In this Issue
Publishing since 1977, Indiana Theory Review provides a venue for creative and imaginative articles on music theory, a forum for the thoughtful exchange of ideas and directions in the field through letters and editorial comments, and an opportunity for review of books and periodicals dealing with a variety of music subjects. Formerly semiannual prior to volume 37, each annual peer-reviewed issue showcases the basic philosophy of sound scholarship and high quality performance as the hallmarks of superior music education. Indiana Theory Review is sponsored by Indiana University’s Jacobs School of Music, its Department of Music Theory, and the Graduate Theory Association.
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Indiana University Pressviewing issue
Volume 37, Summer 2021Table of Contents
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View Distorted Topics in Stravinsky's Neoclassical Works: Alterations of Conventional Musical and Expressive Ideas
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Distorted Topics in Stravinsky's Neoclassical Works: Alterations of Conventional Musical and Expressive Ideas
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View Hidden Endings and Disappearing Measures in the First Movement of Schubert's String Quintet in C Major, D. 956
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Hidden Endings and Disappearing Measures in the First Movement of Schubert's String Quintet in C Major, D. 956
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View Review of Rhymes in the Flow: How Rappers Flip the Beat by Macklin Smith and Aurko Joshi (review)
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Review of Rhymes in the Flow: How Rappers Flip the Beat by Macklin Smith and Aurko Joshi (review)
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| ISSN | 2474-7777 |
|---|---|
| Print ISSN | 0271-8022 |
| Launched on MUSE | 2021-10-29 |
| Open Access | No |




