1. Preface
  2. Mari Itoh
  3. p. 197
  4. DOI: 10.1353/fam.2021.0026
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  1. How Can We Work With Our Music Communities? On The Occasion of IAML Japanese Branch’s Fortieth Anniversary
  2. Mari Itoh
  3. pp. 198-210
  4. DOI: 10.1353/fam.2021.0027
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  1. The Old Cummings Collection at the Nanki Music Library
  2. Tsutomu Sasaki, Haruyo Miyazaki
  3. pp. 217-232
  4. DOI: 10.1353/fam.2021.0017
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  1. Music Libraries in Japan During The 1960s: The Time for a Seed to Germinate?
  2. Mari Itoh
  3. pp. 233-243
  4. DOI: 10.1353/fam.2021.0018
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  1. The Acceptance of Studies on European Medieval and Renaissance Music in Japan
  2. Haruyo Miyazaki
  3. pp. 244-253
  4. DOI: 10.1353/fam.2021.0019
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  1. Briefs / Feuilletons
  2. pp. 254-255
  3. DOI: 10.1353/fam.2021.0020
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  1. The Greek RISM Office: Describing Byzantine Music-Related Resources and Other Projects
  2. Maria Aslanidi, Aris Bazmadelis, Arsinoi Ioannidou
  3. pp. 256-266
  4. DOI: 10.1353/fam.2021.0021
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  1. The Music Collection (Ancient Holdings) of the University of Barcelona Library
  2. Antonio Ezquerro-Esteban
  3. pp. 267-272
  4. DOI: 10.1353/fam.2021.0022
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  1. The Oxford Handbook of Musical Repatriation ed. by Frank Gunderson, Robert C. Lancefield and Bret Woods (review)
  2. Gisa Jähnichen
  3. pp. 276-280
  4. DOI: 10.1353/fam.2021.0024
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  1. Sounding Roman: Representation and Performing Identity in Western Turkey by Sonia Tamar Seeman (review)
  2. Elif Damla Yavuz
  3. pp. 280-282
  4. DOI: 10.1353/fam.2021.0025
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