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Ars Poetica

Lisa Low
p. 80
DOI: https://doi.org/10.1353/col.2021.0084
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"Field #1" from Team Photograph

Lauren Haldeman
pp. 81-97
DOI: https://doi.org/10.1353/col.2021.0085
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Aubade, and: Prostatitis

Patrick Kindig
pp. 98-99
DOI: https://doi.org/10.1353/col.2021.0086
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After the Mushroom at the End of the World

Serena Alagappan
p. 100
DOI: https://doi.org/10.1353/col.2021.0087
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A Poem with Birds in It, and: Manifest Destiny, and: How to Greet a Warbler

Yesenia Montilla
pp. 101-103
DOI: https://doi.org/10.1353/col.2021.0088
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The Belfort

Anu Kandikuppa
pp. 104-122
DOI: https://doi.org/10.1353/col.2021.0089
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Elegy with Barbed Wire Swaddling a Fortunate Child, as Barbed Triptychassemblage, and: Wtr

Anthony Cody
pp. 123-125
DOI: https://doi.org/10.1353/col.2021.0090
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Autotomy: 2021 AWP Intro Journals Project Winner

J. P. Grasser, Karen Craigo
pp. 126-127
DOI: https://doi.org/10.1353/col.2021.0091
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I See in Myself, and I Dreamed I Forgot

Leila Chatti
pp. 128-129
DOI: https://doi.org/10.1353/col.2021.0092
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Provisions, and: Ceremony

Cindy Juyoung Ok
pp. 130-132
DOI: https://doi.org/10.1353/col.2021.0093
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Green Thumb

Megan Baxter
pp. 133-142
DOI: https://doi.org/10.1353/col.2021.0094
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Cattle Caught in a Rainstorm outside Fort Union, New Mexico, and: Dream with a Cockatoo Still Biting My Hand, and: Anosmia in the Modern World

Jordan Escobar
pp. 143-145
DOI: https://doi.org/10.1353/col.2021.0095
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My Brother Stole Every Spoon in the House, and: Light Shines through the Gristle

Steven Espada Dawson
pp. 146-147
DOI: https://doi.org/10.1353/col.2021.0096
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On Seeing a Phasma Gigas, and: Sway

Janice N. Harrington
pp. 148-152
DOI: https://doi.org/10.1353/col.2021.0064
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Lycia

Brendan Williams-Childs
pp. 153-167
DOI: https://doi.org/10.1353/col.2021.0065
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The Shade Artist

Emma Aylor
pp. 168-169
DOI: https://doi.org/10.1353/col.2021.0066
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Hallelujah to the Weather Vane in the Key of Ukraine

J. David
p. 170
DOI: https://doi.org/10.1353/col.2021.0067
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Contributor Notes

pp. 171-175
DOI: https://doi.org/10.1353/col.2021.0068
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