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Table of Contents

  1. Editor's Note
  3. pp. 6-7
  4. DOI: https://doi.org/10.1353/ner.2021.0069
  5. restricted access
  1. A Small Eulogy
  2. Suphil Lee Park
  3. p. 8
  4. DOI: https://doi.org/10.1353/ner.2021.0070
  5. restricted access
  1. Packing for a Trip to the Sea
  2. Hisham Bustani, Alice Guthrie
  3. pp. 9-12
  4. DOI: https://doi.org/10.1353/ner.2021.0071
  5. restricted access
  1. Thank You for Reminding Me
  2. Emma Trelles
  3. p. 13
  4. DOI: https://doi.org/10.1353/ner.2021.0072
  5. restricted access
  1. Whether a Marble Confirms Its Feeling of the Field, and Story
  2. Shangyang Fang
  3. pp. 14-18
  4. DOI: https://doi.org/10.1353/ner.2021.0073
  5. restricted access
  1. Past Perfect
  2. Alice Greenway
  3. pp. 19-56
  4. DOI: https://doi.org/10.1353/ner.2021.0074
  5. restricted access
  1. Present This Receipt to CBP, and Agent
  2. Natalie Scenters-Zapico
  3. pp. 57-60
  4. DOI: https://doi.org/10.1353/ner.2021.0075
  5. restricted access
  1. Unfilial
  2. May-lee Chai
  3. pp. 61-75
  4. DOI: https://doi.org/10.1353/ner.2021.0076
  5. restricted access
  1. I want to tell you what poverty gave me—
  2. Melissa Crowe
  3. pp. 76-78
  4. DOI: https://doi.org/10.1353/ner.2021.0077
  5. restricted access
  1. If Swans Could Speak
  2. Julie Riddle
  3. pp. 79-90
  4. DOI: https://doi.org/10.1353/ner.2021.0078
  5. restricted access
  1. Sera
  2. Emelie Griffin
  3. p. 91
  4. DOI: https://doi.org/10.1353/ner.2021.0079
  5. restricted access
  1. There Is Only You
  2. Scott Blackwood
  3. pp. 92-97
  4. DOI: https://doi.org/10.1353/ner.2021.0080
  5. restricted access
  1. The House Has Teeth, and A History
  2. Aldo Amparán
  3. pp. 98-100
  4. DOI: https://doi.org/10.1353/ner.2021.0081
  5. restricted access
  1. RIP, Chuck, But I Doubt It
  2. Leath Tonino
  3. pp. 101-108
  4. DOI: https://doi.org/10.1353/ner.2021.0082
  5. restricted access
  1. Sonnet for the Imaginary Lover (I), and Sonnet for the Imaginary Lover (IV)
  2. Yerra Sugarman
  3. pp. 109-110
  4. DOI: https://doi.org/10.1353/ner.2021.0083
  5. restricted access
  1. Four Monologues: Shelter in Place
  2. John Cotter
  3. pp. 111-120
  4. DOI: https://doi.org/10.1353/ner.2021.0084
  5. restricted access
  1. Use a Metronome
  2. Gregory Spatz
  3. pp. 121-125
  4. DOI: https://doi.org/10.1353/ner.2021.0085
  5. restricted access
  1. Catullus 85, and Detail, and Dream of the Divided Field
  2. Yanyi
  3. pp. 126-130
  4. DOI: https://doi.org/10.1353/ner.2021.0086
  5. restricted access
  1. Doing It His Way: Ademola Olugebefola's Long and Varied Career in the Arts
  2. Nathaniel G. Nesmith
  3. pp. 131-145
  4. DOI: https://doi.org/10.1353/ner.2021.0087
  5. restricted access
  1. Don't Say Love Just Signal
  2. Tyree Daye
  3. pp. 146-147
  4. DOI: https://doi.org/10.1353/ner.2021.0088
  5. restricted access
  1. You Are Glowing with Crystal White Light!
  2. Jenn Shapland
  3. pp. 148-164
  4. DOI: https://doi.org/10.1353/ner.2021.0089
  5. restricted access
  1. Of Glory
  2. Benjamin Paloff
  3. p. 165
  4. DOI: https://doi.org/10.1353/ner.2021.0090
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  1. Berlin Views
  2. Marek Zagańczyk, Jakob Ziguras
  3. pp. 166-175
  4. DOI: https://doi.org/10.1353/ner.2021.0092
  5. restricted access
  1. I Side with Myself. I Touch My Face
  2. Christopher Kondrich
  3. pp. 176-177
  4. DOI: https://doi.org/10.1353/ner.2021.0091
  5. restricted access
  1. A Delivery
  2. Nicole Cuffy
  3. pp. 178-182
  4. DOI: https://doi.org/10.1353/ner.2021.0093
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  1. The Young Herdsman
  2. Oscar Oswald
  3. pp. 183-185
  4. DOI: https://doi.org/10.1353/ner.2021.0094
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  1. The Annotations
  2. Blair Hurley
  3. pp. 186-201
  4. DOI: https://doi.org/10.1353/ner.2021.0095
  5. restricted access
  1. Noah, and Prose, and Solarium
  2. Sarah Gridley
  3. pp. 202-205
  4. DOI: https://doi.org/10.1353/ner.2021.0066
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  1. Mr. Korbes
  2. The Brothers Grimm
  3. pp. 206-208
  4. DOI: https://doi.org/10.1353/ner.2021.0067
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  1. Contributors' Notes
  3. pp. 209-213
  4. DOI: https://doi.org/10.1353/ner.2021.0068
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