In this Issue
Formerly Cinema Journal, through volume 57, no.4, Summer 2018 (E-ISSN: 1527-2087, Print ISSN: 0009-7101).
JCMS: Journal of Cinema and Media Studies is the peer-reviewed, scholarly publication of the Society for Cinema and Media Studies (SCMS). JCMS's basic mission is to foster engaged debate and rigorous thinking among humanities scholars of film, television, digital media, and other audiovisual technologies. We are committed to the aesthetic, political, and cultural interpretation of these media and their production, circulation, and reception.
To that end, JCMS is dedicated to intellectual diversity of all kinds. We publish critical inquiry into the global, national, and local circulation of a wide variety of media. We seek to promote a range of approaches to film and media studies and attendant fields, including (but not limited to) digital media, sound studies, visual culture, video game studies, fan studies, and avant-garde and experimental film and media practices. We do not adhere to any methodological approach to media studies, nor do we focus on particular emphases in the field. The journal is open to all areas of humanities-oriented scholarship in media studies, including digital humanities.
In addition to feature articles, each issue of JCMS includes an “In Focus” dossier examining a topic of timely concern to SCMS members and book reviews of recently published texts in the field.
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Michigan Publishingviewing issue
Volume 61, Issue 1, Fall 2021Table of Contents
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View The Right to a Dignified Image: The Fashioning and Effacement of the Refugee within the Celebrity System
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The Right to a Dignified Image: The Fashioning and Effacement of the Refugee within the Celebrity System
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View Belonging and Distantiation: Reading Marjane Satrapi and Vincent Paronnaud's Poulet aux prunes in Relation to Cinéma-monde
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Belonging and Distantiation: Reading Marjane Satrapi and Vincent Paronnaud's Poulet aux prunes in Relation to Cinéma-monde
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View The Exorbitant Mirror: Violence, Disavowal, and the Logic of Terror in Michael Haneke's Das weiße Band
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The Exorbitant Mirror: Violence, Disavowal, and the Logic of Terror in Michael Haneke's Das weiße Band
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Fun and Facts about America: Postwar Corporate Liberalism and the Animated Economic Educational Film
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Fun and Facts about America: Postwar Corporate Liberalism and the Animated Economic Educational Film
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View Sporting Blackness: Race, Embodiment, and Critical Muscle Memory on Screen by Samantha N. Sheppard (review)
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Sporting Blackness: Race, Embodiment, and Critical Muscle Memory on Screen by Samantha N. Sheppard (review)
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| ISSN | 2578-4919 |
|---|---|
| Print ISSN | 2578-4900 |
| Launched on MUSE | 2021-11-02 |
| Open Access | No |
Copyright
Copyright © by author(s) and Society for Cinema and Media Studies
