+ MUSE Alert

In this Issue

Table of Contents

  1. Spotlight: Animated Media Scholarly Interest Group
  2. Cristina Formenti, Timothy Jones, Mihaela Mihailova
  3. pp. 1-3
  4. DOI: https://doi.org/10.1353/cj.2021.0078
  5. restricted access
  1. Spotlight: Teddy Pozo
  2. TreaAndrea M. Russworm, Teddy Pozo
  3. pp. 4-6
  4. DOI: https://doi.org/10.1353/cj.2021.0069
  5. restricted access
  1. Rethinking Format in the Amazon: Ecology and El abrazo de la serpiente
  2. Martina Broner
  3. pp. 7-26
  4. DOI: https://doi.org/10.1353/cj.2021.0068
  5. restricted access
  1. The Right to a Dignified Image: The Fashioning and Effacement of the Refugee within the Celebrity System
  2. Chris Campanioni
  3. pp. 27-50
  4. DOI: https://doi.org/10.1353/cj.2021.0080
  5. restricted access
  1. Epic Cinema: Defining Our Terms
  2. Angelos Koutsourakis
  3. pp. 51-74
  4. DOI: https://doi.org/10.1353/cj.2021.0074
  5. restricted access
  1. Body Talk and the Remediation of Women's Voices in RuPaul's Drag Race
  2. Jennifer O'Meara
  3. pp. 75-98
  4. DOI: https://doi.org/10.1353/cj.2021.0073
  5. restricted access
  1. Belonging and Distantiation: Reading Marjane Satrapi and Vincent Paronnaud's Poulet aux prunes in Relation to Cinéma-monde
  2. Stacey Weber-Fève
  3. pp. 99-122
  4. DOI: https://doi.org/10.1353/cj.2021.0076
  5. restricted access
  1. The Exorbitant Mirror: Violence, Disavowal, and the Logic of Terror in Michael Haneke's Das weiße Band
  2. Kevin Wynter
  3. pp. 123-139
  4. DOI: https://doi.org/10.1353/cj.2021.0079
  5. restricted access
  1. Introduction
  2. Ryan Pierson
  3. pp. 142-146
  4. DOI: https://doi.org/10.1353/cj.2021.0072
  5. restricted access
  1. Animated Images in a Media History of Science
  2. Scott Curtis
  3. pp. 147-152
  4. DOI: https://doi.org/10.1353/cj.2021.0070
  5. restricted access
  1. Fun and Facts about America: Postwar Corporate Liberalism and the Animated Economic Educational Film
  2. Michelle Kelley
  3. pp. 153-159
  4. DOI: https://doi.org/10.1353/cj.2021.0071
  5. restricted access
  1. Tracing the Multiplane: Toward a Genealogy of Animation Apparatuses
  2. Alla Gadassik
  3. pp. 160-165
  4. DOI: https://doi.org/10.1353/cj.2021.0067
  5. restricted access
  1. Studio Melnitsa's Bogatyr Cycle: Notes on a Global Approach to Contemporary Studio Animation
  2. Mihaela Mihailova
  3. pp. 166-172
  4. DOI: https://doi.org/10.1353/cj.2021.0077
  5. restricted access
  1. Designed by Chance: Form and Recorded Motion
  2. Jordan Schonig
  3. pp. 173-178
  4. DOI: https://doi.org/10.1353/cj.2021.0062
  5. restricted access
  1. Ecomation
  2. Thomas Lamarre
  3. pp. 179-184
  4. DOI: https://doi.org/10.1353/cj.2021.0075
  5. restricted access
  1. Bombay Hustle: Making Movies in a Colonial City by Debashree Mukherjee (review)
  2. Katie Bird
  3. pp. 186-192
  4. DOI: https://doi.org/10.1353/cj.2021.0065
  5. restricted access
  1. Girl Head: Feminism and Film Materiality by Genevieve Yue (review)
  2. Alix Beeston
  3. pp. 193-198
  4. DOI: https://doi.org/10.1353/cj.2021.0081
  5. restricted access
  1. Sporting Blackness: Race, Embodiment, and Critical Muscle Memory on Screen by Samantha N. Sheppard (review)
  2. Mikal J. Gaines
  3. pp. 199-202
  4. DOI: https://doi.org/10.1353/cj.2021.0064
  5. restricted access
  1. Video Games Have Always Been Queer by Bonnie Ruberg (review)
  2. Christopher Goetz
  3. pp. 203-207
  4. DOI: https://doi.org/10.1353/cj.2021.0063
  5. restricted access
  1. Seeing by Electricity: The Emergence of Television, 1878–1939 by Doron Galili (review)
  2. Christina G. Petersen
  3. pp. 208-211
  4. DOI: https://doi.org/10.1353/cj.2021.0066
  5. restricted access