In this Issue

Table of Contents

Henry James and the Nineteenth-Century Literary Landscape: Introduction

Greg Zacharias
p. 191
DOI: https://doi.org/10.1353/hjr.2021.0022
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Henry James, George Eliot, and the "Old-fashioned English Novel"

Rachel Bryan
pp. 192-212
DOI: https://doi.org/10.1353/hjr.2021.0023
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A Portrait of the Novel: James, Flaubert, and the Quest for Literary Autonomy

Elisa Sotgiu
pp. 213-228
DOI: https://doi.org/10.1353/hjr.2021.0024
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The Novelist as a Medium: On the Magic Art of The Bostonians

Ashley C. Barnes
pp. 229-238
DOI: https://doi.org/10.1353/hjr.2021.0016
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Pictures and Texts: Henry James in the Century

Michael Anesko
pp. 239-247
DOI: https://doi.org/10.1353/hjr.2021.0017
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The Real Thing? The Irish Immigrant Ethnic Hierarchy, S. S. McClure, and Henry James

Mary M. Burke
pp. 248-251
DOI: https://doi.org/10.1353/hjr.2021.0018
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"The Happy Mixture": Fiction and the Popular Media Arts in James's "John Delavoy"

June Hee Chung
pp. 252-264
DOI: https://doi.org/10.1353/hjr.2021.0019
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"intricate, overlapped, interweaved, and endless": Emerson, Henry James, and the Nature of Moral Life

Prentiss Clark
pp. 265-271
DOI: https://doi.org/10.1353/hjr.2021.0020
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Index to Volume 42

pp. 275-276
DOI: https://doi.org/10.1353/hjr.2021.0021
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The Medieval Presence in Modernist Literature: The Quest to Fail by Jonathan Ullyot (review)

T. J. Lustig
pp. E-12-E-14
DOI: https://doi.org/10.1353/hjr.2021.0025
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The Sacred Fount ed. by T. J. Lustig (review)

Daniel Hannah
pp. E-14-E-16
DOI: https://doi.org/10.1353/hjr.2021.0026
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Henry James and the Media Arts of Modernity: Commercial Cosmopolitanism by June Hee Chung (review)

Greg Zacharias
pp. E-16-E-22
DOI: https://doi.org/10.1353/hjr.2021.0027
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