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Table of Contents

  1. Editor's Preface
  2. Marijn S. Kaplan
  3. pp. 9-11
  4. DOI: https://doi.org/10.1353/wfs.2021.0000
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Essays

  1. Berthe Morisot's Subversive Objectification of Women
  2. Lauren Ravalico
  3. pp. 12-31
  4. DOI: https://doi.org/10.1353/wfs.2021.0001
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  1. La poétique de la menstruation selon Emma Santos et Séverine Daucourt
  2. Mélanie Maillot
  3. pp. 32-45
  4. DOI: https://doi.org/10.1353/wfs.2021.0002
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  1. Triangulating Trans Tidalectics: Decolonizing gendered Embodiment in Chantal Spitz'S "Joséphine"
  2. Eric J. Disbro
  3. pp. 46-61
  4. DOI: https://doi.org/10.1353/wfs.2021.0003
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  1. Career Advice for Women in Belle-Époque Paris: Gabrielle Réval's L'Avenir de nos filles (1904)
  2. Mary Beth Raycraft
  3. pp. 62-74
  4. DOI: https://doi.org/10.1353/wfs.2021.0004
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  1. La mort du Cy/signe ou la fin du mythe de l'identité sexuelle dans Sphinx d'Anne Garréta
  2. Julia Galmiche-Essue
  3. pp. 75-87
  4. DOI: https://doi.org/10.1353/wfs.2021.0005
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  1. La joueuse de go (2001) By Shan Sa: A Battle of Eroticism and Abstinence
  2. Xinyi Tan
  3. pp. 88-105
  4. DOI: https://doi.org/10.1353/wfs.2021.0006
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  1. Autrice King Kong : la volonté de puissance chez Virginie Despentes
  2. Isabelle Marc
  3. pp. 106-122
  4. DOI: https://doi.org/10.1353/wfs.2021.0007
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  1. Le plan noir de la mélancolie dans L'Homme atlantique (1981) de Marguerite Duras
  2. Brianna Mullin
  3. pp. 123-135
  4. DOI: https://doi.org/10.1353/wfs.2021.0008
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  1. "Sluttish" Annie: Ernaux's Mémoire de fille, Female Agency, and Empowerment
  2. Michèle Bacholle
  3. pp. 136-151
  4. DOI: https://doi.org/10.1353/wfs.2021.0009
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  1. Interview with Brigitte Tsobgny
  2. Cheryl Toman
  3. pp. 152-157
  4. DOI: https://doi.org/10.1353/wfs.2021.0010
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  1. Déforestation et épidémie ebola. L'efficacité d'une narration À plusieurs voix dans En compagnie des hommes de Véronique Tadjo
  2. Brigitte Tsobgny
  3. pp. 158-171
  4. DOI: https://doi.org/10.1353/wfs.2021.0011
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Book Reviews

Single-Authored Works

  1. The Crimes of Marguerite Duras: Literature and the Media in Twentieth-Century France by Anne Brancky (review)
  2. Adrienne Angelo
  3. pp. 172-173
  4. DOI: https://doi.org/10.1353/wfs.2021.0012
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  1. Suzanne Césaire. Archéologie littéraire et artistique d'une mémoire empêchée by Anny-Dominique Curtius (review)
  2. Joëlle Vitiello
  3. pp. 174-175
  4. DOI: https://doi.org/10.1353/wfs.2021.0013
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  1. Colette aux frontières des genres by Flavie Fouchard (review)
  2. Corentin Zurlo-Truche
  3. pp. 176-177
  4. DOI: https://doi.org/10.1353/wfs.2021.0014
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  1. Corporeal Archipelagos: Writing the Body in Francophone Oceanian Women's Literature by Julia Frengs (review)
  2. Kaliane Ung
  3. pp. 177-178
  4. DOI: https://doi.org/10.1353/wfs.2021.0015
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  1. Female Composers, Conductors, Performers: Musiciennes of Interwar France, 1919-1939 by Laura Hamer (review)
  2. Beverly J. Evans
  3. pp. 178-180
  4. DOI: https://doi.org/10.1353/wfs.2021.0016
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  1. Hoarding Memory: Covering the Wounds of the Algerian War by Amy L. Hubbell (review)
  2. Mary E. McCullough
  3. pp. 180-181
  4. DOI: https://doi.org/10.1353/wfs.2021.0017
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  1. Marie Jeanne Riccoboni's Epistolary Feminism: Fact, Fiction, and Voice by Marijn S. Kaplan (review)
  2. Tessa Ashlin Nunn
  3. pp. 181-182
  4. DOI: https://doi.org/10.1353/wfs.2021.0018
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  1. Women Fight, Women Write: Texts on the Algerian War by Mildred Mortimer (review)
  2. Nevine El Nossery
  3. pp. 182-184
  4. DOI: https://doi.org/10.1353/wfs.2021.0019
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  1. Camille et Paul Claudel, lignes de partage by Marie-Victoire Nantet (review)
  2. Éric Touya de Marenne
  3. pp. 184-186
  4. DOI: https://doi.org/10.1353/wfs.2021.0020
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  1. Hybrid Anxieties by C. L. Quinan (review)
  2. Mallory Nischan
  3. pp. 186-187
  4. DOI: https://doi.org/10.1353/wfs.2021.0021
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  1. Charlotte Delbo, A Life Reclaimed by Ghislaine Dunant (review)
  2. Maria G. Traub
  3. pp. 188-189
  4. DOI: https://doi.org/10.1353/wfs.2021.0022
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  1. Œuvres complètes. 1846. Isidora. Œuvres complètes by George Sand (review)
  2. Rachel Corkle
  3. pp. 189-190
  4. DOI: https://doi.org/10.1353/wfs.2021.0023
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Edited Collections

  1. Écriture des origines, origines de l'écriture by Kathleen Gyssels and Christa Stevens (review)
  2. Eilene Hoft-March
  3. pp. 190-192
  4. DOI: https://doi.org/10.1353/wfs.2021.0024
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  1. La Lettre trace du voyage à l'époque moderne et contemporaine by Isabelle Keller-Privat & Karin Schwerdtner (review)
  2. Vassiliki Lalagianni
  3. pp. 192-194
  4. DOI: https://doi.org/10.1353/wfs.2021.0025
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  1. Francophone Literature as World Literature ed. by Christian Moraru et al. (review)
  2. Sara Hanaburgh
  3. pp. 194-195
  4. DOI: https://doi.org/10.1353/wfs.2021.0026
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Creative Works

  1. Un amour tissé dans la tourmente by Evelyne Accad (review)
  2. Ruth Hottell
  3. pp. 195-197
  4. DOI: https://doi.org/10.1353/wfs.2021.0027
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  1. Aurore's Journey by Nadia Origo (review)
  2. Karen Ferreira-Meyers
  3. pp. 197-198
  4. DOI: https://doi.org/10.1353/wfs.2021.0028
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  1. Les Marées Affriolantes de l'Amour by Careen Pilo (review)
  2. Sandra Mefoude-Obiono
  3. pp. 198-200
  4. DOI: https://doi.org/10.1353/wfs.2021.0029
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  1. L'envahissement by Metka Zupančič (review)
  2. Cheryl Toman
  3. pp. 200-201
  4. DOI: https://doi.org/10.1353/wfs.2021.0030
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Errata

  1. Errata in Book Reviews
  2. p. 202
  3. DOI: https://doi.org/10.1353/wfs.2021.0033
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  1. Announcement
  2. p. 202
  3. DOI: https://doi.org/10.1353/wfs.2021.0031
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  1. Notes on Contributors
  2. pp. 203-205
  3. DOI: https://doi.org/10.1353/wfs.2021.0032
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