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In this Issue

Table of Contents

  1. Mechanical Reproduction, Commodity, and the Gift-Annual Aesthetic
  2. Clara Dawson
  3. pp. 247-275
  4. DOI: https://doi.org/10.1353/srm.2021.0018
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  1. Shelley as Visual Artist: Doodles, Sketches, Ink Blots, and the Critical Reception of the Visual
  2. Graham Allen
  3. pp. 277-306
  4. DOI: https://doi.org/10.1353/srm.2021.0019
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  1. “Universal Jubilee”: Social Property and 1790s Radicalism
  2. Samuel Rowe
  3. pp. 307-329
  4. DOI: https://doi.org/10.1353/srm.2021.0020
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  1. Reorienting Sympathy: Rereading Mary Wollstonecraft’s Vindication of the Rights of Men
  2. Samantha Botz
  3. pp. 331-352
  4. DOI: https://doi.org/10.1353/srm.2021.0021
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  1. The Romantic Literary Lecture in Britain by Sarah Zimmerman (review)
  2. Gregory Dart
  3. pp. 353-357
  4. DOI: https://doi.org/10.1353/srm.2021.0022
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  1. The Aesthetics of Senescence: Aging, Population, and the Nineteenth-Century British Novel by Andrea Charise (review)
  2. Amy Culley
  3. pp. 357-360
  4. DOI: https://doi.org/10.1353/srm.2021.0023
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  1. Overwhelmed: Literature, Aesthetics, and the Nineteenth-Century Information Revolution by Maurice S. Lee (review)
  2. Christopher Hanlon
  3. pp. 360-363
  4. DOI: https://doi.org/10.1353/srm.2021.0024
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  1. Romantic Vacancy: The Poetics of Gender, Affect, and Radical Speculation by Kate Singer (review)
  2. David Sigler
  3. pp. 363-367
  4. DOI: https://doi.org/10.1353/srm.2021.0025
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  1. Notes on Contributors
  2. pp. 369-370
  3. DOI: https://doi.org/10.1353/srm.2021.0026
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