1. Users' Guide: A Word from the Editor
  2. Pearl A. McHaney
  3. pp. ix-x
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  1. William F. Winter: February 21, 1923–December 18, 2020
  2. Suzanne Marrs
  3. pp. 1-4
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  1. Roger Mudd: February 9, 1928–March 9, 2021
  2. Suzanne Marrs
  3. pp. 5-6
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  1. Mary Moore Mitchell, Eudora Welty, and Me
  2. Norma Flora Cox
  3. pp. 167-189
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  1. Charlotte Capers: Clio of Our Time
  2. Jesse L. Yancy
  3. pp. 191-211
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  1. Seminar Roundtable: Eudora Welty and Mrs. Brown
  2. Sarah Gilbreath Ford
  3. pp. 213-215
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  1. Getting Hold of a Face: The Tactile and the Visual in Eudora Welty's "Clytie"
  2. Andrew Hicks
  3. pp. 217-228
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  1. Vision and Violence: Ran's Monologue in "The Whole World Knows"
  2. Allison Scheidegger
  3. pp. 229-241
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  1. "Stand still": Delta Wedding and the Perils of Perception
  2. Ryan Sinni
  3. pp. 243-255
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  1. "to touch the dark cheek": Facing the Postbellum South in "Clytie"
  2. Hannah Wells
  3. pp. 257-273
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  1. Eudora Welty Foundation
  2. Jeanne B. Luckett
  3. pp. 275-281
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  1. Eudora Welty House & Garden
  2. Lauren Rhoades
  3. pp. 281-282
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  1. Eudora Welty Society
  2. Annette Trefzer
  3. pp. 283-285
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  1. Eudora Welty Collection Mississippi Department of Archives and History
  2. Forrest Galey
  3. pp. 285-293
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  1. 2020 Welty Fellowship Research Report "Shelter for Secrets": Eudora Welty and the Craft of Identity in One Writer's Beginnings
  2. Margaret Pless Zee
  3. pp. 295-306
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  1. Recollections of Eudora Welty: Monteleone Hotel, New Orleans to Pinehurst Street, Jackson
  2. Hunter McKelva Cole
  3. pp. 307-308
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  1. Charles Dickens's Sairey Gamp in Eudora Welty's "Petrified Man"
  2. Allison Scheidegger
  3. pp. 309-314
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  1. Checklist of Welty Scholarship 2020
  2. Catherine H. Chengges
  3. pp. 315-319
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