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Table of Contents

  1. Entre espectacularización y censura: Subjetividades negras en el teatro brasileño de mediados del siglo XIX
  2. María Alejandra Aguilar Dornelles
  3. pp. 27-52
  4. DOI: https://doi.org/10.1353/ltr.2021.0028
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  1. Antesala de un teatro de títeres moderno: Juan Enrique Acuña al frente de los "Títeres del Verdegay" y "Titiritaina" (1944-1960)
  2. Bettina Girotti
  3. pp. 53-76
  4. DOI: https://doi.org/10.1353/ltr.2021.0029
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  1. Memory in Motion: UrbanTheater Company's Back in the Day and the Chicago Latinx Dance Crews of the 1980s
  2. Israel Reyes
  3. pp. 103-132
  4. DOI: https://doi.org/10.1353/ltr.2021.0019
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  1. El teatro de San Miguel de Tucumán: Salas, circuitos de producción e instancias de formación
  2. Pablo Salas Tonello
  3. pp. 133-154
  4. DOI: https://doi.org/10.1353/ltr.2021.0020
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  1. Entrevista a Novohispunk Teatro: Desde la distancia social hasta tu propio balcón
  2. Erin Cowling, Glenda Y. Nieto-Cuebas
  3. pp. 155-168
  4. DOI: https://doi.org/10.1353/ltr.2021.0021
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  1. Teatro Línea de Sombra durante la pandemia: Entrevista con Alicia Laguna y Jorge A. Vargas
  2. Ana Martínez
  3. pp. 169-178
  4. DOI: https://doi.org/10.1353/ltr.2021.0022
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  1. After the Long Silence: The Theater of Brazil's Post-Dictatorship Generation by Cláudia Tatinge Nascimento (review)
  2. Steven F. Butterman
  3. pp. 179-181
  4. DOI: https://doi.org/10.1353/ltr.2021.0026
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  1. Drama y narración. Teatro clásico y actual en español by José-Luis García Barrientos (review)
  2. Elvira Popova
  3. pp. 181-182
  4. DOI: https://doi.org/10.1353/ltr.2021.0023
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  1. The Sense of Brown by José Esteban Muñoz (review)
  2. Gerónimo Sarmiento Cruz
  3. pp. 182-184
  4. DOI: https://doi.org/10.1353/ltr.2021.0025
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  1. Staging Lives in Latin American Theater: Bodies, Objects, Archives by Paola S. Hernández (review)
  2. Gail A. Bulman
  3. pp. 184-185
  4. DOI: https://doi.org/10.1353/ltr.2021.0024
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