1. eva.stories: Disrespect or a Successful Change in Holocaust Memory?
  2. Liat Steir-Livny
  3. pp. 129-152
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  1. Funny Professors, Serious Lessons: An Analysis of the Image of Jews as Academics in Film
  2. F. K. Schoeman, Christian K. Anderson
  3. pp. 153-185
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  1. Multimodality in M. Kovner's Ezekiel's World
  2. Ilana Elkad-Lehman
  3. pp. 186-216
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  1. Understanding @eva.stories: Holocaust Memory in the Instagram Era
  2. Noam Tirosh
  3. pp. 217-225
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  1. Ruth Beckermann: Documentarian of the Present
  2. Débora G. Kantor, Ruth Beckermann
  3. pp. 226-238
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  1. On Ceplair and Trumbo's Dalton Trumbo and Doherty's Show Trial
  2. Shaun Cullen
  3. pp. 239-243
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  1. On Lee's Nazism and Neo-Nazism in Film and Media
  2. Paul R. Bartrop
  3. pp. 244-247
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  1. On Noack's Veit Harlan
  2. Paul R. Bartrop
  3. pp. 248-250
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  1. On Steir-Livny's Remaking Holocaust Memory
  2. Yael Munk
  3. pp. 251-254
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  1. On Toffell's Jews, Cinema and Public Life in Interwar Britain
  2. Jingan Young
  3. pp. 255-258
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  1. On Slucki, Finder, and Patt's Laughter After: Humor and the Holocaust
  2. Elyce Rae Helford
  3. pp. 259-263
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  1. On Helford's What Price Hollywood
  2. Vincent Brook
  3. pp. 264-270
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  1. On Aarons's Holocaust Graphic Narratives
  2. Phyllis Lassner
  3. pp. 271-273
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  1. On Crim's Planet Auschwitz
  2. Vincent Brook
  3. pp. 274-279
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  1. On Gorbach's The Notorious Ben Hecht
  2. Jonathan L. Friedmann
  3. pp. 280-283
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  1. On Cazenave's Archive of the Catastrophe and McGlothlin, Prager, and Zisselsberger's Construction of Testimony
  2. Michael Berkowitz
  3. pp. 284-292
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  1. On Waters's Miriam and Youssef
  2. Efrat Urbach, Netta Schramm
  3. pp. 293-302
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