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Table of Contents

  1. There’s a Starman Waiting in the Sky
  2. Jeffrey R. Di Leo
  3. pp. 2-36
  4. DOI: https://doi.org/10.1353/abr.2021.0120
  5. restricted access
  1. Introduction to Focus: The Drive Beyond Pleasure
  2. Gina Masucci MacKenzie
  3. p. 3
  4. DOI: https://doi.org/10.1353/abr.2021.0119
  5. restricted access
  1. Reading Proust with Daniel Mendelsohn
  2. Daniel T. O’Hara
  3. p. 4
  4. DOI: https://doi.org/10.1353/abr.2021.0118
  5. restricted access
  1. Critical Pleasure under Late Capitalism
  2. Jeffrey R. Di Leo
  3. pp. 5-6
  4. DOI: https://doi.org/10.1353/abr.2021.0117
  5. restricted access
  1. A Postscript to Transgression?
  2. Daniel Rosenberg Nutters
  3. pp. 6-8
  4. DOI: https://doi.org/10.1353/abr.2021.0116
  5. restricted access
  1. The Literary Code of Vincent van Gogh
  2. Christa DiMarco
  3. pp. 8-9
  4. DOI: https://doi.org/10.1353/abr.2021.0115
  5. restricted access
  1. Uncritical Pleasure and Critical Jouissance
  2. Jean-Michel Rabaté
  3. pp. 9-10
  4. DOI: https://doi.org/10.1353/abr.2021.0114
  5. restricted access
  1. World Without Hillis
  2. Henry Sussman
  3. pp. 10-12
  4. DOI: https://doi.org/10.1353/abr.2021.0113
  5. restricted access
  1. The Hand and the Dog — Hillis Miller’s Secret Power
  2. Tom Cohen
  3. pp. 13-14
  4. DOI: https://doi.org/10.1353/abr.2021.0112
  5. restricted access
  1. Breathless — In Memory of J. Hillis Miller
  2. Dragan Kujundžić
  3. pp. 14-16
  4. DOI: https://doi.org/10.1353/abr.2021.0111
  5. restricted access
  1. Hillis Malheur, Open Case
  2. Sigi Jöttkandt
  3. p. 16
  4. DOI: https://doi.org/10.1353/abr.2021.0110
  5. restricted access
  1. Interventions: An Interview with Estella Gonzalez by Frederick Luis Aldama
  2. Estella Gonzalez, Frederick Luis Aldama
  3. pp. 17-18
  4. DOI: https://doi.org/10.1353/abr.2021.0109
  5. restricted access
  1. Let’s Talk About It
  2. Jan Garden Castro
  3. pp. 20-22
  4. DOI: https://doi.org/10.1353/abr.2021.0108
  5. restricted access
  1. Slippery Subjectivity
  2. Peter Hitchcock
  3. pp. 21-22
  4. DOI: https://doi.org/10.1353/abr.2021.0107
  5. restricted access
  1. A Post-Apocalyptic Poetics
  2. Jane Rosenberg LaForge
  3. pp. 22-23
  4. DOI: https://doi.org/10.1353/abr.2021.0106
  5. restricted access
  1. Tone-Perfect Poems
  2. Stephanie Rauschenbusch
  3. pp. 23-24
  4. DOI: https://doi.org/10.1353/abr.2021.0105
  5. restricted access
  1. A Graphic Bildungsroman
  2. Lem Coley
  3. p. 25
  4. DOI: https://doi.org/10.1353/abr.2021.0104
  5. restricted access
  1. Three of a Perfect Pairing
  2. Ilka Scobie
  3. pp. 26-27
  4. DOI: https://doi.org/10.1353/abr.2021.0103
  5. restricted access
  1. Healing the Wound
  2. Edward M. Bury
  3. pp. 27-28
  4. DOI: https://doi.org/10.1353/abr.2021.0102
  5. restricted access
  1. Grief Lit
  2. Siân Roberts
  3. p. 28
  4. DOI: https://doi.org/10.1353/abr.2021.0101
  5. restricted access
  1. Triangulating Truths
  2. T. C. Marshall
  3. pp. 29-30
  4. DOI: https://doi.org/10.1353/abr.2021.0100
  5. restricted access
  1. Motherspeak and Daughterspeak
  2. Iris Lee
  3. pp. 30-31
  4. DOI: https://doi.org/10.1353/abr.2021.0099
  5. restricted access
  1. The Demand for Brevity
  2. Erin H. Davis
  3. p. 32
  4. DOI: https://doi.org/10.1353/abr.2021.0098
  5. restricted access
  1. Scenes: The Waywiser Press: An interview with Philip Hoy
  2. Philip Hoy
  3. p. 33
  4. DOI: https://doi.org/10.1353/abr.2021.0097
  5. restricted access
  1. Picketing the Zeitgeist: XR
  2. Harold Jaffe
  3. pp. 35-36
  4. DOI: https://doi.org/10.1353/abr.2021.0096
  5. restricted access
  1. Volume 42, 2020–2021
  3. pp. 36-39
  4. DOI: https://doi.org/10.1353/abr.2021.0095
  5. restricted access