In this Issue

Table of Contents

Editor's Column

Monsieur Saint Ursul et les Unze Mille Pages

Bart Eeckhout
pp. 137-145
DOI: https://doi.org/10.1353/wsj.2021.0036
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Essays

“Fact Meeting Fact—with a Background of the Ideal”: Hellenism in Stevens’s Journals

Charles Altieri
pp. 146-162
DOI: https://doi.org/10.1353/wsj.2021.0037
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Real and Unreal Lives: José Rodríguez Feo’s Translation of Stevens’s “Attempt to Discover Life”

Robert S. Lesman
pp. 163-178
DOI: https://doi.org/10.1353/wsj.2021.0038
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Reading in the Night of “The Rock”: Embodying Self-Referentiality in Late Stevens

Apala Das
pp. 179-194
DOI: https://doi.org/10.1353/wsj.2021.0039
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Special Section: A Forum on Stevens and Lyric Theory

Guest-Edited by Henry Weinfield

A Forum on Stevens and Lyric Theory Introduction

Henry Weinfield
pp. 195-198
DOI: https://doi.org/10.1353/wsj.2021.0040
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Xs and Os: Chiasmus, Apostrophe, and the Lyric Subject in Stevens

David Ben-Merre
pp. 199-217
DOI: https://doi.org/10.1353/wsj.2021.0041
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“Spissant” Lyric: Stevens at the Limits of Speech and Song

Zachary Tavlin
pp. 218-228
DOI: https://doi.org/10.1353/wsj.2021.0042
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What We Said of It: The Generational “We” in Stevens and Ashbery

Christopher Spaide
pp. 229-250
DOI: https://doi.org/10.1353/wsj.2021.0021
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She, We, and Ramon Fernandez in “The Idea of Order at Key West”

Paul H. Fry
pp. 251-254
DOI: https://doi.org/10.1353/wsj.2021.0022
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Poems

The Nothing That Is There

Charles S. Carr
p. 255
DOI: https://doi.org/10.1353/wsj.2021.0027
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Stevens’s Cat

William Virgil Davis
p. 256
DOI: https://doi.org/10.1353/wsj.2021.0028
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Two for Stevens

Miguel González-Gerth
pp. 257-258
DOI: https://doi.org/10.1353/wsj.2021.0030
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A Pretext for Poetry

Milton J. Bates
p. 259
DOI: https://doi.org/10.1353/wsj.2021.0025
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7: 00 AM, and: The Banyan Tree

David Farrah
p. 260
DOI: https://doi.org/10.1353/wsj.2021.0029
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Confession of Belle Scavoir

Heather H. Thomas, Heather H. Thomas
pp. 261-262
DOI: https://doi.org/10.1353/wsj.2021.0033
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Enclosed

Bibhu Padhi
p. 263
DOI: https://doi.org/10.1353/wsj.2021.0032
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The Black Hole: Singularity of Real Parody

j. novalis wolfe
pp. 264-265
DOI: https://doi.org/10.1353/wsj.2021.0035
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Reviews

The Mental Life of Modernism: Why Poetry, Painting, and Music Changed at the Turn of the Twentieth Century by Samuel Jay Keyser (review)

Mark J. Bruhn
pp. 266-269
DOI: https://doi.org/10.1353/wsj.2021.0031
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Modernism and Still Life: Artists, Writers, Dancers by Claudia Tobin (review)

Lee M. Jenkins
pp. 269-271
DOI: https://doi.org/10.1353/wsj.2021.0034
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The Music of Time: Poetry in the Twentieth Century by John Burnside (review)

Roger Gilbert
pp. 271-274
DOI: https://doi.org/10.1353/wsj.2021.0026
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In Memoriam J. Hillis Miller (1928-2021)

In Memoriam J. Hillis Miller (1928–2021)

Charles Altieri, Jahan Ramazani
pp. 275-279
DOI: https://doi.org/10.1353/wsj.2021.0023
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Notes and Comments

News and Comments

Bart Eeckhout, Glen MacLeod
pp. 280-283
DOI: https://doi.org/10.1353/wsj.2021.0024
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