In this Issue

Table of Contents

Preface

Mari Itoh
p. 197
DOI: https://doi.org/10.1353/fam.2021.0026
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How Can We Work With Our Music Communities? On The Occasion of IAML Japanese Branch’s Fortieth Anniversary

Mari Itoh
pp. 198-210
DOI: https://doi.org/10.1353/fam.2021.0027
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Recent Developments in the Japanese Branch of Répertoire International de Littérature Musicale (Rilm National Committee of Japan): Its Task and Future

Tatsuhiko Itoh
pp. 211-216
DOI: https://doi.org/10.1353/fam.2021.0028
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The Old Cummings Collection at the Nanki Music Library

Tsutomu Sasaki, Haruyo Miyazaki
pp. 217-232
DOI: https://doi.org/10.1353/fam.2021.0017
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Music Libraries in Japan During The 1960s: The Time for a Seed to Germinate?

Mari Itoh
pp. 233-243
DOI: https://doi.org/10.1353/fam.2021.0018
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The Acceptance of Studies on European Medieval and Renaissance Music in Japan

Haruyo Miyazaki
pp. 244-253
DOI: https://doi.org/10.1353/fam.2021.0019
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Briefs / Feuilletons

pp. 254-255
DOI: https://doi.org/10.1353/fam.2021.0020
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The Greek RISM Office: Describing Byzantine Music-Related Resources and Other Projects

Maria Aslanidi, Aris Bazmadelis, Arsinoi Ioannidou
pp. 256-266
DOI: https://doi.org/10.1353/fam.2021.0021
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The Music Collection (Ancient Holdings) of the University of Barcelona Library

Antonio Ezquerro-Esteban
pp. 267-272
DOI: https://doi.org/10.1353/fam.2021.0022
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Beethoven: A Life by Jan Caeyers, and: Die zwei Leben des Ludwig van Beethoven by Ulrich Drüner, and: Beethoven: A Political Artist in Revolutionary Times by William Kinderman (review)

Sandi-Jo Malmon, Colin Coleman, Barry A.R. Cooper
pp. 273-276
DOI: https://doi.org/10.1353/fam.2021.0023
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The Oxford Handbook of Musical Repatriation ed. by Frank Gunderson, Robert C. Lancefield and Bret Woods (review)

Gisa Jähnichen
pp. 276-280
DOI: https://doi.org/10.1353/fam.2021.0024
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Sounding Roman: Representation and Performing Identity in Western Turkey by Sonia Tamar Seeman (review)

Elif Damla Yavuz
pp. 280-282
DOI: https://doi.org/10.1353/fam.2021.0025
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